Bridport and Baby Blues

My Goodreads Giveaway

I wrote a long rambling post for the blog today about parenting, love and life, following on from a spectacularly low point on the school run this morning, that started with yelling in the traffic jam and ended up with daughter and I both in tears. But, if I’m tired of thinking about my failings as a parent then I’m sure you’re tired of reading about them. So I’m going to talk writing instead.

I finally listed a Giveaway on Goodreads this week to win a paper copy of Baby Blues and Wedding Shoes. It’s open to all the countries I can ship to easily from Amazon, so if you fancy reading it, or just like a chance at a freebie, do pop over to Goodreads and sign up, and tell your friends! 🙂

Continuing on a writing theme, I spotted a couple of my Baby Blues bookmarks in a stand at the library today in what turned out to be a rack of leaflets on the Bridport Prize. For those who don’t know, the Bridport Prize is one of the most well-known short story (plus flash fiction and poetry) competitions in the UK, with a first prize of £5000. I think about entering every year, but I haven’t written anything shorter than 100,000 words in years. If you have, and fancy your chances, the closing date is 31st May 2014. (I can’t put any more details at present because the website doesn’t seem to be working, but this is the link).

Brittle Star Competition

Next to the Bridport flyer was another writing competition with a March 2014 closing date, again for short stories and poetry. This is the Brittle Star inaugural poetry and short fiction competition closing on 12th March 2014. The prizes are much more modest (£250 per genre) but all winners will be published in Brittle Star and invited to a launch and prize giving event in London (a great chance for networking!)

Incidentally, if you want to keep up to date with UK writing competitions, I recommend visiting (and following) the Sally Jenkins – Writer blog. Sally Jenkins’ frequently lists details of writing competitions both big and small as well as lots of hints and tips and great resources. I learned about the Mslexia Children’s Novel Competition from her and, if I hadn’t, I might never have finished Dragon Wraiths. I’m very grateful!

What Sharknado Taught Me About Characters

Because of course a chainsaw is weapon of choice against a great white

Hubbie and I finally watched Sharknado the other night. I’d read about it on Kristen Lamb’s blog and it sounded right up hubbie’s street: low budget B Movie with awful special effects that’s a bit tongue in cheek and doesn’t take itself too seriously.

I don’t share in his enjoyment and fully intended to go to bed. But the movie was just so darn awful I couldn’t tear myself away. Not being as used to such movies I kept saying “but what about..?” and “that wouldn’t happen..” Then realised I was talking about a movie where sharks were sucked up into a tornado and didn’t suffocate, where sharks could swim through storm drains and jump twenty feet into the air.

However it was all about different levels of suspended disbelief. I could accept all the things to do with the sharks – it was a science fiction movie after all. I could just about accept that you could blow a hurricane apart with a MacGyver home-made bomb (although I’m sure there are plenty of people living in tornado paths that wish it was true.) The bit I struggled with most, however, was character motivation.

Safe on the stairs? I don’t think so!

People are people, whether there are sharks falling from the sky or spinning round in a waterspout or not.

So, if a mother was sat on the stairs with her daughter watching her husband being eaten alive by a giant shark, wouldn’t she at least climb a bit higher up the stairs away from the bloody water and body parts? And if a man drove halfway across town to rescue said daughter, would he stop in the path of sharks to rescue a stranger?

Aside from the dire acting and the awful script, the actions of the characters just weren’t believable. I could accept the sharks and the bombs and all that, but I didn’t give two hoots about the characters.

What I took away from the movie (apart from a vivid nightmare about genetically altered wolves which made me wish Horror was my genre of choice) was that you can get people to believe anything if you write it with conviction, but you have to get the character motivation right. With authentic characters, who have clear goals and believable motivation, you can sell anything. Even flying sharks.

A Pantser Plans

Using Beat Sheets to plan my revisions

The unthinkable happened today. I did planning. With beat sheets and notecards and everything. I’m a Pantser to the core: analysing a scene down to the tiny details paralyses me. Especially if I do it before I write, as I have done for the extra third of a novel I’m putting at the front of Class Act. But actually, do you know what, it wasn’t so bad.

I’m still working on some of the terminology, for example pinch points and black moments, although instinctively I have a shrewd idea what they are. I have done it before, actually, for all my seat-of-the-pants writing preference, and I’m always relieved at how much of the necessary detail I already have. Sometimes it just needs writing down to reassure myself I do know something (although a VERY VERY long way from everything) about this novel writing lark.

I had gathered much of the required information during my last craft session (the sporadic times when I read through a load of blogs and books to refresh or learn elements of writing craft.). My favourite resource is Jami Gold: as a Pantser and a romance writer, I feel she understands my pain. In fact her Beat Sheet for Romance Writers formed a large part of my morning’s work. She explains that if, like me, you can’t pkan in detail for fear of frightening off the Muse, you can use beats – points in the story – to make sure things are developing as they should.

I also used her posts based on a Michael Hauge workshop she attended to put more thought into my characters’ development, flaws and ultimate romance. The key ones I used were Are These Characters the Perfect Match and An Antidote to “Love at First Sight”. Both of these look at two elements of characterisation – a character’s Mask (the role they play, based on their longings, fears, wounds and beliefs: their emotional armour) and a character’s Essence (who they are inside, behind the masks, or who they have the potential to be). In a good romance, attraction will be based on Essence rather than Mask.

Planning Elements of a Scene

So, in Baby Blues, Helen was attracted to Daniel because his businessman forceful character Mask played to her career orientated Mask. But Marcio was her right love interest, because they both had the same essence underneath: a love of creativity and interpreting the world through their art, and a desire for home and family.

The concept really helps when a character moves from one relationship to another (as mine often do.) You don’t want the protagonist to look like an idiot because the previous relationship was flawed, and also you don’t want the previous partner to be a stereotype or a villain (although Daniel, in Baby Blues, is a bit of both!)

The other thing I’ve been trying to use is an Elements of a Good Scene checklist, which I also found on Jami’s Blog, the idea for which came from Janice Hardy’s blog. I feel exposed, using something like this, as I feel I don’t know the difference between “Plot point” and “action to advance the plot” or “how the stakes are raised” versus “reinforcement of the stakes”. I suspect that might be why I find it hard to write tense page turners! In my head, though, I’ve summarised it as “plot development”, “character development”, “conflict” and “backstory/theme/tone/foreshadowing”. As long as the scene has some of those that’s good. Well, it’s a start!

Of course, I was right – at the beginning when I said planning paralyses me. I need to start writing, before I spend so long on planning I’m fed up with the story or too scared to start. But it was a useful day’s work and hopefully, when I sit at my desk on Monday, I’ll be able to write some of the additional 45,000 words the story needs to get to a full length novel!

Anyway, hopefully now I have a plan this will be the last of the ‘I’ve forgotten how to do manuscript revision’ posts and I’ll get on to writing something more interesting for the non-writers who follow my blog! Thank you for your patience.

The Tricky Question of Backstory

Challenging my views of writing!

Following on from yesterday’s request for advice and opinion, I need to ask about back-story. It’s the bane of my life, and Class Act is littered with it. Baby Blues & Wedding Shoes was, too, in the early drafts, and I solved the problem by starting the novel six months earlier.

That will work to some extent for Class Act, (lovely – another massive re-write! 🙂 ) but there are two incidents in the female protagonist Rebecca’s early life that impact on her current personality, and I don’t know how to integrate them. At present they’re written as flashbacks. Shudder. Unfortunately I actually like how they’re written so it’s easy to become attached to the scenes rather than put them in the bin where they should be.

The problem is I get defensive of my characters and want to explain why they have the flaws they do. But how much detail is necessary or desirable, and when should it be revealed? In The Radleys, by Matt Haig, the back story is cleverly integrated and is also overlaid with the character’s perception, so you start out with a half truth that colours your view of a character’s actions, and that view evolves and changes towards the climax of the novel. Masterful stuff. I’m pretty certain I’m not skilled enough just yet to pull it off without getting in a muddle.

The other problem is defining the novel’s inciting incident. Really, both bits of backstory are. Or the moment where the lead protagonists meet, which is where the novel currently opens. Baby Blues originally started with when the love interests meet, too, and after the rewrite that scene ended up a third of the way through the book. I like it, because you get to know the characters first, but then it blows wide open what the first turning point should be. We make decisions every day which, with hindsight, turn out to be inciting incidents. The job we take, or the bus we catch that breaks down or gets blown up.

Incidentally, Jami Gold has a great post on the importance of getting these elements or ‘beats’ right in a novel and how defining them isn’t always straightforward! See Why Story Structure Matters. Unfortunately, even with her helpful Beat Sheets, getting the right elements into a story at the right time is (for me) the hardest part of writing.

So, right now my options are revelation through phone conversations with a friend (tricky), adding a prologue (generally advised against), or vague hints that might be missed or misunderstood. It was much easier with Claire in Two-Hundred Steps Home, as she didn’t really have a back story that mattered!

What are your views? Any great examples of how inciting incidents in childhood or early adulthood have been successfully integrated into a story? How much do you need/like to relive past experiences that have influenced a character? When do you need to know the details? Do you need to already care about a character, or do they help you care? Sometimes it feels like I’ve forgotten how to write a novel!

How Many Heads?

How many viewpoints in a novel?

When you’re reading a modern third-person limited perspective novel (he said, she said from inside a single character’s head – see this great post for an explanation on narrative modes in literature) how many heads are acceptable?

When I first wrote Baby Blues & Wedding Shoes, which is written from two key protagonists’ perspectives, I switched from head to head without thinking about it, and would quite often jump into the head of minor characters. Strictly speaking that’s nearer third person omniscient, without that irritating ‘know-it-all-ness’ of an Eighteenth Century narrator.

I didn’t give it much thought, until a Beta Reader pointed out that head-hopping within a scene can be confusing and is generally avoided, and that it wasn’t a good idea to see inside the head of minor as well as major characters. It came as a surprise, because I didn’t really think about it as I wrote – the almost-omniscient style seems to be my default.

That probably reflects the literature I read: authors like Georgette Heyer, who write in what I suppose to be omniscient third person. Even though Heyer spends most of the time following one person’s viewpoint, she’s happy to hop into the thoughts of anyone relevant to explain the scene. Even though I’ve studied the theory and know the principles I still struggle when I write (and even when I read) to always know the difference. I read this great article today that helps to explain it.

That’s why Dragon Wraiths was refreshing – in first-person-present you only know what the main character sees, hears and feels. It adds other challenges to do with character development and so on, but you don’t have to worry about head-hopping.

Class Act Cover

I’ve just been through my first draft of Class Act and, like Baby Blues, it’s littered with head-hopping. That’s fine, I can fix that. But, also like Baby Blues, some of my favourite writing is inside the heads of secondary characters. I cut it all out in Baby Blues but now I’m wondering if that was entirely necessary. Maybe it’s just my voice, my style. Maybe I tend more towards multi-voice perspective or omniscient than tight third person (sticking to one head). Maybe I should embrace it rather than fix it.

I say this only because I’ve just finished The Radleys by Matt Haig and it reads like a soap opera script, seen from everyone’s perspective. I have to admit it added to my enjoyment of the novel rather than detracting from it. (Possibly because I love omniscient authors like Heyer.)

Now Haig is a much more experienced and talented writer than I am, and my execution is bound to fall a long way short, but that’s no reason not to try.

So, my question is, if you were reading a novel that took you on a brief trip inside the mind of the mum or the best friend, would that confuse or irritate you? I guess until I finish my revisions and send it out to Beta readers I won’t know. Here’s an example scene to show what I mean.

Daphne looked up, and her smile was like the sun rising over the horizon. She put the tapestry aside and rose to her feet, holding both hands out in greeting. Alex took two paces forwards and enveloped her in a bear hug, her scent infusing the space between them, bringing with it all the comfort and memories of childhood. He hadn’t been home for weeks, not since he’d started rehearsing the play, even though it wasn’t that far away. He felt terrible, but his mother of all people understood his need to carve his own way in the world, away from Sidderton.

“Alex, darling, how lovely to see you,” she said as she finally released him from the embrace. “Sit down. Does your grandfather know you’re here yet?”

“No, I came to see you first, of course.”

“You mean you crept around the side like a naughty school boy?”

His smile made him look every inch as she’d described him. “Maybe. I need to ask for something and I thought I’d ask your advice about the best approach.”

“You need money? I thought you’d got a handsome settlement when you left your last place of employment? Didn’t you talk of share options?”

“I don’t need money, and as if I’d ask Grandfather if I did! He’d roast me alive. No, it’s more complicated than that.”

“Then it’s about a girl. Have you got someone in trouble?”

“Mother!” Alex was genuinely shocked. “What do you think of me? Firstly, no, I haven’t got some poor girl pregnant. Secondly, this is the twenty-first century, not Downton Abbey. We don’t buy the servants and wenches off with money these days you know.” His tone was ironic and gently chiding. Sometimes he thought living here at the hall had confused his mother into believing they lived in the eighteenth century.

“You are partly right though,” he continued, “it is about a girl.”

“I thought you had decided girls were all fortune hunters out to ensnare you? Has one managed to catch you?” She looked worried, and he laid a hand on hers to reassure her.

“Well, I suppose I have been snared, but not for my fortune. She doesn’t know anything about it.”

“What do you mean? Does she think we are one of those impoverished families who spend every penny on their crumbling manor?”

Alex thought about the immaculate interior of Sidderton Hall – Mother had been an interior designer before she married – and laughed. The laughter lit his handsome face from within, like the sun breaking suddenly from behind storm clouds. Then the clouds drew across the light again, as he realised his charade was no laughing matter. He had to think of a way to make Rebecca love him despite his background. He had to get to the bottom of her dislike of the landed gentry – there had to be more to it than a few idiots being rude to their gardener. That was for another day. He was here to help her build her future, whether that included him or not. Acts of altruism were not part of his general make up, and he found he quite liked the sensation.

Daphne sat patiently whilst these thoughts played out across her son’s even features. She was used to her son’s internal dialogue and knew he would present his conclusions when he was ready. He shifted his position on the ancient and battered leather sofa that dominated the family room and she knew he was ready to speak.

“I need to get grandfather to agree to sell the old hay barn down in the south east corner.”

Whatever Daphne was expecting, it wasn’t that. She spoke aloud her first thought.

“No Sidderton has ever sold one inch of the estate, not even when they faced bankruptcy”.

Alex laughed suddenly as she said it. She gave him a bewildered look and he clarified: “That’s what the estate manager said to me, and I thought the same recently when I was talking with Rebecca about buying property. It must be a mantra that we’ve all been brainwashed with.”

“What makes you think you’ll convince grandfather otherwise, when you know it is so much against the family way?”

“Because I have to,” his voice was urgent, “Because it’s important. Just because that’s the way something has always been doesn’t mean that’s the way it always has to be. Because I want to help the woman I love, and – if I’m really lucky and dig myself out of the huge hole I’m in – it won’t be out of the family for long.” His words came out in a rush, as if to explain it all to his mother suddenly seemed both difficult and vital.

In limited third person the entire scene should be either from Alex’s or Daphne’s perspective, or there should be a scene break when it hops from Alex’s to Daphne’s head. But, to me, the scene works fine as it is. Maybe it’s the subject matter: there is an air of Heyer, or of nineteenth-century romance, about the novel. Should I have the same consistent voice across all my novels or is it permissible to shift it according to the needs of the novel. Answers on a postcard, please… 🙂

Back Again

Big Ben

Good morning and Happy New Year! I hope you all had lovely celebrations last night.

I saw in the new year as I’m sure many mothers of small children did: sleeping on the sofa from 9pm until 11.45pm, waking up for a glass of Baileys and a mince pie, watching the spectacular fireworks on the TV, then crawling in to bed.

Our daughter came in an hour or two later, after having a nightmare and, because it’s been a hectic week, I let her spend the night with us.

It seems appropriate that I spent the first few hours of 2014 in the position I suspect I will occupy all year: jammed between husband, children and my need to write. I lay awake thinking about what I really wanted to be doing – apart from trying to sleep in a space the size of a park bench – and I knew I wanted to be writing.

I have spent the last few days cleaning and being a (grumpy) parent. Tiredness and PMT have guaranteed the grumpy bit. It wasn’t really the best time to have extra children in the house, but my daughter was missing her friends so I duly invited some over. I tried to stay out of their way and do cleaning, which mostly worked. It’s wonderful to have a clean and tidy house, miraculous even, considering she had two friends for a four-hour playdate, almost immediately followed by another friend for a sleepover, and the rest of his family the next day for lunch. The phrase “Shovelling snow while it’s still snowing” springs to mind.

The ten-minute firework display is amazing

And now the new year is here. The house is clean (for now), the friends have departed, and it’s time to figure out what I want to do with the time I get in the week to ‘work’. Will that be housework or will it be writing? I suspect that, without the driving force of the daily blog and Two-Hundred Steps Home, it will be even more of a constant juggling act between want and need, duty and desire.

Last year, the blog and Claire became my duty, with a daily deadline to fulfil. That made it much easier to ignore the housework (and the family!) This year I won’t have that excuse. It will be interesting to see if I am strong enough to keep writing anyway.

So it seemed important to get up this morning and write. Even this little blog post is enough to keep the fires burning, I hope. I’m not sure what I’ll blog about. Looking at my most visited posts of 2013, it looks like book reviews and articles about self-publishing (with a little bit of kids’ craft thrown in) are what attract visitors. Not the writing and parenting posts that fill up 90% of this blog! So maybe a few more reviews and a bit less whinging. We’ll see.

What resolutions and plans do you have for 2014? How will you make them happen? I’m thinking some hard and fast commitments, written down, will help. So, I will publish two more books this year. And I will (try to) continue to blog daily, but without killing myself or neglecting my family (too much). There, it’s said. No going back now!

Back to blogging and HAPPY NEW YEAR! (thearticle17.wordpress.com)
Why I Started This Blog (writingtherandom.wordpress.com)
Hi! Remember me? (dreamsonpapyrus.wordpress.com)
Accepting Realities & Lessons Learnt (Not) Writing Blog Articles (harnessingyourpotential.wordpress.com)

The End. For Now. 2013 365 Challenge #365

The Final THSH Cover

Hurrah. I made it. Claire’s journey is finished, for now. She’s found a new home and what I suspect will be only the beginning of fresh adventures. Already the new characters intrigue me. Timothy, for example: he’s Maggie’s gentleman friend but for some reason I think he might lean the other way. Eddie is going to be a real handful. And the quiet Kayla might surprise everyone.

You’ll have to wait though. I have other novels to write, sleep to catch up on, books to read, before I even think about picking up Claire’s journey again. I want to start immediately, but I think we all need a break. I’ll be making notes, though, and any feedback is of course always gratefully received.

If you enjoyed the series, tell your friends. I hope to pull the entire 365 installments into one ebook at some point soon, although I won’t be editing it (except for any typos that I discover). The raw first draft (albeit one that was line-edited as I went along) is part of the challenge and should stand untouched. I’m proud of it as it is.

So, what’s next? After the sleeping and the reading and the hopefully shifting this cold finally because I’ve had it for weeks? Well, Class Act needs work. It’s currently a 50,000 word romance that I have plans to extend into a full length novel. Then there’s Finding Lucy. And a sequel to Dragon Wraiths. And of course a continuation of Claire’s adventures in Cornwall. I’m going to miss her and Conor, although it’s good to miss people!

The blog might be quiet for a while. Or it might not. I think stopping blogging might be like coming off the Christmas chocolate: both a challenge and a relief. I’ll see you when I see you. Please hang about and if you see only this post for a while, please understand! Maybe I’ll have more time to read and comment on some of your blogs now. That said, as it has been raining for the last two days, and my head is fizzing with blog entry ideas, it might not be quiet for all that long!

Wishing you all an amazing New Year and here’s to a 2014 full of words.

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Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:

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Her clothes filled the small wardrobe; her rucksack sat empty in the dark recess of the cupboard, tatty after its long journey. She could never have imagined, back when Carl had presented her with it as a leaving gift, that she could become so attached to a bag.

“We’ve come a long way, you and I. Time for a rest, for you at least.”

Claire laughed as she realised talking to an inanimate object was probably the first sign of craziness.

Maybe I am crazy. Do crazy people ever actually know that they are?

She thought about leaving Conor standing alone on the beach, and shivered. It had been two days and he hadn’t tried to contact her. She didn’t know if that made it easier or not. Dozens of unsent messages sat on her phone, taunting her. Her last words echoed continually in her mind, like a song stuck on repeat.

The man I love like breathing.

She considered it, as she walked across the tiny room to gaze at the ever-changing view of the sea. Was it true? Did she love him? Could you love someone on such a short acquaintance?

But it wasn’t short, was it? Four months is a long time, and he’s been there for me since day one. All the time in New Zealand and every time I needed someone since I returned.

Dwelling only intensified the pain. She cast one last look around her room and felt a glimmer of a smile through her grief. Her room. It felt good.

Downstairs, the children were finishing dinner. Claire hadn’t spent much time with them over the weekend. Timothy seemed to instinctively know she needed space to settle in, and had quietly assured her that she had no duties until Monday morning. She attended meals and sat in the shared lounge to read and think. Sometimes she nestled in the window seat she’d discovered along a corridor, overlooking the sea, and listened to the children giggling in their rooms. The sound of laughter rang constantly throughout the old building.

Outside, the sky hung overcast. She wandered through the bushes and trees until she reached the rolling lawn that led down towards the sea. Within minutes she had scrambled down the rocky path to the private beach.

A group of children clambered amongst the rock pools under the watchful eye of Eddie. He raised his hand in greeting and she nodded in return before heading to the other end of the sand.

Thinking she really needed to buy a surfboard, Claire found her favourite rock and climbed on it. Sitting with her arms clasped around her knees she stared out at the horizon and let the peace wrap around her like a blanket.

A tapping at the door roused Claire from a doze. She checked the time and was surprised to discover she’d been asleep for an hour. Thinking it must be Timothy wanting to remind her about something for the morning, she rolled off the bed and went to open the door.

She grasped the frame for support as her questioning gaze met a pair of familiar green eyes.

“Hello, Claire.”

“What? How did you know where to find me? How did you get in?”

“A bit of research found the centre and a chat with your man Timothy meant he let me in. Seems he’s a sucker for a romance.”

“You could be a stalker or a murderer.” She frowned, unsure how she felt about the invasion of her privacy.

“I showed him this.” Conor held up his phone to show a photograph of the two of them in bed, tangled in the sheets.

Claire stepped back into the room to hide the blood rushing to her cheeks. “You’d better come in.”

Uncomfortably aware that the room held only a bed, she waited for Conor to perch on one end of it, before going to stand, arms folded, by the window.

“Why are you here?”

“To ask why you keep running away from me without letting me speak, woman. I had something to add to your marvellous speech, you know.”

He stood up and crossed the room, coming to a stop only inches away from her. He leant in until his lips brushed the hair near her ear, sending flurries of heat across her skin.

“I love you, too.”

Claire rested her head against Conor’s shoulder and stared out the window at the multi-hued sky. They had talked long into the night, until the dawn light began to paint the horizon in stripes of silver and pink. Her head ached with the fog of missed sleep, and she knew her first day at work was going to be a disaster, but her heart felt like a bird floating on an updraft.

She looked around the tiny room, listening to the heartbeat and slow, sonorous, breathing of the man beside her. It wasn’t ideal, agreeing to a long-distance love affair, but she didn’t care. He loved her and she loved him; that was all that mattered. The rest was just geography.

As she lay in his arms and watched the sun rise, she realised she had finally found what she had searched for through two hundred long days – through a lifetime – something that wasn’t outside the window, or even in the room, but rather in her heart. A contentment; a sense of belonging and of peace.

She was home.

***

Nearly There: 2013 365 Challenge #364

My sister bought me this for Christmas!

Oh my goodness, here we are, my penultimate post of 2013. When I started the 365 Challenge back in early January, I wasn’t sure I’d make it to the end of the month, never mind the end of the year. By Day 4 I was just beginning to realise what was involved.

It wasn’t merely committing to writing 1,000 words a day (on average: some days a post can be nearer 2,000 when both parts are combined) but also finding time to edit and proofread those words; to make sure each post entry and each novel installment made sense; then adding photographs, tags, categories and getting it live.

I feel like I’ve come a long way.

When I began a year ago, I thought the daily novel would be the main part. I hoped to get blog followers from people who wanted to carry on reading what I was writing. That didn’t happen on the blog, but rather over on Smashwords, where the downloads across all volumes number in the thousands. Here on the blog, while the increase in followers hasn’t been massive, I feel more like I have made some really great friends. I’ve met fellow writers, artists and parents, I’ve discovered one or two amazing Beta Readers, I’ve felt – like Claire – that I’ve found my way home.

I’ve also grown as a writer. My confidence in my ability to write is significantly greater now, after the countless hours I’ve invested in Two-Hundred Steps Home. I know, now, that I can write and polish a 500-word blog post, or a 750-word scene in a novel, in under an hour.

Thank you to my amazing kids!

I can research anything I feel the need to discuss, from a remote pub in New Zealand to what it really means to survive suicide. I can format and self-publish a novella in a few hours and get it through Smashwords’ Autovetter first time (although I haven’t resolved my issue with their Premium Catalogue!)

Best of all, I’ve learned how to edit my own stuff and Beta-read for others. When I began my journey I was trying to proofread Baby Blues & Wedding Shoes (or Pictures of Love, as it was back then). I couldn’t do it. Line-editing left me cold. Now I know that I have to do it in chunks, and then there is a delight in crafting the words and making the sentences flow.

Let’s not leave out that I’ve written 285,000 words of fiction this year, and will have published it as 12 separate volumes, each with a cover designed by me. On top of that, I estimate that I’ve written a further 200,000 words in blog posts. That’s nearly half a million words. In one year. If they were novels, I would have drafted out five. Five! During 2 or 3 days of childcare and lots of late night sessions.

I couldn’t have done it without my family. My husband has been amazing. He’s my best critic and my biggest fan. He’s taken the children when I’ve needed to write (I couldn’t have done the challenge if he hadn’t been had home for most of the year), he’s put up with me sleeping on the sofa then prising my eyes open at 10pm to tap out five hundred words. He’s put up with a dirty house and takeaway pizza.

My poor children have dealt marvellously with a tired and grumpy Mummy who constantly has her laptop open or is always taking pictures “for the blog”.

My amazing family

Their recompense is that they have this unique diary of a year of their lives. Reading back through my posts is to read through some of the highs and lows of being a parent (and a human being).

None of my posts are likely to see me Freshly Pressed: I may have learnt to write fast, but I haven’t learned to write profoundly. Still, it’s all been written truthfully and from the heart.

And so I thank you all for listening. Without readers, followers, this would all be me shouting into the wind. Knowing people cared about me, about Claire, about the story, has kept me going.

The support of people on this blog has also led to me releasing two of my novels this year also; something I still find incredible.

To anyone thinking about undertaking a writing challenge in 2014 I say, “Do it!” And, so you don’t quit, get out there and tell people. Get support. Face humiliation for failing. Because some days the only thing that got my tired body up and at the laptop was the fear of failure. Not that failing is bad. I love the Samuel Beckett Quote “Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better.”

Don’t be afraid to fail. As I said to my daughter, when she threw a tantrum for losing at her second-only ever game of checkers this evening, “It’s not winning or losing that counts, it’s having fun along the way.”

And it’s been fun. Mostly. 😉 See you tomorrow for the final installment!

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Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:

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Claire could barely swallow the food. Her throat felt as if it was lined with grit. She put down her fork and sipped at her water. Across the table, Conor’s plate was equally full. They’d exchanged only pleasantries since arriving at the restaurant. The longer they sat, the harder it was to speak the words that hovered between them like a flock of hungry seagulls.

“Walk with me.” Conor’s eyes pleaded with her and she nodded. While she retrieved her cardigan and bag he went to pay the bill. They left the restaurant in silence and she followed him down through the high street towards the shore.

The sun had sunk below the horizon and streetlights cast shadows across the empty beach. Out on the water a few boats bobbed like ghosts, but it was a far cry from the crowds of the Carnival only weeks before. With the children back at school there was an air of ending about the town; a sadness that tugged at Claire like a riptide and pulled her under.

What must it be like to live in a seaside town, where the passing of the seasons takes a back seat to ebb and flow of the tourist trade?

She wondered if she would feel the same at the activity centre, but knew that she wouldn’t. Timothy planned to take children all year round, with summer camps in the long vacation and school trips for the rest of the year. While the nearest town was a tourist resort, it also had a harbour and a university. Different blends of life intertwining to provide a tapestry of endless change.

And where will I fit in, in that tapestry? She didn’t know the answer, but knew it didn’t matter.

They walked along the shore, to the mournful sound of the tide sucking at the stones only to fall away. Conor took her hand loosely in his and the touch of his skin sent sparks across her body. She yearned to turn and yield to his embrace.

“When do you start?”

Claire jumped as his voice came loudly out of the dark. She didn’t need to ask what he meant.

“Monday.”

“So soon?”

She heard the pain and hardened herself against it. “The first school group arrived this week. They need me.”

“And what about me? What if I need you?” Before she could respond, he spoke again. “Sorry, that’s unfair. God knows you’ve done enough for other people this year. I don’t want to be another duty.”

He dropped her hand and ran his fingers through his hair as if trying to stop himself flying apart. She could just make out his face in the gloom and saw him give a wry smile.

“I tried. Really I did. I wanted to support you in whatever decision you made. But then it was so perfect, spending time with you, and I couldn’t imagine letting you go. I still can’t.”

He reached up to stroke her face, before letting his arm fall again. “Why?” The word hung in the dark and she didn’t know how to respond. “Why is it so important to you to go?”

She searched her thoughts for answers. “Honestly? I don’t know. All I know is that I have to do this. If it means losing you, being lonely forever, then that’s the price I have to pay.”

Once she started speaking, the words wouldn’t stop. They rushed on relentless, like the incoming tide. “I’ve spent my life living the role I thought was expected of me. At home, at school, at work. I have to find my own path, even if that means slipping down the odd cliff.”

She saw him smile at the memory; a sad, nostalgic smile as they both pictured a bedraggled woman covered in grazes. She tore her gaze away and looked over his shoulder at the ocean, glimmering in the dusk. Memories would only imprison her in a life she wasn’t ready to live.

As if answering a question he hadn’t articulated, or maybe a question from her heart, she continued, “Yes, it’s worth it. Yes I’ll sacrifice having an iPad and a shiny car, a career with prospects, even the man I love like breathing, if it means I can be true to myself.”

The word love reverberated around them. When he reached for her, she saw the longing in his eyes and felt herself waver. She had to escape before her resolve crumbled into dust, eroded like the limestone cliffs that anchored his heart in a town which would never be home.

Stretching up on tiptoe, she brushed a kiss across his lips, then turned and ran up the beach, before he could see the tears falling down her cheeks.

***

I’m attempting the 365 Writing Challenge for 2014!!! (nicolesloansbooks.wordpress.com)
Life in 6 Words (themorningsideduo.wordpress.com)
Blogging in 2014 Just Got Easier: Introducing 365 Days of Writing Prompts (janetkenrick.wordpress.com)

Christmas is a Lot Like Writing: 2013 365 Challenge #360

Happy faces at filled Santa Sacks

And so another Christmas Day draws to a close. Hubbie is watching Star Wars on the TV, the children are fast asleep, the house is littered with piles of new possessions and the dog is slumped exhausted on our feet.

It’s been a wonderful day. The sun shone brightly from a warm sky, without a breath of the predicted storms and gales. Aside from a small panic attack (literally – hubbie tells me it was quite impressive) when Santa’s Little Helper discovered some gifts hadn’t made it into daughter’s bag, as she opened her last present, all was well.

Some swift thinking (“Why don’t you go and bring Mummy’s gift upstairs, children?”) and the hiccup was skimmed over. We rode through the tantrums and tears, the whining and the “want more”. We walked to the park and enjoyed being the only ones there. Our daughter opened nearly every gift with the words, “It’s exactly what I wanted but forgot to ask for!” (Funnily enough the abacus didn’t get much interest) and our son just about grasped the concept that some of the gifts under the tree weren’t for him.

For the first time in a long time, every gift was just right. All the hours spent worrying and researching, buying and wrapping, were rewarded with smiles and thank yous and happy children. All the time spent preaching gratitude and patience seemed to pay off. Prior discussions on gift opening strategies were mostly adhered to and the only change to the plan turned out to be the right one.

Planning gift opening for max enjoyment

Gifts were opened and played with, rather than instantly discarded for the next unwrapped box. That, more than anything, made me happy. The day became about more than just getting stuff, it became about sharing family time and having a giggle.

We played Three Little Pigs, and blew each other’s houses down. The children did some Christmas Jammin‘ (my rock star kids!) and shot cars across the room with the gravity loop. They painted pictures and did craft. It was an interactive day and I loved it.

All of it got me thinking about how planning for Christmas Day is a lot like writing a novel: You put in days and days of hard work, and the output is ‘consumed’ in a few hours. You wonder whether the effort was appreciated, but you know that the lasting memories are created by the attention to detail. Not just the grammar and punctuation, polishing and editing (think wrapping and tag writing) but also the understanding of character, the manipulation of plot (or taking note of wants and likes, and strategic gift-opening order). Details that go unnoticed but enhance the experience and enjoyment.

And, like writing a novel, the echoes last long past the consumption. We don’t have many photographs from the day today, because for once I wanted to participate rather than record, but even blurry snaps of happy faces tell a story. This Christmas was one where I put all the effort in upfront and then let the recipients connect it together into an experience. Hopefully it was a happy one for all. It certainly feels like a job well done.

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Claire looked out over the cloud-draped hills of Glastonbury Tor and sighed. It was beautiful. A different beauty to Cornwall, although she couldn’t put her finger on exactly why. Driving down the lanes, the roads were wider, the hedges lower. Even the trees seemed different in Somerset; tamer somehow.

Now I am being silly. Counties are artificial boundaries. The trees don’t know whether they’re Cornish or not.

Yet there was a difference. As she travelled back towards Dorset, ready to deliver her final report, she felt the pull of the Cornish coast like a cord attached somewhere beneath her ribs. No matter how hard she tried to rationalise the sensations, they refused to be controlled. Dorset or Cornwall, there was nothing and everything in it, and it had sod all to do with the trees.

The sky along the horizon darkened, despite the sun directly overhead, and long legs of rain stalked across the hills, pulling the clouds down to earth. It matched the heaviness in her heart. It had been nearly two weeks and still there had been no response from Conor. She told herself she didn’t want to date a sulker anyway, but it didn’t lessen the pain. Instead she’d buried herself in the report, making sure every last detail was correct. It stretched to hundreds of pages, and the presentation she was to give in a week lasted an hour.

How am I going to stand for an hour and talk, with him watching?

She shuddered. That was why you didn’t fraternise with colleagues or bosses. It always went wrong in the end.

Well, he won’t be my boss or my boyfriend from next Friday. This time next week I’ll be starting a new life, with Timothy and Gemma, Louise and Eddie and all the others.

It wasn’t exciting. Petrified was probably a closer description and every day started with a rehearsed conversation to Timothy explaining that she’d changed her mind.

Claire turned and got back into her car. It was only a short distance to the next hostel and she was keen to check in before the stalking rain reached her. She wondered if the concert that evening was under cover.

The world rolled away like a rumpled blanket as she drove along the lane, passing stiles and footpath signs that called to her to walk the hills and get wet. She fought her maudlin mood, determined not to succumb. She hadn’t realised how much she’d come to rely on the daily messages and calls from Conor, until they stopped. But with her attempt at a peace-offering rejected, her pride prevented her repeating the gesture.

Is that why I’m going to a gig? To show that I can enjoy loud music and crowds without him?

She wasn’t sure why, only that when she’d seen the poster and realised it was that evening, she’d had to go.

Claire viewed the multi-peaked blue and yellow striped tent with relief. As the clouds jostled for room in the sky above, and the rain began to fall, it was good to know there would be some shelter from a storm.

All around, people walked with golf umbrellas threatening the eyes of their neighbours, or coats held high above styled hairdos. Girls in short shorts and tight t-shirts wandered alongside blokes with crates of beer cradled in their arms. Turning up the collar of her waterproof jacket, Claire let the rain cool her skin.

At least I don’t have to worry if my hair turns into a ball of frizz. How nice to have outgrown the days of being on the pull.

The sound of the first band warming up filled the night air, as bodies crammed under the striped pavilion. Claire could see the stage in the distance; a rectangle of colour and light calling everyone forwards to join the party. Hanging outside away from the crush, Claire watched the milling people, feeling removed from their tanned skin and immaculate make-up by more than a few extra years.

Am I going to be able to relate to disadvantaged children? What do I know of their lives? I’m old before my time: look at me, with my sensible coat and shoes, drinking water and staying away from the noise? I feel like I’m in my thirties. When did I get so ancient?

As evening fell, the bonhomie expanded, travelling through the crowd by osmosis, until the beat and the laughter could be felt even at the edge of the enclosure. It seemed to flow around Claire as if she were a rock in a stream. Deep in the crowd she saw people on their partner’s shoulders, rocking to the music.

A loud crack rent the air and she jumped. Her hammering heart drowned out the music as she spun round, trying to locate the source of the noise. She was just in time to see a long fork of lightning strike the ground behind her.

The power of nature drove through her, leaving her shaking, and she ducked under the cover so as not to be an easy route to earth for the next strike. Instinctively she looked around for Conor, to make sure he was okay, and her face fell when she remembered those brief days of companionship were over.

Damn you, Conor. Damn your stupid male pride and your fickle, grasping, ex-wife.

Claire stepped back out from under the canvas, no longer concerned whether she was a target, and let the rain wash away her tears.

***

Self-Publishing Teaches you to Ship: 2013 365 Challenge #355

None of this would have existed if I’d given up in January

I’ve discussed before about the importance of learning to ship. It’s a term I’ve learned from Kristen Lamb‘s blog. As a writer (or any kind of artist) you can’t stress over a piece of work forever. At some point you have to release it into the world, because otherwise you never start on the next project. This is so true for me.

This time last year, I was waiting to hear if Dragon Wraiths had been shortlisted for the Mslexia Children’s Novel Competition. My life was on hold. Having been long-listed, there was a part of me that really believed I would get shortlisted (because what is life without a pipe dream?) When I wasn’t, everything crashed in for a moment. Not because I thought Dragon Wraiths would win – I wasn’t that deluded – but because the shortlisted authors got to meet agents.

After the initial mourning (which wasn’t long) I decided to seize the moment and send out queries to as many agents as possible, while my belief was still high. I know myself so well. Of course none of those queries resulted in anything – I didn’t really expect them to, because the slush pile is huge, my opening chapter weaker than it should be, and my query letter dull. That was why I’d pinned my hopes on getting shortlisted, because getting an agent to pay attention is the hardest part of writing.

Without self-publishing, Dragon Wraiths would still be this

Then I started the daily challenge, and had other things to think about. I kept writing (part of the reason for doing the challenge). My family encouraged me to self-publish Dragon Wraiths and, as my belief in the book was still high, I did.

Best decision ever.

Even though it’s had some bad reviews, and sells only a handful of copies, it gave me the impetus to get Baby Blues and Wedding Shoes self-published too. That hasn’t had any reviews in the UK and only one in the US and has sold even fewer copies. But it’s out there.

The important thing with writing is to keep writing. I could not have done that if I was still trying to get an agent for Dragon Wraiths. My brain would have been on hold. I would have spent all my energy and used up all my fragile confidence sending out queries, waiting for replies, getting excited, getting depressed. It would not have suited me at all.

Yes, I think the ability to ship is too easy with Self-Publishing. Books are released too early, when perhaps they’re not as good as they could be. But I don’t really think it matters (as long as, you know, they’re not awful. With no grammar and full of typos. There has to be a minimum level!)

Lovely reviews make it all worth while

I believe you can over-work something: I definitely did with my artwork, towards the end. Made my paintings into what I thought others expected them to be, rather than just going with the artistic flow. My pictures became bland and lost their edge.

I’m not saying my novels wouldn’t be better for a strict edit, for going through the write and rewrite process of being traditionally published. But they might not be my books anymore. And, knowing me as I do, my faith in my writing might not survive the journey.

Besides, we live in a throwaway culture. I’m not writing books to last forever. If someone reads my book, shrugs, says “meh?” and moves on, so what? I do that to traditionally published books all the time (even books by favourite authors like Terry Pratchett. More on that in another post). At least they haven’t spent a fortune on it.

And for every person who leaves me a one-star review that says I wasted hours of their life, there will be someone eagerly hanging on my next release. And there will be a next release, because of those people.

I would have given up on Claire months ago, if I didn’t know people were reading it. I would have given up after three months of querying Dragon Wraiths and gone searching for a day job, if I hadn’t had enthusiastic reviews. I certainly wouldn’t have thought about writing a sequel.

Self publishing isn’t for everyone. I read for and against arguments all the time (usually by interested parties, arguing for their own chosen route!) But, for me, it has been a salvation. Reading posts like these (Are you waiting for permission?) about the waiting and worry of the traditional route, I know now that I would have given up too soon. My self belief was a tiny spark in the dark and, with nothing to fan it into life, it would have died out completely.

Only time will tell if I will make it as an author. All I know is, without my blog, without self-publishing, without getting some kind of positive feedback, I wouldn’t have come even this far. Everyone knows the key to becoming a better author is writing more books. What they forget to say is that you need to ship them too! 🙂

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“How do you like the south west?”

Maggie’s question sounded innocent enough, but Claire frowned at her, wondering if she had somehow picked up on her dilemma: Dorset or Cornwall?

“It’s a beautiful part of the world,” she replied in a noncommittal voice. “I think of all the places I’ve been too, Cornwall feels most like home.”

Maggie’s face became wistful. “I was like that with the Lake District.” Then she brightened. “You can always find a new home, though.”

Claire wondered at her meaning and a memory surfaced in her mind. “I thought you hated moving away from the Lakes? Didn’t you say you moved south to be with your husband – Steve, was it? But you went back to the Lakes whenever you could.”

Maggie’s eyes opened wide. “You have a good memory! Yes, that’s true, I missed the Lake District. Kent is pretty, but it lacks the drama of the northern counties. Cornwall has its own drama though, as I’m sure you’ve discovered.”

With a nod, Claire took a sip of her Earl Grey and tried to understand the change in Maggie. There was a radiance about her that she didn’t remember from before.

“Tell me about your friend and her activity centre. It sounds like a big project?”

“His.”

“Sorry?” Claire looked puzzled.

“My friend is a he.” Maggie flushed and looked down at the table, her hands cupped around a steaming mug of teak-brown tea.

Claire stared at Maggie and a suspicion began to seep into her consciousness. But how to ask? Suppressing a smile she said nonchalantly. “So, he is opening this activity centre. Where do I come in?”

“Like I said, Timothy needs assistance with the marketing and promotional side of things. He’s done all the set up and renovations himself. You should see the place, it’s amazing.” Her eyes glittered with enthusiasm. “It really is a wonderful thing he’s doing. He has lottery money to help get him started, but there is so much to do.”

“And are you helping too?” Claire drew circles on the wooden table with one finger.

“Yes, I go when I can. I still have commitments at home.” She seemed to realise where the questions were leading and looked up sheepishly at Claire, who wondered if she was brave enough to pry.

Trying to pour all her curiosity into her gaze, Claire rested her eyes on Maggie and waited.

“Oh, alright then, if you must!” Maggie exclaimed, as if Claire had spoken. “Steve and I broke up. I couldn’t take it anymore. Then I met Timothy, and he told me about his dream.”

Claire sat back and listened as Maggie explained all about her new romance, about how amazing it was to have something to pour herself into, now her children had left home. How Steve had seemed relieved when she ended their thirty-year marriage and how she felt they had never really understood each other.

Claire thought about Conor. Who hated silence, who would rather be in a crowded bar listening to loud music than striding across empty hills. Conor who had invited her to a weekend in Ireland for a family celebration, a thought she was desperately trying to forget. There was nothing like going to a church to give an eager man ideas.

Eventually Maggie seemed to sense Claire’s lack of attention and her flow of words trickled to a halt. “I’m so sorry, wittering on like this. You must be bored stiff.”

With a stab of guilt, Claire sat forward. “Sorry, Maggie, I am listening. It’s just I have a new man, too, and he’s invited me to a Baptism on Saturday. In his home town, near Cork. My mind wandered for a moment, because I don’t know if I should go.”

And it all poured out. Everything that had happened since she’d last spoken to Maggie. About Conor not wanting to leave Swanage, and her urge to stay in Cornwall. How she didn’t want to work for him, and wasn’t sure they had enough in common to be together.

“My goodness,” Maggie said, when Claire had finished. She looked as if she was about to say something else when a general commotion around them heralded the arrival of the Brownies for afternoon tea. With a look that said, we’ll talk later, Maggie rose and went to serve juice and cake.

“Hey gorgeous, are you all set for the weekend?”

Claire heard the hesitation in Conor’s voice, as she cradled the phone to her ear and tried to block out the sound of endless chatter from the room next door.

“Where are you?” He added before she could answer; his tone somewhere between amusement and frustration. “I can barely hear you.”

“Sorry, I’m staying with Maggie at the hostel in Exmoor National Park. Don’t you remember? I said I was coming up here to pick her brains about the Guide Association. The children are currently getting ready for bed, if you can call it that!” She laughed. For all her initial horror, she’d enjoyed spending the afternoon with the Brownies. They were at a nice age, between childish dependence and teenage sass.

“Yes, I remember. Will you be back to catch the flight on Friday night? Only the service is Saturday afternoon so we need to be there in time.”

Claire chewed her cheek. Conor had mentioned the Baptism in passing on Sunday, before he returned to his apartment. It hadn’t sounded a big deal, more an excuse to go away together for the weekend. She wasn’t sure she was ready for it, but didn’t have a good excuse to say no. Now, though, he sounded anxious.

“Am I missing something?” She asked, deciding honesty was the only way. “The last time your family tried to get you to go to a Baptism you chose to take two boys out to a castle instead. I thought you avoided these family affairs?”

“That was some distant cousin. This is my niece and I’m one of the godparents.”

Claire gasped. “You didn’t mention that on Sunday.”

There was silence followed by Conor clearing his throat. “I was afraid to. I thought you wouldn’t come if you knew we’d be right in the middle of it. My family can be a bit full on. But I’ve been thinking about it, and it didn’t seem fair to spring it on you when we got there.”

He sounded like a small boy explaining the muddy footprints on the white carpet. Claire was forced to smile, although she still felt sick.

“I don’t have to do anything, do I? As your guest? I thought godparents were usually couples?”

“No and not always. You just sit in the pew and try to stay awake. You might want to wear a frock.”

Claire slumped back on the bed and groaned. A formal meet the family affair, two weeks into a new relationship. Just what she needed.

***