Cat, Tiger and Craft Book: 2013 365 Challenge #34

Amber's photo book and the one I made so Aaron wouldn't feel left out

Amber’s photo book and the one I made for Aaron

Family day today.

Had to write post #33 this morning as I was too tired and poorly last night, which nearly made us late for a birthday party (that and husband couldn’t get out of bed!). I’ve got behind on the daily blogging and am having to write too many of the posts with the kids awake. Must use the next nursery day I get to catch up as it’s impossible to write these posts with the kids yelling at me. (Plus the guilt is all-consuming!)

Parties are always touchy things – they can be overwhelming events and this one was no different. It was at an indoor play area (the kind with ball pits, crawling tunnels and slides).It’s the sort with two levels and Amber got upset if she couldn’t see a parent easily.

Thankfully husband and son came too so we took it in turns to go crawling around after the kids. Okay so I mostly chatted with the Mummies while Daddy did the crawling but that was only fair as I took them to an indoor play centre yesterday and spent three hours like a hamster in a cage.There was also a face painter which is such a great idea. My kids love having their faces painted.

Amber's Photo Journal Glitter-fest

Amber’s Photo Journal Glitter-fest

This afternoon we did one of Amber’s birthday gifts – a “make my own book” craft kit. I wasn’t looking forward to it because I’m a perfectionist so it’s tough watching her cover everything in glitter and stickers.

I spent the time printing out photographs and putting double-sided sticky tape on the back of them while trying to ignore the glitter-fest. I do get told off for taking over and sticking things straight but there’s always a fine-line between letting the kids do everything themselves and helping them create something they’re proud of and will continue to be proud of.

Amber as a cat

Amber as a cat

This evening was all about Rattle. Rattle is Amber’s comforter – a tatty, much loved teddy that someone gave me after they won it in a tombola and saw me with my baby bump. We used to have two (I tracked down a spare on ebay in the US when I realised how important it was becoming) but Rattle2 “went on an adventure” a year or so ago. We tracked another one down in the US recently and had it shipped to my sister. Unfortunately “new Rattle” has been rejected for, well, being too new.

Aaron as a tiger

Aaron as a tiger

Four years of love has made the original Rattle grubby, lumpy and chewed.

Anyway at bedtime this evening we realised Rattle had been left at the indoor play area. They were still open so we rang in a panic and they couldn’t find him. A very sad girl sat hugging New Rattle and sobbing. Thankfully I thought to text the party girl’s mummy and she had picked it up. Better still her wonderful husband drove the dozen miles over to our house to drop him off. Hurrah, child can sleep.

Right, time to think up a new adventure for Claire. I wonder what will happen today. I honestly have no idea until the point at which I open the Word document and start typing.

__________________________________________________________________________________________

“Bagsy I get the bottom bunk; I rather fancy you on top.” Josh’s laughter rang round the small room as Claire glared at him and wrapped her arms around her midriff.

“It’s bad enough that you talked me into sharing a room with you. I can do without the suggestive comments. Don’t push me or I’ll go to reception and move to a dorm. Then you can pay for this whole room by yourself.”

“Surely you’d rather share with just me than a room full of chicks you’ve never met? They might snore.”

“You might snore for all I know. Besides I’ve learned my lesson on that one, I have ear plugs. And don’t think about trying anything either. I’m not interested in a travelling romance. If I hear you climbing that ladder in the night I’ll stick a pin in you.”

“Don’t get your pants twisted Claire I’m a perfect gent. I don’t pursue where I’m not welcome.” He said the words with a glint and Claire was conscious of a warm flush rising up her neck. Ignoring the betrayal of her body Claire dug through her rucksack to retrieve her night-dress and wash bag.

“Nice nighty.”

Claire couldn’t help but laugh. “You’re outrageous. Right, what now?”

“Now we explore.”

It didn’t take long to discover that the hostel had no hidden delights, apart from a little corridor conservatory along from the lounge which was probably lovely in the summer. The whole place felt in need of a refresh, particularly after some of the places Claire had stayed in already. It was like visiting her Gran’s house, before she died. At least it doesn’t smell of boiled cabbage.

“What do people do when they’re hostelling?” Claire sat on the edge of her chair and looked with puzzlement at Josh’s sprawled form.

“Whatever they want. Read, listen to music, chat, meet new people. If you’re lucky someone will start jamming.”

“Jamming?”

“You know, playing the guitar, singing.”

“Oh god, really? How awful.”

It was Josh’s turn to look perplexed. “What did you do to relax when you were at home Claire?”

Claire gave the question some thought. “I didn’t. I was either at work or out.”

“Where did you go out then? You must have had some fun.”

“Oh yes.” She thought about nights drinking with her friends. And then she remembered Susannah’s comments at her leaving party and wondered if they were really friends or just colleagues who bitched about her behind her back. Images of Sunday morning brunches with Michael, and walking in the park to let the wind blow away their hangovers, besieged her brain. They were unwelcome memories and she shoved them away.

“That’s different, though,” Claire continued. “That’s at home with friends and access to a decent wardrobe. What do you do with a sack full of unwashed clothes and no one to party with?”

“You don’t need clothes to party.”

Claire sniggered, drawing a ready grin from Josh. “I didn’t mean it like that but, yes, that’s one way to party. What I meant was you don’t need to dress up to have fun.”

Claire raised an eyebrow at Josh’s stained clothes, muddy trainers and unkempt hair. He wouldn’t even be allowed in to Tiger Tiger.

If Josh was aware of Claire’s critical scrutiny he didn’t show it. Instead he swung his legs down from the arm of the chair and sat forward, making eye contact. “I asked at reception when we checked in, apparently there’s a pub next door that does a bonzer steak pie. Come with me, we’ll have some nosh and I’ll show you how to be social when you’re on the road.”

Claire looked down at her travel-creased clothing and pulled at her greasy hair. “I could really use a shower and a change of clothes.”

“No, you come as you are. Most of the people in there will have been hiking Hadrian’s Wall all day. There won’t be any glamour, you’ll fit right in.”

Unsure how to take his last comment, Claire grabbed her purse and followed Josh out the door.

If nothing else it will be content for the blog. We’re only going to eat a meal and chat with some people, I used to do that all the time at work. How different can it be?

***

Burnt Mash: 2013 365 Challenge Day #30

Amber's 'paint your own tea set' gift. Spot the ones controlling mummy did

Amber’s ‘paint your own tea set’ gift. Spot the ones controlling mummy did

At 11.57 a.m. today my daughter was exactly 4 years old. She was also sick of birthday celebrations and even sobbed “I don’t know if I’m actually four or not” because we’ve been celebrating her 4th birthday since Sunday.

I have learned an important lesson about managing the amount of birthday stuff that happens. Although what the alternative is when a birthday falls on a week day I don’t know. I do have friends who manipulate when their child’s birthday is to suit them but, even though I’m not at all adverse to lying to my children, that is one lie I feel I would struggle to maintain.

(I heard a great story about a mother coming a cropper when her child started school and the teachers gave her a card and sang happy birthday when she didn’t know it was on that day.)

Indoor scootering... they want to go outside but I'm scared!

Indoor scootering… they want to go outside but I’m scared!

Anyway, the birthday is done. We spent the afternoon painting her ‘paint your own tea set’ and scootering around the kitchen. The last present has been given (and it was a great one – a doll that actually swims in water – thank you grandma and grandpa!). Tomorrow begins a new day.

As I write this post I am inhaling the scent of caramelised potatoes and carrots. Not because of some fancy dinner but because I burned the mash while my parents were here. I’m now trying to decide what to cook as well as what on earth I’m going to have happen to Claire this evening as I haven’t done any research today. I think it’s going to have to be something with her new Aussie friend.

Indoor scootering - a great way to burn off excess energy...

Indoor scootering – a great way to burn off excess energy…

I asked my husband last week what should happen to Claire next and he said “surely someone will hit on her?”

He said it with such confidence but I don’t remember anyone ever chatting me up when I travelled around New Zealand. Mind you I was suffering from panic attacks after coming off antidepressants so I probably didn’t give off a come-chat-me-up sort of vibe. I did have an incident with a hitchhiker but I’m saving that story for later on in Claire’s adventures!

My other task for this week is to pull together an electronic version of all the posts for January so I can have it available for people who want to catch up on the story. I’m struggling for a title, if anyone has any ideas. I’m toying with “Two-hundred steps home” because of the 200 YHA hostels and Claire’s journey but it’s a bit vague. I’ve never been any good at coming up with good titles. Any ideas gratefully received!

_________________________________________________________________________________________

“Look, there’s Orion, although it’s upside-down of course. His sword’s pointing skyward, if you know what I mean?” Josh chuckled, the sound spilling out from somewhere deep in his throat. Claire didn’t understand his words but the swell of his laughter washed over her, resonating deep in her midriff.

They stood shoulder to shoulder gazing up at the glitter-strewn sky. It reminded Claire of something Sky might produce at school that would turn up in the post to Aunty Claire, dropping blue sparkles all over her cream carpet.

Standing in the freezing night beneath the myriad of stars Claire realised she had never truly seen the night sky before. In Manchester it was barely possible to distinguish the Big Dipper above the persistent glow of streetlights. Here, deep in the Kielder Forest, it was hard to see the dark of Space in between the sparkling specks of light. She felt like a child in awe of the sight above her.

Claire became aware of the gushing words filling her head and gave a mental shake. All this sky is making me poetic. Time for another G&T I think.

She turned to Josh, to tell him that it was time to go. His silence spread to fill the space around him as he gazed, rapt, at the display above his head. Claire shrugged and turned to stand alongside him again. There’s no real hurry I guess. He’s having fun and it took some effort to get here.

She thought about the skidding, spinning Skoda ride up the snow-strewn path and sighed. Halfway up the track she had stopped the car and made Josh drive, as much to stop his constant stream of advice as to soothe her tattered nerves. When they arrived at the Observatory it was to find that Public Viewing was cancelled due to the weather. Thankfully they were still able to access the decked areas and see the stars with the naked eye.

The word naked caught in Claire’s mind and she became aware, as if for the first time, of the man standing slightly too near her for comfort. She could feel Josh’s coat brushing hers, his woollen clad hands near hers on the railings. Her nostrils filled with the scent of cheap deodorant and cigarette smoke. Not smells that would normally have the kind of effect on her knees that they seemed to be having at that moment.

Josh was pointing out the constellations he knew, explaining which ones could be seen in Australia, upside-down of course, and which ones couldn’t.

“Did you know you can’t see the Pole Star if you’re as much as one degree over the equator? Amazing. We don’t have anything that fixed in the Southern Hemisphere although our stars are brighter, especially the Southern Cross.”

Claire turned so she could hear what Josh was saying without taking down her hood. It was freezing up on the observation deck. Josh glanced round at the movement and his words fell from his mouth and lay dead in the snow. He leaned forwards and raised a mitten-clad hand to Claire’s face.

Claire’s heart beat loudly but not as loud as the clamour filling her brain. What the hell? Oh God is he going to kiss me? I barely know him and he reeks of fags and oh crap it’s just too corny to snog the first Australian guy I meet. Isn’t that what all backpackers do?

Josh’s face came nearer, his breath steaming in the cold air, brushing warmth across Claire’s frozen face. Her eyes widened as the monologue shrilled loudly in her head. She was immobile with indecision. It would be awkward to turn away and avoid the kiss, but not as awkward as what might happen after they came together. The thoughts raced on, wondering if they would sleep together, wondering how that happened exactly if you were both staying in dorm rooms.

They don’t shag in dorms do they? With people trying to sleep all around them? Surely they get a double room? She wondered who ‘they’ were. Some alien species of traveling people? That’s me now, I’m a backpacker too.

Josh’s lips were almost at hers and still no plan of action had presented itself in her jumbled mind. His eyes were closed, a fact Claire found slightly disappointing. She couldn’t remember her first kiss with Michael – they were both too drunk – but she had some idea that first kisses were meant to happen with each of the people gazing longingly at the other until the moment when lips touched and fire exploded.

She felt the first brush of Josh’s lips against hers. They were rough and chapped, and his unshaven cheeks scratched her cold skin. His eyes flew open when she didn’t respond and he looked into her face then, his expression rueful but unabashed.

“Ah well, can’t blame a bloke for trying. You are very hot. Taken?”

He pulled away.

Claire remained still for a moment more as she processed events, unsure why she hadn’t responded. She had wanted to. Every part of her body was throbbing with the need to lose herself in someone’s kisses. Her traitorous brain, not for the first time, seemed to have taken over at the crucial moment.

“Um, no, not taken. Er, you just caught me by surprise that’s all.”

Josh grinned. “Ah, so I I’m free to try again at a better moment? Sweet.”

He turned back to face the stars as if they’d been discussing where to meet for lunch. Claire swallowed, her throat dry, and tried to detangle her jumbled thoughts.

Great, that’s all I need, another bloody complication. Oh Michael, where are you?

She turned and faced the night, seeking answers amongst the stars.

***

“Treat your book like your child”

Parenting or Writing, which is harder?

Over on the NaNoWriMo blog, the Office of Letters and Light, they recently interviewed author Karen M. Cox, whose second novel Find Wonder in All Things was written during a NaNoWriMo. Her novel was awarded an Independent Publishers Book Award, which just shows how great NaNoWriMo can be for unlocking the novel in you.

As part of the interview, Karen gives her top writing, revision, and publishing tips for other NaNoWriMo participants.

These are summarised below:

  • Write every day during NaNoWriMo. The days that I started out ‘behind’ were tough days.    
  • When you stop for the day, know where you’re going tomorrow. It helps eliminate the ‘staring at a blank screen or paper’ syndrome. 
  • Resist the urge to edit until you’ve got the thing out of your brain and onto the stone tablet, paper, or screen. 
  • Find people you trust to give you feedback: [people with] no agenda besides reading good material.
  • Throughout the writing process, treat your book like your child. What I mean is love it, treasure it, brag about it, but be objective and open-minded enough to discipline it—through accepting constructive criticism, editing, rewriting—without losing your long-term vision for when it’s ‘all grown up.’ This is harder than it sounds—you have to weigh others’ opinions without pride and prejudice, yet still stay true to what you want for your ‘child’ in the end.

It was the final point that really stuck in my mind as the most comprehensive piece of advice, but the hardest (for me) to follow. On a bad day the advice would mean me yelling at my book over something stupid and then sobbing in the corner for being a terrible writer, destined to go to Writer Hell in a handcart.

As you can tell, I haven’t sussed parenting yet, particularly the discipline part. I find it hard not to take toddler-defiance personally and I’m often more prone to childish tantrums than they are (I like to think I’m the highly strung artistic sort but that’s probably rubbish!)

I know all the theories of good discipline and on a good day, with lots of sleep, I can be that parent, calmly instigating time-outs and positive rewards. Much as I know the theory of what constitutes good writing and on a good day I can be that writer too, editing with consistency and a clear mind. On a normal day, however, I have as haphazard an approach to editing as I do to parenting: I do what I can do, get frustrated that I’m not doing it better, and constantly fight the urge to throw in the towel.

Maybe I need to write all my first drafts now, play with them and enjoy them, and get to the task of revision and redrafting when I’ve worked out how to be a proper grown-up parent person.

Oh dear, I might never finish a novel.

Children’s Novel Competitions: Mslexia vs Chicken House

Ok so now I have a dilemma. The lovely Helen Yendall over on her Blog About Writing posted a link to another children’s novel competition running this autumn, this time with The Times and the publisher Chicken House.

If you follow my blog, you may know that I am writing a Young-Adult book – Dragon Wraiths – to enter in the Mslexia Children’s Novel competition.

Now I have to decide whether to continue to aim for the Mslexia competition, or to change direction and enter this one with The Times and Chicken House instead. They each have their pros and cons.

The deadline for the Chicken House is later than the Mslexia one (26th October vs. 10th September) but the entry is a full printed manuscript, up to 80,000 words (suggested minimum 30,000 words, which is the same as Mslexia). In the first instance, Mslexia are asking for the first chapter, up to 3000 words, with the full manuscript and synopsis to be sent later, if you are shortlisted. Now this is where the comparison gets tricky.

As well as the wanting the full manuscript, Chicken House state:

Each entry must be accompanied by a brief synopsis, plot plan and a letter of submission explaining the book’s appeal to children. (A plot plan is a chapter-by-chapter breakdown, with a couple of sentences on each, paying attention to the roles of the main characters, dramatic high points, and the most important strands of the plot. The synopsis should be no more than a page, and should give an overview of the complete story, including key characters, events and settings.)

So, how confident am I about my writing? Do I feel my opening chapter has enough impact for me to take the easier (more lazy) route, or will my story come across better will a full synopsis?

The latter, of course.  

I’ve already discussed how I’m worried my first chapter alone isn’t enough without a synopsis, because the dragons don’t come until a third of the way into the book. On the other hand, writing the synopsis is going to be hellish, because the novel skips between two worlds and two timelines, using different fonts (at the moment) to keep it all separate. Also the plot-plan is going to highlight my weaknesses when it comes to planning, as I’m not sure every chapter has a dramatic high point and so on.

There are other differences between the two competitions: the terms and conditions for the Times competition are much more thorough, including lots about the paper having rights forever to publish excerpts of any entry for free. That kind of stuff worries me, but I’ve convinced myself it’s just free publicity, assuming all excerpts are accredited to me as author.

Getting down to the nitty gritty of money, entry into Mslexia is £25 whereas the Times / Chicken House is £15. The minimum winner’s pot, as I read it, is £5,000 and £10,000 respectively. That’s pretty irrelevant: I don’t expect to win, really, although there’s no harm in hope.

The Times/Chicken House Ts & Cs have an interesting one-liner on what they are looking for:

The winner will be the entrant whose story, in the opinion of the judges, demonstrates the greatest entertainment value, quality, originality and suitability for children aged 7-18.

That’s a tall order for any author, but something we should all aspire to. I have no idea whether my idea is original and I don’t know any young-adults to try it out for entertainment or suitability. I guess these are things outside my control in a way. I find the story entertaining, and I like Young-Adult fiction (I’m re-reading Philip Pulman’s His Dark Materials at the moment, and finding it hard to put down, even though I’ve read it before)

Despite the entry cost I am extremely tempted to submit to both competitions. I can’t find anything in the rules expressly forbidding it. I would love to double my chances of at least getting some great feedback and the Times/Chicken House competition offers editorial feedback to the 20 shortlisted entries. That is something I can aim for.

Of course, there might be a problem if I won both competitions, but wouldn’t that be a nice problem to have? 😉

 

Other Links:

Competition Rules:

http://www.thetimes.co.uk/tto/public/competitions/article3375938.ece

http://mslexia.co.uk/whatson/msbusiness/ncomp_rules.php

The Chicken House Writer’s Guide

Gardening and Planning

The garden after much levelling and grass-sowing

Last Thursday afternoon I took some time off to tame our feral garden. The sun made an unexpected appearance and I couldn’t miss the opportunity.

We’ve been faffing around inexcusably regarding what to do with bits of our lawn. One large section is a mess, after we had a boat standing there for years (a long story). We sold the boat a few months ago and since then the whole area has been an eye-sore and child-trap: full of bits of rubbish, holes the dog dug under the boat and many vicious weeds.

Husband wanted to fill the holes with top-soil, roller it flat, make it as gorgeous as a cricket pitch. I want somewhere the kids can play without getting stung or covered in mud or breaking their ankle.

In our family, husband is responsible for all things outside and DIY, while I do all things indoors and domestic. I have recently taken over lawn mowing while husband has been away with work, much to my 3-year-old daughter’s bewilderment.

The first time I dragged the lawnmower out of the shed she looked at me as if I’d grown horns.

“Mummy, that’s daddy’s job.”

I couldn’t figure out how to get the mower started and after twenty minutes I was sweating and cursing. Her response was:

“Better leave it to daddy.”

Needless to say she had a quick lesson in woman’s lib and not giving up and I was given the motivation required to approach the task more calmly and find the dead-switch.

As well as mowing this Thursday I decided to tackle the ugly-eye-sore spot. First thing was to shift a giant tarpaulin and wood pile, trying not to scream too loudly when I uncovered a nest of tiny mice. (I covered them with a plant pot and they were later relocated by their mummy.)

As I was moving planks, filling holes, scattering grass seed and generally trying to reclaim half my lawn for the kids, I got to thinking about writing (as I often do when my hands are busy but my mind is not.)

I see metaphors everywhere; it was easy to get distracted by what it symbolised to leave baby mice safely hidden, only to trap them later when they venture into our house, or the futility of planting grass seed for the birds to eat. Maybe the wasted effort of reclaiming lawn when it hasn’t stopped raining for three months and the long-term forecast isn’t much better.

In the end what stuck in my mind the most was the conflicting lures of planning versus getting stuck in. When I write, I generally just get stuck in, and the ideas follow (hopefully) one upon another as I type. I’ve often thought I should plan more. One writer I know sketches every scene before writing anything and has a prescribed number of chapters in a book and so on.

That fills me with awe and terror.

Awe because I can’t write like that and terror because I feel I probably should. How can I call myself a writer when I stumble along hoping a story comes to me as I type?  Except I recently read that even well-known published authors occasionally have the same approach.

Looking at our garden my conclusion was it’s okay to just get stuck in, although a little planning doesn’t hurt. If I had got stuck in at the beginning of summer, without worrying about a plan, we’d have lawn by now. A lumpy lawn, full of weeds and holes, but a lawn nonetheless. In this case planning equalled procrastination (to be fair, mostly it was due to my husband being just too busy). However I did lose an hour of gardening time on Thursday having to go buy grass seed, so some planning might have helped. The main thing is, when I look at the flat seeded area now (see photo) I am filled with a huge sense of satisfaction and progress, no matter how uneven the end result.

I have reached deadlock with my Young Adult novel, Dragon Wraiths, because I have to create a new world and a history. I am dealing with two planets and two timelines, and planning really is essential to keep it all straight.

But I hate planning.

I don’t like reaching the end of a day with no increase in word-count. There is no sense of satisfaction, just a growing confusion, and sense that I could probably plan forever and never be fully satisfied. My creativity doesn’t function unless I am actually writing. I may as well be doing school essays.

Reading what I’ve written so far I realise that lack of planning hasn’t held me back from writing some good stuff.  I mostly know where the story is going, in my mind, I just don’t always know how it is going to get there until I start writing it down.

So, I could fart about worrying about the details of my world and have no story to enter in the Mslexia competition in September. Or I could break a dozen rules, just keep writing, and add the history in the second draft.

Maybe sometimes you just have to get stuck in and not worry if it’s lumpy and full of holes. After all you can’t edit a blank page any more than you can mow dirt.

Waiting, Dragons, Tennis and Sleep

Wimbledon 2007 – photo by Kol Tregaskes on Flickr

Pictures of Love, my WIP, is out with beta readers. I’ve never had anyone but family or agents read my work before. The former have always loved it, the latter rejected it. So I wait with more than a small amount of trepidation.

To use the time well (hopefully) I have gone back to my Young Adult book, Dragon Wraiths, which I hope to enter in the Mslexia Children’s Novel competition in September. I had put the idea on hold, because the rules state: Women who have had a novel published commercially, for any age group, in any country, are not eligible.

As I hope to self-publish Pictures of Love in August, I figured that meant I couldn’t enter. But I read the rules again, more closely, and it says Self-published manuscripts are eligible, so it’s game on.

Only now I’ve read the rules again I’ve spotted that the entry is 3000 words with no synopsis.

Eek.

The dragons don’t come in until Part Two, a third of the way through the book, and the weighty stuff about global warming etc comes in Part Three, (assuming I can research enough by the September deadline; it’s a new addition to the story).

How can I get enough plot into 3000 words to hook a reader, and still have character development, voice, YA themes and all that jazz, without a synopsis? I guess I have to finish the first draft and see how much time I have left before I worry about it.

That’s if I can stay awake.

Youngest child has had an ear infection, together with a lovely temperature of 39.2 for days, so sleep has been a rare commodity all round. Husband and I have been staggering about sighing I’m so tired; so much so that it’s my eldest child’s favourite excuse every time she has the screaming heebie-jeebies (by the way, I love that Word has that in its dictionary!).

“But mummy I’m just so tired, that’s why I lashed out and threw something at you.”

I have to bite my tongue on snapping back, “You slept for ten hours last night, I’ve barely had that this whole week!”

One of the by-products of sleep deprivation is that I, too, become a tiresome three-year-old.

As a result, my return to writing today, after two weeks without penning a word, as I wrestled with Lulu printing and e-book formatting (posts to come), only lasted until lunchtime. Then I had to admit defeat, close the laptop and turn on the tennis. I saw about three shots before I fell asleep.

Now I’m walking the dog, hoping the rain and soggy trousers will wake me up enough to finish my chapter before I collect the kids.

Or I might go nap in front of Murray.

This is WriterMummy saying night night.

 

P.S. Can’t sleep. Murray is making me too nervous. Come on Murray, hold your serve!

Life, recycled

www.amanda-martin.co.ukBefore I decided to try my hand at writing, and discovered an overwhelming need to pen novels, I took various other paths to a creative future.

I worked in marketing, designing the horrible colourful mailing packs that arrive on your doormat, which you chuck in the bin. I worked in PR, writing the internal communications magazines and announcements that make you chuckle and shake your head in disbelief, when you get them from head office.

I went self-employed and tried to make money selling my abstract paintings. I took a study course with the Open University to improve my photography and tried to make that my next endeavour. I set up a small company, Daisy Chain Marketing, and built websites for small businesses.

Nothing really took off, mostly because they all required me to sell myself, and it turned out that was the one thing I was rubbish at.

When I found creative writing, and nanowrimo found me, my whole world changed. Writing was what I wanted to do. That self-selling part is still a sticking point, but in terms of time, I only have to worry about it at the end. I can write merrily for nine-months before I have to poke my head out my shell and worry about what to do with my work.

Having found writing, I then berated myself for not finding it sooner. All those years, pre-kids, when I was farting around trying to be an artist, a photographer, a marketer, I could have been writing novels.

What a waste.

Except it turns out not to have been a waste at all. Because I’m at the sticky end now: I am thinking about selling my first novel. And I am discovering that I can recycle all those old skills I learnt. Skills I didn’t know I had, or took for granted.

Need a book cover? Easy. Source an image online, using all the marketing sites from old. Need to put it in the right format? No worries. Use the adobe photoshop software from my photo-editing course. New website? A doddle. All that time building simple websites with Mr Site meant I could knock one up on a Saturday afternoon, while watching the kids build sandcastles in the garden. Need to send out a press release for the forthcoming publication of Pictures of Love? Not a problem. I have press release templates a-plenty.

Okay, so nothing looks quite as good as it would if I had paid a professional to do it. My front cover probably screams self-designed/self-published. My website is a bit sparse and basic (I don’t do html). The press release may well get consigned to the waste-paper basket. But it hasn’t cost me anything, and I have had a lot of fun.

And who knew those old redundant skills could be recycled so effectively?

Another by-product of my sporadic career is subject matter. In Pictures of Love, Helen wants to be a photographer. In The Real Gentleman, my leading lady has a painting exhibition. Sam, from In bonds of love, travels around New Zealand, and a chunk of Finding Lucy  is set at the kind of corporate events I used to help organise during my time in Internal Comms.

I guess write what you know is easier if what you know and what you’ve done covers a lot of ground. So, there you go, when I thought I was being flaky, I was actually building up a stock of experiences to write about later and a whole bunch of skills to promote it afterwards.

What skills from your former life have you found to be useful during your writing/publishing?

P.S. you can find my website at www.amanda-martin.co.uk. If it would be useful I would be happy to write a post about any or all of these ‘skills’, such as designing book covers or building easy websites.

 

Making Butterflies

Today I made butterflies.

It seemed the only productive thing to do, and they look pretty.

Sometimes when my brain is full or aching or lost I find it soothing to sew things. I am rubbish at sewing, but I like having my hands busy and my mind blank. Well, never blank, but drifting, if you know what I mean.

I seem to have reached a crisis point in my life; a quiet creeping sort of crisis that has fallen on me like fog, rather than crashing into my life like a runaway train in a disaster movie as my crises normally do. It is a fog with all sorts of horrible things lurking in it. I hate horror.

All the things I have struggled with my whole life seem to have come crunching together this week. My lack of confidence and self-belief have crunched against my delusional confident sense of self. A see-saw of I’m a crap writer, I can write, I’m a crap writer, I can write. Alongside that, my lazy self is yelling at my hardworking persona. My lazy self says It’s good enough, just move on. My hardworking persona says; you know that’s rubbish. The whole thing needs tearing apart and putting back together again. My Mummy self says, give it up and focus on the children. My working self says; you gotta earn some cash.  My sensible self says, well you aint going to do that writing, which prompts the realistic voice to pipe up; best get a proper job if money is what you want.

In the end I arrive at the same point I have reached many times in my life. I want someone else to tell me what to do. So I read some blogs, some books, a load of web pages. I read the helpful feedback on my blog and on other blogs.

And then I go slightly crazy.

They say being a writer is a lonely business, but once you tentatively reach out to the internet, there are a million voices, all offering advice. I started listening to those voices sometime last week, and now my ears are ringing worse than tinnitus.

So I asked myself, what do I want? And here are my answers, in the order they came to me:

1. I want to make money

2. I want positive feedback from my endeavours

3. I want to write

Now even in my delusional state I know that those three things are in the wrong order, and actually the middle one shouldn’t be there at all.

I know that the only way to write anything worth reading is to do it because you are passionate about it, not for financial gain.

I know that if you rely on glowing reviews to give you confidence you are destined to be miserable forever.

I know that very very few people make a living out of writing.

I know all those things as facts, but I cannot change the way I feel. I cannot still the voice that wants those three things. And because those three things are, essentially, mutually exclusive, I am frozen.

Do I go back to attempting to write Mills & Boon, as the way most likely to provide an income, if I can hit upon the style of writing they are happy with?

Do I sign up to a course, such as the HTRYN that has been recommended to me, to beat my current WIP into shape, fixing all the things I know that are wrong with it, such as lack of a decent main character (It needs  lots of work to be the novel I know it can be)?

Do I tidy my novel up around the edges and keep sending it out to agents, hoping to get lucky because, hey, I’ve read a lot worse?

Or do I pack it all in for another year, as I did when my son was born, and focus instead on being the Mummy I should be, rather than the Writer I want to be?

I have no answers.

In the meantime, I will keep making butterflies. At least the kids agreed, when they got home, that they are pretty.

Maybe I’m not lazy after all

Edit Ruthlessly

I think I’ve discovered my problem with editing. I always thought I was just lazy, each time I found myself resisting the necessary process of honing and polishing my work. After all, serious writers spend months and years editing and I can hardly bring myself to do a few days before I’m ready to start writing a new novel from scratch. I’m clearly not a serious writer, just a housewife with delusions.

But maybe it isn’t that at all (well, perhaps the delusions bit is true).

I think the problem is to do with visible progress.

When you write a first draft you can watch the word count growing, the number of chapters increasing. Characters develop and do crazy things, taking your carefully crafted outline in a new and unexpected direction. It creates a buzz, fills you with euphoria. It’s like going for a run, when everything is working properly and you feel like you could fly if only you knew how.

With editing there is no way to track progress. Word count, if anything, goes down. Chapters need to be moved, re-numbered, scrapped. And who’s to say the chapter you’ve just spent three hours rewriting is actually any better? It’s more akin to doing housework: five hours’ of effort and what is there to show for it, particularly after the kids have been home five minutes.

I get confused, too, with what I’m actually doing. Am I checking for readability? Grammar? Continuity errors? If I’ve spotted a character gap do I go fix that, trying to find the right place to add in extra scenes or sentences that will make the character work, or do I stick with my linear progression through the novel?

I’m not the most organised person and I find it hard keeping track of what needs changing, particularly when I only work on it two days a week, with two or three days of childcare in between. (There’s nothing like 57 verses of Wheels on the Bus to dam your creative flow.)

I could do with a tool that magically highlights everything written about one character in green, another in red. All adverbs could be in blue, all passive tense in orange. Clichés could be highlighted in flashing letters so you can pick them off one by one. Even better would be a tool that says ‘This bit’s great, this bit is pants, re-write it.’ (I know, now I’m just being silly.)

Thinking about it seriously though, there are probably thousands of writing programmes out that that might make me more organised. Maybe I should look for one. Or is that just another form of procrastination (like starting a new novel or short story) to take me away from the unavoidable hard slog of editing? I think I probably know the answer.

Still, if anyone knows of super-organising software that won’t kill my netbook, I’d love to hear about it.

P.S. Since writing this post (while out walking the dog, as usual) I have downloaded the free trial of Scrivener, which I have been meaning to do since completing Nanowrimo last November. So far I’m half an hour in to the two-hour tutorial and it does look as if it might be helpful, if only I can figure how to use it!

Anyone used it before?

Hurrah for the web!

Sometimes all you need is a nudge in the right direction.

After panicking and dreading the writing of my synopsis, and after writing a couple of terrible, long-winded drafts that broke every rule in terms of length, style, content and readability, all I really needed was a nice step by step guide. And I found it here.

http://mslexia.co.uk/getpublished/pub_wkshop3.php

Following each step described here, I now have a basic synopsis that just needs tightening and shortening slightly.

The same website has also yielded some great advice on titles – http://mslexia.co.uk/getpublished/pub_wkshop1.php  – causing me to change mine from the boring/abstract Pictures of Love to the more specific (if still a bit predictable) Baby Blues and Wedding Shoes.

Now I just need to work on my first chapter. I am certain it wouldn’t pass Miss Snark’s Crap-o-meter, discovered at another great (and sadly discontinued) blog:

http://misssnark.blogspot.co.uk/search/label/Crapometer-first%20pages

Miss Snark has also done a Crap-o-meter on synopsis writing, so I can check the quality of mine against an agent’s idea of excellent (or crap!).

Finally I found some lovely words of advice and encouragement on Billie Jo’s blog, here:

http://usaukwoods.wordpress.com/2012/05/11/synopsis-writing-ugh/

Hurrah for the web.