Let it snow, Let it snow, Let it melt. Day #15 of the 2013 Challenge.

My husband and I had fun building this while the kids were at nursery

I’ve spent most of today trying to get back to editing Pictures of Love while watching the snow get steadily thicker outside. I need to monitor the snow to make sure it doesn’t get so heavy we can’t get to nursery to pick the kids up.

My kids looking very unimpressed to be out in the snow at 7.30am

I took them out in the snow before we left this morning, in case it doesn’t hang around, and they were ready to come in after five minutes. They prefer a nice deep muddy puddle or a warm sandy beach I think. Daddy’s going to be disappointed – he’s desperate for them to be able to put their own gloves on so we can all go skiing.

It’s been hard getting back to Pictures of Love. I know it so well now I am truly sick of reading it (hence why the first chapters are so much more polished than the last. This is the fifth time I’ve sat down to edit it and I don’t think I’ve made it to the end once). My boredom makes me think I should just bin it and accept it’s never going to fly.

Somehow I can’t do that.

My husband was rather pleased with his snowman

It isn’t just all the hours that have gone into writing it. It’s more the ‘not giving up’ ethos that I know goes with being a writer. Who am I to say it’s awful? Anything that’s familiar becomes ordinary no matter how beautiful it may appear to someone else.

I recently got back the critique of the first chapter I paid for as part of a competition and it was surprisingly enthusiastic. I’ve had the first chapter critiqued before and they basically tore it to shreds, finding nothing to commend it. I’m okay with criticism but you’ve got to have something to build on! This time, though, it was praised for its strong voice and humour – things I was worried it didn’t have.

So I’m not giving up, just plod-plodding along. I’ve decided to send out some query letters – the novel isn’t ready to be self-published so I may as well fill the time somehow. At least I know the first three chapters are polished! (By the way, how bloomin’ long does it take to write query letters and find people to send them to! I can’t believe how many hours I can lose and still only send one query…)

Enough rambling. Here is the latest installment of the YHA Novel.

_____________________________________________________________________________

“Claire, over here!”

Claire looked round the half-empty pub for a familiar face but nothing jumped out. She was casting her gaze back across the bar when she saw a hand waving from a dark corner.

“Kim, there you are.” Claire made her way through stools and tables to reach her friend. “Your hair! My God, I didn’t recognise you.”

She bent over to kiss her friend’s cheek before sliding in next to her. Her eyes fixed on the bright red points sticking up from her Kim’s head. “I don’t know what’s more dramatic, the colour or the spikes.”

“I know, wicked isn’t it? Mum hates it…” She giggled like a little girl.

“Kim, you’re not sixteen anymore you know: pissing off your mum doesn’t need to be your primary concern.” She laughed, but in truth she was shocked. Kim’s hair had always been a beautiful blonde. It was the reason they met.

Claire remembered it, even now. She had crossed the playground on their first day at primary school and asked if she could touch Kim’s hair. It had been soft, like a fairy princess’s. Claire had tugged at her own thick brown locks in disgust. Now Claire stroked her dark straight hair and marvelled at her friend’s bravery.

“Oh I didn’t do it just to annoy Mum, although that’s always fun. No, I’m in a play, it’s part of the costume.”

“Is it a wig?”

“Nah, they offered one but where’s the fun in that?”

Claire laughed at her friend. “Shall I get drinks?”

Kim nodded. It was an unspoken rule between them that Claire got the drinks. Kim had been an actress since University and had yet to secure anything that paid more than a pittance, while Claire’s work had always been well remunerated.

“So, what’s the play?”

“Midsummer Night’s Dream. I’m playing puck.”

“Hey, that’s great. I thought puck was normally a boy?”

Kim smiled cheekily, looking every inch the playful character. “There’s no ‘normally’ in Shakespeare. You’ve got to remember they were all originally played by men.”

“Talking of men, how’s yours?”

Kim flushed and grinned. “Hot, hard, handsome.”

Claire felt a pain under her rib cage at the look on her friend’s face. Kim had been engaged to her fiancé Jeff for two years. They were waiting for more affluent circumstances before they got married. The girls hadn’t seen each other for months, not since Michael, although they were linked on Facebook. Claire tensed, waiting for Kim to start the twenty questions. She stared at her drink then flicked her eyes up to her friend’s pale pixie face.

“Your mum told me you were starting a new assignment.” Kim gazed at Claire over her glass and they shared a look which said they knew what wasn’t being discussed. Claire smiled gratefully then took a gulp of her G&T before taking in what Kim had said.

“Mum said that? Blimey, I thought she never listened to a word I said. Wonders never cease.”

“So, come on, what’s the assignment? What drags you out of Manchester mid-week to visit folks and old friends? Not that you rang me…” She raised an eyebrow in mock censure.

“Sorry Kim, my head’s been all over the place. I only decided last night that I was going to come home today.” Claire paused, trying to decide how much to say. Even though they had known each other for over two decades, she and Kim hadn’t been close all that time. When Claire had been sent to public school the girls had drifted apart. They’d got back in touch during their University years and caught up for drinks when Claire was in Cambridge, which wasn’t often.

“You don’t have to tell me if you don’t want to.” Kim didn’t sound put-out, just genuinely as if she didn’t want to press her friend for information. Claire thought about the people at AJC she had regarded as friends. Maybe there’s more to friendship than sharing a taste in shoes and handbags. And hairstyles, she added, glancing at the pillar-box red locks shining above Kim’s face.

“They’re trying to make me resign.” It was the first time Claire had said it out loud as if it were fact. She was gratified to see the horror on Kim’s face.

“How? Why?”

“The how is easy, I’m not so sure about the why.” Claire took a deep breath before launching into the tale of her last few weeks, right up to buying her new boots. She angled her foot out from under the table. “Gorgeous aren’t they?”

“I’d rather have the £130 quid!” Kim laughed. “I could buy some fake Uggs for a tenner and pay two weeks rent with the rest.” She let her cheeks fall into an approximation of a serious expression. “So, you’re taking on the assignment then?”

Claire hadn’t told Kim about her Maldives plan. She didn’t want Kim to think of her as a quitter. “Yes, I’ll be driving up to Berwick on Friday.”

“Wow, you’re so brave. That’s about as far out your comfort zone as me putting on tights and heels and tip-tapping into your office to sit at your desk.” She grinned at the mental image and mimed typing at a computer. “Would it suit me?”

Claire laughed too, feeling some of the tension leave her face and shoulders. “You’d be brilliant. You could give Polly, Molly and Sally a run for their money.”

“What are they, the office cats?”

“In a manner of speaking.”

“Make sure you stay in touch. I don’t get to see much of the country unless it’s the inside of a theatre. Post pictures.”

“That’s part of the assignment. Not that I’ve given it much thought. I suppose I’d better think of a blog name, a Twitter handle, all that bollocks.” She took another swig of G&T. “What should it be? My boss is trying to hound me out?”

“How about Posh Girl Goes Camping?” Kim sniggered. “Not that it’s anything like camping. Most of the rooms are en-suite these days.”

“How about Around England in Thirty Starbucks?” Claire thought about her budget. “Not that I’ll be able to afford them anymore.

“Have Helly Hansons, will travel?”

“Now you’re being silly! No, nothing’s really grabbing me.”

“You’re an Advertising Guru, surely you can think of something?”

Claire sighed. “Apparently I’m not a very good one. Advertising is all about promotion, but who wants to read about my slumming it in hostels for a whole year? I bet Coca Cola had nothing to do with it, it’s all just a sham cooked up by Carl.”

“What if it isn’t though?” Kim looked thoughtful. “I mean, Coca Cola, that’s huge. A horrid Corporate conglomerate peddling a disgusting unhealthy drink but, in your world, it’s big cheese. It might be your chance to get your revenge on your stupid boss.”

Claire considered Kim’s words. She’d forgotten Coca Cola. What if the assignment was for real?

Maybe I should start taking it a bit more seriously.

***

NaNoWriMo irony

The cover I mocked-up for Dragon Wraiths to print a copy via Lulu

I’ve been really struggling this week. Not just with a bad cold, conjunctivitis and a newly-unemployed husband at home scuppering my writing routine. None of those things has helped, of course, any more than the freezing rain, or the end of British Summer Time that has resulted in my kids getting up at 5.30pm every day.

No, what’s really killed my Muse at the worst possible time is the appearance of an unknown character in my head: my Willing Editor.

I’ve met my Inner Editor before – that nasty critic who stops me writing before I’ve even started and tells me everything I write is rubbish. I’m even on nodding acquaintance with my Reluctant Editor. The one who half-edited Pictures of Love before getting bored, and who tortuously ploughed through Dragon Wraiths to meet a deadline.

But to want to edit? To want to edit more than write something new for NaNoWriMo?

Unheard of.

Until now.

I think the change came when my husband commented on how much easier it was to read the second draft of Dragon Wraiths and has told me several times since how impressed he is at how good my editing was.

Praise – it works every time.

Also I’m deliriously happy that I managed to edit Dragon Wraiths enough to make the darn thing actually made sense. For the first time editing has produced tangible results rather than just giving me a headache. Hurrah.

The irony?

Well it’s Nano. I wasn’t going to do it this year, knowing I had too many projects on and am neglecting the family as a result. But I got swept up in the online chat, the excitement, the buzz (although that’s not being helped at present by the fact I’m not receiving the pep-talk emails. I really miss them and hope the guys at Nano fix the problem soon.) I persuaded my husband and my best friend to give NaNoWriMo a try this year. I wrote my top tips which said just get on and do it.

Then I got Writer’s block on a scale I’ve never experienced before. It has taken me five days to even settle on a topic and the one I have chosen is an old novel idea that’s so technical I keep getting dragged off into research. Thus far I’ve managed 1600 words including the synopsis.

Oh, and I’ve edited 30 pages of Pictures of Love. Properly this time. And do you know what? I think I enjoyed that more!

What if anything has derailed your NaNoWriMo this year? Will you get back on track? I now have a dual target of 50k words and 500 pages of editing for November. Apparently I work best under pressure.

p.s. one of my best NaNoWriMo-avoidance activities this week was making a mock front cover for Dragon Wraiths so I could print a copy for my mum for her birthday. It’s not what I’d choose for a final cover but I was pleased I managed to turn a word doc into a printed Lulu book (interior and exterior) in eight hours!

Always get a second opinion

I love a printed manuscript: it LOOKS like 7 months’ work

This week my Young Adult novel, Dragon Wraiths, got long-listed for the Mslexia Children’s Novel Competition. I would like to say I was thrilled when I received the email, but I’d be lying. It came only hours after I had typed up the last second-draft-edit amends and vowed to put the darn novel in the bin/cupboard/big pit in the garden because, seven months after starting it, I still had no idea what it was about.

Instead my overwhelming emotion was fear. How could I send my manuscript off, all 112,500 words of it, with my name on the front (though thankfully the competition is judged anonymously) when I KNEW it was a pile of crap? But I had come so far, invested 7 months of my life, not to say thousands of pounds of nursery fees, plus the competition entry fee. I wasn’t giving up.

So I called in the troops. Sent the novel to my mother and pleaded with her to read it and tell me the most awful plot-hole-disaster bits so I could focus on fixing them before sending the manuscript off a week later.

That was Thursday night. On Friday, when I took the kids over to see her as usual she had to tear herself away from reading the book. My book. Friday night she sent a copy over to my step-dad’s iPad and Saturday morning (early) I got a text to say he was so engrossed she couldn’t get a word out of him. That of course spurred my husband to start reading it again, the edited version this time. I have learned an important lesson about waiting to give out the edited version because he soon couldn’t put it down. (He sat in the car while I took the kids to an indoor play centre on Sunday on the excuse that he had a cold and it was too hot and noisy, when really he wanted to keep reading.)

By Sunday night everyone had finished it.

My step-dad (who isn’t an avid reader, but loved the Twilight series) said “Book 2 Please”.

“What about the plot holes?” I asked, perplexed.

“Well, apart from saying she’s never been camping in part 2 when part 1 pretty much opens with her camping on a hillside, we didn’t find any plot holes.”

“What about the ending? Doesn’t it all feel a bit forced?” It took weeks of agonizing to try to make sense of it all, with me cursing my Pantser habits all the while.

“Ending was great, it all made sense.”

I sat and stared, open mouthed.

So instead of spending this week desperately re-writing huge chunks of my novel I have been calmly tweaking the one or two weak scenes my husband highlighted. Today I printed out all 462 pages and posted it.

Dear manuscript, all my blessings go with you

Leaving me free to start NaNoWriMo tomorrow.

Of course, that’s a different ball game entirely. I was going to rework one of my romances for Nano this year, but now I’m thinking about starting a sequel to Dragon Wraiths. Who knows, unlikely as it seems to me, it might actually go somewhere.

What have I learned?

I’ve always been too scared to relinquish my work to a critique group for fear of being told to give up writing and go back to the day job. I know family members are biased, but my parents don’t give up their weekends lightly. If they read my book non-stop to the end it was because they wanted to. That must count for something. Maybe I need to have more faith in myself.

Writing is a solitary business and editing is worse because you don’t even really have your characters for company. It’s easy to forget what’s good about your novel. You get too close, you lose the ability to feel the suspense, to be swept up in the drama.

My advice? When you have torn your novel apart and rebuilt it from the ground up, and you still think it stinks, remember – ask for a fresh opinion. You might just be pleasantly surprised.

The Knife of Never Letting Go ~ All about conflict

I have just finished reading The Knife of Never Letting Go by Patrick Ness – part of the reason why I have been quiet on the blog for a while. That and I have been writing a guest post for Findingmycreature, which will hopefully be on her blog sometime in November.

The Knife of Never Letting Go is a stunning book, one that drags you along from the first sentence to the last. I have learned a great deal from reading it, as it consolidated some of the lessons I have been taught through reading blog posts such as Kristen Lamb’s on the role of conflict and Annie Cardi’s on the importance of voice in Young Adult literature.

The voice of Patrick Ness’s main character, Todd Hewitt, is so well realised I almost wept with envy. It has made me revisit my Young Adult book, Dragon Wraiths, and realise there is little distinction between my voice and my lead protagonist’s voice, despite Leah being 20 years younger than I am. I have a lot to learn about creating the voice of a teenager and I may have to wait a decade until my daughter is one before I can recreate the voice as authentically as Ness has.

The book also has conflict in bucket-loads. There is conflict in every scene right through to the very last line. The pace is relentless and the story so compelling it made me sit up until 2am to finish it, even though I knew there was a chance the kids would then kept me awake the rest of the night (they did).

However the book also left me bereft and unsettled because (for me) there was too much conflict. Even when there was the occasional scene without conflict, I knew it was just creating the calm before storm, setting up the irony for when it all went pear-shaped again.

I’m a Libra, we like balance and harmony. My inner peace is wrenched apart by too much conflict. As a result, even though I accept the advice from people like Kristen Lamb about the importance of Goal – Conflict – Disaster, I find it very hard to write. My attempts either become terribly predictable: Oh look, my character is happy, let’s throw some crap at them and make them feel rotten, or I shy away from the places where I could ratchet up the tension and let my protagonist off far too easily.

Reading through Dragon Wraiths I found myself noting again and again – Make more of this, build up this scene, make it harder for Leah. When there’s a sentry in Leah’s way he doesn’t chase her for a league making her terrified and sweeping us up in her fear. Instead he’s distracted by his grumbling tummy and she sneaks past. Another security guard is conveniently on the floor above when she needs to avoid detection. She’s running from the authorities but not once is she approached by a policeman or gets accosted by some busybody in the street who has seen her face on TV. The entire book has less conflict than an episode of Noddy.

I guess the problem for me is that my life is full of enough (generally internal) conflict that I read to escape. At times in The Knife of Never Letting Go I found myself skipping ahead during the most tense and dramatic scenes, to find out the end result, because they were so drawn out I couldn’t sustain that level of suspense for so many pages. It was so expertly written, and I was so caught up in Todd’s exploits, particularly as a result of the very intimate first-person-present prose, that I had to metaphorically hide behind a cushion for some of the scenes. Only Doctor Who ever normally makes me do that (and the only characters in Doctor Who that have made me do that since I was eight are the Angels).

All that aside, Patrick Ness has written an amazing novel with a brilliant concept, 4D characters (my favourite being Manchee the talking dog) and enough things to get me thinking about my own characters’ voices and motivations to keep me re-writing Dragon Wraiths for a decade. It’s just a shame about the cliff-hanger ending. The characters were left in danger. I hate that. And I’m not ready to read the next one in the series yet. After a novel that edgy I need at least three Georgette Heyers to restore my equilibrium. Now, where did I put Friday’s Child?

Revision blues

I have revision blues. I was so excited about starting to revise my WIP but I still have no real understanding of how to go about it, and when I can’t do something it makes me sad. Not very helpful or grown up, I know. If my daughter said such a thing to me I’d tell her it just takes practice and it’s okay to ask for help. She’s three. It’s okay not to know how to do something when you’re three!

I like to think it’s the impossible deadline (combined with a killer cold) that has sucked my motivation, but that’s just an excuse. I’m good at excuses. If I’m honest (in a way you can only really be with yourself at 1am) the difficulty with revision is that it exposes how little I truly know about writing.

I hate being a novice.

I nearly sobbed in rowing today because the coach was telling me I was doing it all wrong. It was only my fourth lesson but I’d done so well the week before it was crushing to be told I was rubbish. No one is more critical of me than me and I get extremely frustrated at myself if I can’t do something. To the point that – like my stroppy three-year-old – I stomp my foot, yell “Can’t do it!” and chuck whatever item I’m holding across the room. (Did I mention I’m more of a child than she is sometimes?)

I read another instructive blog by Kristen Lamb this week, this one was about structure and how it separates the beginners from the professional writers. I confess I didn’t completely understand the blog which probably puts me firmly in the not about to be published anytime soon camp! I do at least own the Plot and Structure book she quotes from: I just need to read it.

So, as well as trying to polish a first draft in an impossible six weeks, just in case I’m shortlisted for the Mslexia award, I’m trying to learn how to write and how to revise all at the same time. It’s no wonder I’ve picked up Garth Nix’s Keys to the Kingdom again. I’m already on Drowned Wednesday. I may not know much about scene and sequel or Goal – Conflict – Disaster but when it comes to displacement activity I’m a master.

The one positive I’ve had so far is discovering a useful revision summary by KittyB78. It doesn’t tell me how to revise but it does give some things to look for, such as scene flow and characterisation. I like the idea of highlighting different parts, like dialogue, internal thought, characterisation, in different colours. There are also some other great revision tips in the comments.

My biggest challenge this year might be resisting the urge to do NaNoWriMo again. I love it and several of my (unfinished) novels were born in November. However the last thing I need right now is another first draft to nag at me and distract me from actually finalising one of my existing manuscripts. Kristen Lamb is always talking about writers being distracted by the next new shiny.

That’s me!

Writing first drafts is so easy compared with revision and yet seems more like Writer work, so I don’t feel guilty for being unemployed as I do most days. If only they could do a revision equivalent of NaNoWriMo, to help and motivate you to beat a Nano first draft into shape. Now that I’d sign up to!

Anyway I think my darling son is finally asleep, despite the tap-taping of my mobile phone and the eerie sight of me up-lit in the darkness, so it’s back to bed for me. I haven’t revised more than a page in a week so must get a good day in tomorrow.

May the muse be ever in your favour.

Learning to row and little ones growing up

Turns out rowing is in my family’s blood!

I must apologise for my prolonged silence. When my babies were born a childminder I met said, “As a parent of very young children your world will shrink to a tiny point where the only things that matter are whether they eat and sleep and are happy. As they grow older you will begin to remember that there’s a whole other world out there.”

As my son’s second birthday approaches (this Friday – I can’t believe it) that prophecy has become true. All of a sudden I have re-joined the human race. As a result, some things – like my writing and this blog – have been forced into the background, despite my best intentions that that wouldn’t happen. I’m particularly concerned that I have entered my young-adult novel Dragon Wraiths into the Mslexia competition without the final draft being completely finished. I’m taking a gamble that I’ll be able to at least fix any continuity errors before I might have to submit the full manuscript, which they estimate as being in November for the short list. To be honest I don’t really expect to make the short list so it will be a nice dilemma to have.

For those paying attention to my on-going ramblings about my young adult book I have had to forgo entering the Chicken House competition, as the final first draft came in a third over their word count limit of 80,000. I’m not an enthusiastic (or experienced) enough editor to lop off thirty-five thousand words in a month.

So what have I been doing in the real world?

Learning to row

I married into a family of rowers and always vowed I would learn one day. I vowed I’d learn Italian too (my husband is half-Italian) but that’s proving more tricky. My husband planned to teach me to row after our second child was born, but a premature baby and postnatal depression put paid to that idea.

Then this summer our local Adult Education brochure arrived and I read it cover to cover, as I always do. I’m an academic junkie as well as always being on the lookout for local Italian classes. No joy on that front but there was a five-week Ladies Only Learn to Row course. Fate.

I changed the kids’ nursery days, swore my husband to secrecy, and signed up. Three weeks in and I’m loving it: Now I can actually propel the boat without facing the prospect of a cold bath that is. The first two weeks were HARD. My brain wasn’t used to concentrating for two hours at a time and I got very cross with my lack of coordination. The lady from British Rowing seemed to think I was the antithesis of a natural.

Today, though, the boat flew. It was amazing. I rowed with my eyes closed. Literally. To start out rubbish and get better – to feel myself improve and to get instant feedback (if I sense I’m about to join the ducks I’m doing it wrong) – is exhilarating.

If only writing was like that. Or parenting.

After nearly four years of feeling like a failure it was fantastic to be proud of myself for once.

Little ones growing up

The other thing we’ve been doing this week is looking at primary schools for my daughter. Scary stuff. I’ve thought about where I would like my children to go to school pretty much since my daughter was born. Several of my friends are teachers and my sister moved her family to America partly because of a school she wants them to attend. Education is important.

I think back to the various schools I went to as a child and I can see the different shifts in my personality that came with each one. To make that decision now, when my daughter is not even four and my son (who will hopefully go to the same school) is not quite two, seems madness. Thankfully we are blessed with an array of great state schools around us so the choice is more small village school versus larger town school, and whether to take current friendships into account. No decisions yet. I’ll keep you posted.

In the meantime I am trying to get my head back into writing, to plod on with editing Dragon Wraiths (harder than I hoped it would be) and writing query letters for Pictures of Love (which I still intend to self-publish but, as I haven’t got time to do the final proof-read at the moment, I may as well rack up a few more rejection letters!)

Have any of you recently sent your first child to school or started a new hobby? What keeps you away from editing and blog writing?

Renewing my love affair with dragons (and editing)

Still from Stefen Fangmeier’s 2006 film Eragon.
Photograph: 20th Century Fox/Allstar

I find myself in the unprecedented position that I am itching to start editing my work in progress, Dragon Wraiths.

Usually I only enjoy the writing part and approach revision and editing much as I would a trip to the dentist. This time, though, I am having to force myself to finish the four or five chapters in the final section before I start taking it all apart. Thankfully I decided on a structure of nine 3,000-word-ish chapters per section (although I have added a whole extra section in my usual scope-creep), otherwise I would take the easy way out and decide the first draft is done already.

For most of my novels I am aware that I have underplayed the climax because I ran out of steam, or ideas, or a new book lured me away. So I am determined to battle through my battle scenes before I let myself review the whole and start drawing out the themes.

This time I think my last-chapters-lethargy is caused by things other than exhaustion or boredom (although with an average word count of 10,000 a day on the two days a week I get to write, exhaustion of ideas is definitely a factor. Hence no blog posts for a couple of weeks – all out of words!)

Firstly I’ve already closed out the love story and written the final scene. A mistake, but an unavoidable one. The final scene presented itself while I was walking the dog (see next post) and I never look gift words in the mouth. As a result I have written the bit of the story I’m interested in and skimmed over the same parts I often skim-read, namely the battle scenes.

The other problems are more positive. I am nervous, elated and excited about this book. It feels good. I have ideas about themes, character development, setting and so on that I want to build on during revision. All the wonderful blogs I read have clearly had an influence and I am eager to put them into practice.

I have also been reading some excellent and varied middle grade and young adult books about dragons, including Eragon by Christopher Paolini (written when he was fifteen!) and The Dragon’s Eye by Dugald A. Steer. These were complemented by an interesting blog post from 2009 that I discovered when searching for an image for this post: Dragons in Literature by Imogen Russell Williams, adding yet another great blog writer to my growing list.

As well as my eagerness to get going on revision I am also conscious of my deadlines. I am writing this book to enter in two Children’s Novel competitions, with deadlines of 10th September and end October. Clearly there is not enough time to revise properly so I need to get started as soon as I can or face a difficult decision: Whether to forget the competitions and focus on finishing the novel to the best of my ability or do a rush job (including reducing word count from 110k to 80k) and hope for the best.

What are your views on dragons in literature?

Have you ever had to rush revision to hit a deadline? All advice gratefully received.

Interview with Christopher Paolini, author of Eragon (christchurchkids.wordpress.com)

This interview with Christopher Paolini contains some great advice for writers.

“Treat your book like your child”

Parenting or Writing, which is harder?

Over on the NaNoWriMo blog, the Office of Letters and Light, they recently interviewed author Karen M. Cox, whose second novel Find Wonder in All Things was written during a NaNoWriMo. Her novel was awarded an Independent Publishers Book Award, which just shows how great NaNoWriMo can be for unlocking the novel in you.

As part of the interview, Karen gives her top writing, revision, and publishing tips for other NaNoWriMo participants.

These are summarised below:

Write every day during NaNoWriMo. The days that I started out ‘behind’ were tough days.
When you stop for the day, know where you’re going tomorrow. It helps eliminate the ‘staring at a blank screen or paper’ syndrome.
Resist the urge to edit until you’ve got the thing out of your brain and onto the stone tablet, paper, or screen.
Find people you trust to give you feedback: [people with] no agenda besides reading good material.
Throughout the writing process, treat your book like your child. What I mean is love it, treasure it, brag about it, but be objective and open-minded enough to discipline it—through accepting constructive criticism, editing, rewriting—without losing your long-term vision for when it’s ‘all grown up.’ This is harder than it sounds—you have to weigh others’ opinions without pride and prejudice, yet still stay true to what you want for your ‘child’ in the end.

It was the final point that really stuck in my mind as the most comprehensive piece of advice, but the hardest (for me) to follow. On a bad day the advice would mean me yelling at my book over something stupid and then sobbing in the corner for being a terrible writer, destined to go to Writer Hell in a handcart.

As you can tell, I haven’t sussed parenting yet, particularly the discipline part. I find it hard not to take toddler-defiance personally and I’m often more prone to childish tantrums than they are (I like to think I’m the highly strung artistic sort but that’s probably rubbish!)

I know all the theories of good discipline and on a good day, with lots of sleep, I can be that parent, calmly instigating time-outs and positive rewards. Much as I know the theory of what constitutes good writing and on a good day I can be that writer too, editing with consistency and a clear mind. On a normal day, however, I have as haphazard an approach to editing as I do to parenting: I do what I can do, get frustrated that I’m not doing it better, and constantly fight the urge to throw in the towel.

Maybe I need to write all my first drafts now, play with them and enjoy them, and get to the task of revision and redrafting when I’ve worked out how to be a proper grown-up parent person.

Oh dear, I might never finish a novel.

The dangers of self-publishing: Introducing “Them.”

It turns out you can make your work-in-progress look too like a real book too easily. The image of seeing your WIP in kindle format (or even print) is seductive, but probably not a great idea for the proof copy. Aside from the hassle of getting the right format to everyone, when pretty much all e-readers can open the traditional pdf, I’ve discovered the existence of “them”.

After my mother gave her damning verdict on Pictures of Love, “I preferred your first book,” (the one I wrote in a few weeks, barely edited at all, and had rejected by Mills and Boon,) she said something that dumfounded me:

“Did they not edit or proof-read your book before formatting it for kindle?”

My response, when I stopped laughing, was to say, “Mum, there’s no They. I wrote it, revised it, edited it, proof-read it, designed the cover, wrestled with kindle formatting, added the copyright, the dedication, the publisher’s logo. All of it. You’re my beta reader, so in fact you’re They. You’re meant to help me find the typos.”

“Oh,” she said, “I wondered why there were so many. They do come a bit thick and fast at the end.” Not what I wanted to hear but unsurprising as every time I started proof-reading I began at the beginning but didn’t always make it to the end. I get distracted so easily.

As a result I have a thudding fear that the second half of the novel, the half only my mother has read apart from me, is a bit rubbish. Seems I’m probably right, at least as far as editing goes. And if I missed a heap of typos, I probably didn’t spend enough time revising the latter half of the book in terms of language, character, plot.

And yet there it is, my Lulu print version, sitting in paperback glory on my kitchen table, looking for all the world like a ‘proper’ book.

So I think when the naysayers who don’t like self-publishing bemoan the fact that something can look like a traditionally published book and still be awful, they may occasionally have a point.

Another scary thought is how easily the formatted-for-kindle version is being passed around without my knowledge. I used to password protect my pdfs. I don’t even know if you can do that for kindle. What if my proof makes it into the outside world? (My sister-in-law has already sent it to my father-in-law, and another beta reader has given a copy to his parents.)

What if everyone thinks like my mother and wonders why They haven’t done a better job finding errors? Or me for that matter. I don’t mind if the book is deemed a failure because the characters are underdeveloped or the plot is thin, but being damned for typos when it isn’t even the final edit gives me the shivers. In future I think I’ll splash Beta Reader Copy or Proof over every page and be less vain about trying to make it look like a proper novel.

Or maybe it is time to go back to that Agent list after all.

Waiting, Dragons, Tennis and Sleep

Wimbledon 2007 – photo by Kol Tregaskes on Flickr

Pictures of Love, my WIP, is out with beta readers. I’ve never had anyone but family or agents read my work before. The former have always loved it, the latter rejected it. So I wait with more than a small amount of trepidation.

To use the time well (hopefully) I have gone back to my Young Adult book, Dragon Wraiths, which I hope to enter in the Mslexia Children’s Novel competition in September. I had put the idea on hold, because the rules state: Women who have had a novel published commercially, for any age group, in any country, are not eligible.

As I hope to self-publish Pictures of Love in August, I figured that meant I couldn’t enter. But I read the rules again, more closely, and it says Self-published manuscripts are eligible, so it’s game on.

Only now I’ve read the rules again I’ve spotted that the entry is 3000 words with no synopsis.

Eek.

The dragons don’t come in until Part Two, a third of the way through the book, and the weighty stuff about global warming etc comes in Part Three, (assuming I can research enough by the September deadline; it’s a new addition to the story).

How can I get enough plot into 3000 words to hook a reader, and still have character development, voice, YA themes and all that jazz, without a synopsis? I guess I have to finish the first draft and see how much time I have left before I worry about it.

That’s if I can stay awake.

Youngest child has had an ear infection, together with a lovely temperature of 39.2 for days, so sleep has been a rare commodity all round. Husband and I have been staggering about sighing I’m so tired; so much so that it’s my eldest child’s favourite excuse every time she has the screaming heebie-jeebies (by the way, I love that Word has that in its dictionary!).

“But mummy I’m just so tired, that’s why I lashed out and threw something at you.”

I have to bite my tongue on snapping back, “You slept for ten hours last night, I’ve barely had that this whole week!”

One of the by-products of sleep deprivation is that I, too, become a tiresome three-year-old.

As a result, my return to writing today, after two weeks without penning a word, as I wrestled with Lulu printing and e-book formatting (posts to come), only lasted until lunchtime. Then I had to admit defeat, close the laptop and turn on the tennis. I saw about three shots before I fell asleep.

Now I’m walking the dog, hoping the rain and soggy trousers will wake me up enough to finish my chapter before I collect the kids.

Or I might go nap in front of Murray.

This is WriterMummy saying night night.

P.S. Can’t sleep. Murray is making me too nervous. Come on Murray, hold your serve!