Revision blues

I have revision blues. I was so excited about starting to revise my WIP but I still have no real understanding of how to go about it, and when I can’t do something it makes me sad. Not very helpful or grown up, I know. If my daughter said such a thing to me I’d tell her it just takes practice and it’s okay to ask for help. She’s three. It’s okay not to know how to do something when you’re three!

I like to think it’s the impossible deadline (combined with a killer cold) that has sucked my motivation, but that’s just an excuse. I’m good at excuses. If I’m honest (in a way you can only really be with yourself at 1am) the difficulty with revision is that it exposes how little I truly know about writing.

I hate being a novice.

I nearly sobbed in rowing today because the coach was telling me I was doing it all wrong. It was only my fourth lesson but I’d done so well the week before it was crushing to be told I was rubbish. No one is more critical of me than me and I get extremely frustrated at myself if I can’t do something. To the point that – like my stroppy three-year-old – I stomp my foot, yell “Can’t do it!” and chuck whatever item I’m holding across the room. (Did I mention I’m more of a child than she is sometimes?)

I read another instructive blog by Kristen Lamb this week, this one was about structure and how it separates the beginners from the professional writers. I confess I didn’t completely understand the blog which probably puts me firmly in the not about to be published anytime soon camp! I do at least own the Plot and Structure book she quotes from: I just need to read it.

So, as well as trying to polish a first draft in an impossible six weeks, just in case I’m shortlisted for the Mslexia award, I’m trying to learn how to write and how to revise all at the same time. It’s no wonder I’ve picked up Garth Nix’s Keys to the Kingdom again. I’m already on Drowned Wednesday. I may not know much about scene and sequel or Goal – Conflict – Disaster but when it comes to displacement activity I’m a master.

The one positive I’ve had so far is discovering a useful revision summary by KittyB78. It doesn’t tell me how to revise but it does give some things to look for, such as scene flow and characterisation. I like the idea of highlighting different parts, like dialogue, internal thought, characterisation, in different colours. There are also some other great revision tips in the comments.

My biggest challenge this year might be resisting the urge to do NaNoWriMo again. I love it and several of my (unfinished) novels were born in November. However the last thing I need right now is another first draft to nag at me and distract me from actually finalising one of my existing manuscripts. Kristen Lamb is always talking about writers being distracted by the next new shiny.

That’s me!

Writing first drafts is so easy compared with revision and yet seems more like Writer work, so I don’t feel guilty for being unemployed as I do most days. If only they could do a revision equivalent of NaNoWriMo, to help and motivate you to beat a Nano first draft into shape. Now that I’d sign up to!

Anyway I think my darling son is finally asleep, despite the tap-taping of my mobile phone and the eerie sight of me up-lit in the darkness, so it’s back to bed for me. I haven’t revised more than a page in a week so must get a good day in tomorrow.

May the muse be ever in your favour.

Learning to row and little ones growing up

Turns out rowing is in my family’s blood!

I must apologise for my prolonged silence. When my babies were born a childminder I met said, “As a parent of very young children your world will shrink to a tiny point where the only things that matter are whether they eat and sleep and are happy. As they grow older you will begin to remember that there’s a whole other world out there.”

As my son’s second birthday approaches (this Friday – I can’t believe it) that prophecy has become true. All of a sudden I have re-joined the human race. As a result, some things – like my writing and this blog – have been forced into the background, despite my best intentions that that wouldn’t happen. I’m particularly concerned that I have entered my young-adult novel Dragon Wraiths into the Mslexia competition without the final draft being completely finished. I’m taking a gamble that I’ll be able to at least fix any continuity errors before I might have to submit the full manuscript, which they estimate as being in November for the short list. To be honest I don’t really expect to make the short list so it will be a nice dilemma to have.

For those paying attention to my on-going ramblings about my young adult book I have had to forgo entering the Chicken House competition, as the final first draft came in a third over their word count limit of 80,000. I’m not an enthusiastic (or experienced) enough editor to lop off thirty-five thousand words in a month.

So what have I been doing in the real world?

Learning to row

I married into a family of rowers and always vowed I would learn one day. I vowed I’d learn Italian too (my husband is half-Italian) but that’s proving more tricky. My husband planned to teach me to row after our second child was born, but a premature baby and postnatal depression put paid to that idea.

Then this summer our local Adult Education brochure arrived and I read it cover to cover, as I always do. I’m an academic junkie as well as always being on the lookout for local Italian classes. No joy on that front but there was a five-week Ladies Only Learn to Row course. Fate.

I changed the kids’ nursery days, swore my husband to secrecy, and signed up. Three weeks in and I’m loving it: Now I can actually propel the boat without facing the prospect of a cold bath that is. The first two weeks were HARD. My brain wasn’t used to concentrating for two hours at a time and I got very cross with my lack of coordination. The lady from British Rowing seemed to think I was the antithesis of a natural.

Today, though, the boat flew. It was amazing. I rowed with my eyes closed. Literally. To start out rubbish and get better – to feel myself improve and to get instant feedback (if I sense I’m about to join the ducks I’m doing it wrong) – is exhilarating.

If only writing was like that. Or parenting.

After nearly four years of feeling like a failure it was fantastic to be proud of myself for once.

Little ones growing up

The other thing we’ve been doing this week is looking at primary schools for my daughter. Scary stuff. I’ve thought about where I would like my children to go to school pretty much since my daughter was born. Several of my friends are teachers and my sister moved her family to America partly because of a school she wants them to attend. Education is important.

I think back to the various schools I went to as a child and I can see the different shifts in my personality that came with each one. To make that decision now, when my daughter is not even four and my son (who will hopefully go to the same school) is not quite two, seems madness. Thankfully we are blessed with an array of great state schools around us so the choice is more small village school versus larger town school, and whether to take current friendships into account. No decisions yet. I’ll keep you posted.

In the meantime I am trying to get my head back into writing, to plod on with editing Dragon Wraiths (harder than I hoped it would be) and writing query letters for Pictures of Love (which I still intend to self-publish but, as I haven’t got time to do the final proof-read at the moment, I may as well rack up a few more rejection letters!)

Have any of you recently sent your first child to school or started a new hobby? What keeps you away from editing and blog writing?

Renewing my love affair with dragons (and editing)

Still from Stefen Fangmeier’s 2006 film Eragon.
Photograph: 20th Century Fox/Allstar

I find myself in the unprecedented position that I am itching to start editing my work in progress, Dragon Wraiths.

Usually I only enjoy the writing part and approach revision and editing much as I would a trip to the dentist. This time, though, I am having to force myself to finish the four or five chapters in the final section before I start taking it all apart. Thankfully I decided on a structure of nine 3,000-word-ish chapters per section (although I have added a whole extra section in my usual scope-creep), otherwise I would take the easy way out and decide the first draft is done already.

For most of my novels I am aware that I have underplayed the climax because I ran out of steam, or ideas, or a new book lured me away. So I am determined to battle through my battle scenes before I let myself review the whole and start drawing out the themes.

This time I think my last-chapters-lethargy is caused by things other than exhaustion or boredom (although with an average word count of 10,000 a day on the two days a week I get to write, exhaustion of ideas is definitely a factor. Hence no blog posts for a couple of weeks – all out of words!)

Firstly I’ve already closed out the love story and written the final scene. A mistake, but an unavoidable one. The final scene presented itself while I was walking the dog (see next post) and I never look gift words in the mouth. As a result I have written the bit of the story I’m interested in and skimmed over the same parts I often skim-read, namely the battle scenes.

The other problems are more positive. I am nervous, elated and excited about this book. It feels good. I have ideas about themes, character development, setting and so on that I want to build on during revision. All the wonderful blogs I read have clearly had an influence and I am eager to put them into practice.

I have also been reading some excellent and varied middle grade and young adult books about dragons, including Eragon by Christopher Paolini (written when he was fifteen!) and The Dragon’s Eye by Dugald A. Steer. These were complemented by an interesting blog post from 2009 that I discovered when searching for an image for this post: Dragons in Literature by Imogen Russell Williams, adding yet another great blog writer to my growing list.

As well as my eagerness to get going on revision I am also conscious of my deadlines. I am writing this book to enter in two Children’s Novel competitions, with deadlines of 10th September and end October. Clearly there is not enough time to revise properly so I need to get started as soon as I can or face a difficult decision: Whether to forget the competitions and focus on finishing the novel to the best of my ability or do a rush job (including reducing word count from 110k to 80k) and hope for the best.

What are your views on dragons in literature?

Have you ever had to rush revision to hit a deadline? All advice gratefully received.

Interview with Christopher Paolini, author of Eragon (christchurchkids.wordpress.com)

This interview with Christopher Paolini contains some great advice for writers.

Quick Post: Latest from Kristen Lamb: “More than Magic and Gadgets”

Lion Dragon Shinto Shrine by Sara F Fujimura

Kristen Lamb’s Blog is fast becoming my favourite place to get writing tips.

Kristen’s latest post is essential reading for anyone contemplating writing a sci-fi/fantasy/YA Paranormal novel.

Or any novel for that matter.

There is no point me re-hashing her post as it is all relevant. You can read her great advice here:

http://warriorwriters.wordpress.com/2012/08/13/more-than-magic-gadgets-taking-science-fiction-and-fantasy-to-another-level/

I’m off to revise Dragon Wraiths right now…

Planning and pesky characters

Artwork by Amber Martin

I don’t write plot plans or outlines and this blog explains why.

If you follow regularly you’ll know I’m rubbish at planning what I write, preferring instead to let the story develop as the words (hopefully) flow from subconscious to computer screen.

However after writing my post about the Chicken House / Times children’s book competition, I decided to write a plot plan for my young adult novel, Dragon Wraiths. I had an idea where the story was going, haven written half of it, so it seemed a safe, logical thing to do, particularly as I haven’t got long to draft and redraft before submission in September / October. I hoped that a plan would help me get all the continuity right first time and save some long-term pain. All good.

Except the pesky characters won’t do what they’re told.

I’m two chapters into my ‘plan’ and already I’ve added a whole new section to the novel, extending it from 3 parts to 4. I’ve changed a good character into a barrier and rewritten the whole ending. Twice.

So far my adherence to the plan resembles my children’s colouring: The lines are there only to be scribbled over. As a parent I have tried to let my kids colour how they like, seeing it as too controlling to tell them to colour inside the lines. Am I giving a free-rein to my own creativity by scribbling all over my own plot plan, or am I just scatty?

I have also discovered that, while I find it almost impossible to summarise a chapter into one line, it is easy for one line of planned plot to become two or three chapters.

I have written 7,000 words today and covered only two lines of plot plan.

They find the missing girl and she agrees to help takes no account of how hard it turned out to be to find the girl or the fact that she was rude and uncooperative when they did find her. My whole story depends on the girl being helpful: I didn’t expect her to have a mind of her own. In twenty words of dialogue, written while walking the dog, she has destroyed my whole plot outline with her rudeness. Grrr.

So I am ploughing ahead without worrying too much about the plan. It is still useful as a guide for key plot developments, particularly for the sciency bits that are not my strong point. As for the rest, even I don’t know if the darn woman will help out in the end, or finish up being written out of the book entirely.

That’ll show her.

Quick post about Milestones

I reached 60,000 words on Dragon Wraiths, my WIP, today.

Looking for other significant numbers I realised I have exceeded 30 blog posts here since I started. Many more than I thought I would manage. I even have 20 followers.

It might seem like tiny steps to other people, but I didn’t expect any of it and at last I feel like the hard work is slowly paying off.

All I need to do now is suss out Twitter, where I currently have one follower (my husband) and Facebook where my WriterMummy page has 7 likes and my Amanda Martin page has 6. Onwards ever onwards.

Books and Songs

It seems appropriate, given that the fabulous Olympic Opening Ceremony spent a lot of time on literature and music, that I rediscovered two truisms this week; Reading makes you a better writer and music can be powerfully motivating.

Both activities – reading my own choice of novels and listening to my own choice of music – have become rare events since the children were born.

There are many reasons for this.

I tend to zone out the world entirely when I’m reading a good book; something that, until recently, hasn’t been vaguely possible. My son especially requires constant vigilance to ensure his continued good health (not because he suffers from any kind of illness, but because he likes to throw himself off high things).

Kids (and husbands) have an in-built sensor that alerts them when you’ve got to a good bit. Husbands you can just about tell to feck off, but it’s only on really bad days that I say that to the children.

Even after they’ve gone to bed, assuming I can keep my eyes open to read, the little one wakes every couple of hours, and on the rare occasion I’ve read past midnight, he’s guaranteed to be up and screaming from 1am until 5am. I had one awful night during my consumption of Hunger Games when I didn’t actually get any sleep. Not the best way to get through the following day without going to Mummy Hell in a handcart.

Then there has been what to read. My book club kept choosing self-help nonfiction type books, which I duly struggled through but didn’t often enjoy. I read far too many Mills & Boon in my attempt to mirror the style for The Real Gentleman, with no success. I re-read all my favourite romances when editing Pictures of Love. But I found that I had moved on, my priorities are no longer about meeting the man of my dreams, but closer to getting a good night’s sleep and maybe the chance to pee by myself. So I sought out novels about parenting but reading them was a bit of a busman’s holiday and I knew I didn’t have the skill to write anything so funny.

I was also paranoid that reading books of the same genre as the one I was writing might lead to me inadvertently copying a character or piece of plot. I even read a book that had almost the same beginning as mine, which terrified me.

So I stopped reading anything but blogs and my life was poorer for it.

With music it’s the same thing. When I worked as an artist I had Classic FM on all day as background burble and when the adverts became too annoying, I switched to Radio 2, where I’ve stayed, (except between 12 and 2 as I can’t stand Jeremy Vine.)

The novelty of Radio 2 has long since worn off but I only had a radio in my old car and, besides, the kids don’t like me singing unless it’s Wheels on the Bus or Old McDonald had a farm.

Anyway, this week that all changed.

I re-read Philip Pulman’s His Dark Materials to try and banish my writer’s block on my young adult novel Dragon Wraiths. The quality of the writing is such that it automatically raised my game. Reading nothing but books for very young children, (think Gruffalo and The Hungry Caterpillar), combined with permanent sleep deprivation, has resulted in my vocabulary shrinking to that of a five-year-old. Not something Philip Pulman can be accused of. When I finally found some time to write on Thursday I found myself using words that wouldn’t have occurred to me the week before.

I also got a new car this week, with cd player AND iPod jack. Even better, I had the chance to listen to my music in the car, on the two hour trip back from the beach yesterday (kids were asleep – we had children’s songs all the way there). Not only were some of the big numbers stirring, motivating, uplifting, I also found the same vocabulary-enhancing effect happening.

Some amazing one-liners leapt out and smothered me with goosebumps and envy.

Lines like, “On winter trees the fruit of rain is hanging trembling in the branches like a thousand diamond buds,” or “Regrets and mistakes. They are memories made,”

Mini stories in a few words, the ultimate flash fiction.

I used to use Country Music songs as examples of story arc when I was teaching Creative Writing. There’s a great Garth Brooks song, Papa Loved Mama, which is another well-executed example of flash fiction, including my favourite example of showing rather than telling rage:

“The picture in the paper showed the scene real well
Papa’s rig was buried in the local motel
The desk clerk said he saw it all real clear
He never hit the brakes and he was shifting gears.”

It doesn’t have to be literary to be effective.

What songs and books stand out in your mind as excellent inspiration or great examples of flash fiction?

The dangers of self-publishing: Introducing “Them.”

It turns out you can make your work-in-progress look too like a real book too easily. The image of seeing your WIP in kindle format (or even print) is seductive, but probably not a great idea for the proof copy. Aside from the hassle of getting the right format to everyone, when pretty much all e-readers can open the traditional pdf, I’ve discovered the existence of “them”.

After my mother gave her damning verdict on Pictures of Love, “I preferred your first book,” (the one I wrote in a few weeks, barely edited at all, and had rejected by Mills and Boon,) she said something that dumfounded me:

“Did they not edit or proof-read your book before formatting it for kindle?”

My response, when I stopped laughing, was to say, “Mum, there’s no They. I wrote it, revised it, edited it, proof-read it, designed the cover, wrestled with kindle formatting, added the copyright, the dedication, the publisher’s logo. All of it. You’re my beta reader, so in fact you’re They. You’re meant to help me find the typos.”

“Oh,” she said, “I wondered why there were so many. They do come a bit thick and fast at the end.” Not what I wanted to hear but unsurprising as every time I started proof-reading I began at the beginning but didn’t always make it to the end. I get distracted so easily.

As a result I have a thudding fear that the second half of the novel, the half only my mother has read apart from me, is a bit rubbish. Seems I’m probably right, at least as far as editing goes. And if I missed a heap of typos, I probably didn’t spend enough time revising the latter half of the book in terms of language, character, plot.

And yet there it is, my Lulu print version, sitting in paperback glory on my kitchen table, looking for all the world like a ‘proper’ book.

So I think when the naysayers who don’t like self-publishing bemoan the fact that something can look like a traditionally published book and still be awful, they may occasionally have a point.

Another scary thought is how easily the formatted-for-kindle version is being passed around without my knowledge. I used to password protect my pdfs. I don’t even know if you can do that for kindle. What if my proof makes it into the outside world? (My sister-in-law has already sent it to my father-in-law, and another beta reader has given a copy to his parents.)

What if everyone thinks like my mother and wonders why They haven’t done a better job finding errors? Or me for that matter. I don’t mind if the book is deemed a failure because the characters are underdeveloped or the plot is thin, but being damned for typos when it isn’t even the final edit gives me the shivers. In future I think I’ll splash Beta Reader Copy or Proof over every page and be less vain about trying to make it look like a proper novel.

Or maybe it is time to go back to that Agent list after all.

Marketing Time-line for Self-Publishing

While I wait (im)patiently for feedback from my beta readers I have been worrying about Marketing.

[As an aside, I have had one comment so far, from my mum, and her feedback was – it’s not as good as your last book (the one that was rejected from Mills & Boon). That’s filled me with confidence.]

I find the marketing of my book far more daunting than anything else I’ve done so far. I’ve talked before about how rubbish I am at selling myself and this includes trying to engage on social media. I am self-conscious even writing on other people’s blogs or twitter feeds (twitter still baffles me) and when I browse around people’s sites, whether on Facebook or Pinterest, I get distracted and forget why I am there.

I have searched around on the internet for advice, but it has been difficult to find a cohesive plan for things you can and should do to help market your book. Until I recently found this great post on the Lulu blog, with a timeline of things to do before you publish.

It starts 12 weeks before launch, so I’m way behind if I want to do all these things before publishing Pictures of Love in August. That said, as I haven’t had any beta reader feedback yet, I don’t know if August is still feasible. If I have a complete re-write to do, on top of finishing Dragon Wraiths by September, it is likely I will have to push back the release date.

I was going to summarise the Lulu post and include the best bits here, but as it is all very useful, I have posted the complete text below. I’m off to work out what I can do in the couple of hours a week I find time to do marketing!

Please let me know how you get on and any other ideas you have to get your book noticed.

The Post:

On Lulu’s blog there’s been a lot of talk about the “how” of marketing (Pinterest, Blogging, Twitter, writing a press release, video chat, etc.) but little focus on the “when,” which is an equally important component of a successful book marketing campaign.

Here are some general guidelines you can follow compiled in a simple marketing timeline to help you plan:

10–12 weeks out: Do your research. Find appropriate blogs and media outlets that might want to review your book and compile a list of media contacts. Come up with a list of friends who can help spread the announcement of your publication and ask each one personally for support. When you reach out to contacts, offer them a free copy of your book and ask for pre-publication quotes to be used in your book’s detail page at various online retailers.

*Expert tip: Make the first chapter of your book available for free for anyone who might want to review your book or include it in a news article. You can do this by creating a free eBook on Lulu.com that includes just the first chapter of your book as well as contact details for press inquiries.

8–10 weeks out: Draft your press release and any announcement emails you’re planning on sending out. Make sure to re-read them numerous times and get friends or family to proof them for you. Ensure that if you’ve not already done so, your Facebook page, Twitter and Pinterest account, and blog include up-to-date info on your upcoming book. Be sure that every update, post, announcement and release includes a direct link to where readers can pre-order your book. (You can use a URL shortener like bit.ly if you like). Now’s a great time to do a cover reveal on social media — unless, that is, you’re planning to work with a blogger for an exclusive reveal on someone else’s site.

6–8 weeks out: Send your press release and start pitching bloggers. This is also a good time to formally announce the release of your book online. When doing so, consider including a question on Twitter and Facebook to encourage engagement and make sure to provide a link where readers can pre-order your book. We know you already know, but double-check that landing page to make sure that your cover image, title, description and reviews are all up-to-date and grammatically correct.

4–6 weeks out: Start thinking about adding “flair” to your social media. Launch week-by-week book giveaways and poll your fans or create extra content (a book playlist, an author interview, etc.) to generate excitement. If you’ve created a video trailer, announce its premiere date on your blog and then post it about four weeks out. As the one-month mark approaches, follow-up with bloggers and other media outlets if you’ve not yet heard back from them.

2–4 weeks out: Post a teaser chapter to your blog — either all at once or split it up to tease out future buyers even longer. Announce winners of any giveaways or contests you’ve run and launch a final giveaway extravaganza (a book plus swag that relates to your book) to coincide with your book’s release date. Continue to make sure that that any good reviews and/or awards you receive are featured on your Lulu, Amazon, BN.com, etc. pages.

0–2 weeks out: You’re in the homestretch! Be prepared, if you’ve done your research right, to be doing blog interviews, updating social media frequently about not only the book, but your excitement, and featuring content and giveaways to celebrate! However, on the day your book goes on sale, give yourself a break. Leave the computer behind and enjoy a breakfast/lunch/dinner out. You deserve it.

Remember, just because your book is out doesn’t mean your marketing efforts end. Continue to look for larger news opportunities to tie your book to, update your social media outlets and blog on a regular basis so your community grows, and keep on top of awards you can submit your book for. More than anything, be creative, take risks, and, later on, hopefully reap the rewards.

Children’s Novel Competitions: Mslexia vs Chicken House

Ok so now I have a dilemma. The lovely Helen Yendall over on her Blog About Writing posted a link to another children’s novel competition running this autumn, this time with The Times and the publisher Chicken House.

If you follow my blog, you may know that I am writing a Young-Adult book – Dragon Wraiths – to enter in the Mslexia Children’s Novel competition.

Now I have to decide whether to continue to aim for the Mslexia competition, or to change direction and enter this one with The Times and Chicken House instead. They each have their pros and cons.

The deadline for the Chicken House is later than the Mslexia one (26th October vs. 10th September) but the entry is a full printed manuscript, up to 80,000 words (suggested minimum 30,000 words, which is the same as Mslexia). In the first instance, Mslexia are asking for the first chapter, up to 3000 words, with the full manuscript and synopsis to be sent later, if you are shortlisted. Now this is where the comparison gets tricky.

As well as the wanting the full manuscript, Chicken House state:

Each entry must be accompanied by a brief synopsis, plot plan and a letter of submission explaining the book’s appeal to children. (A plot plan is a chapter-by-chapter breakdown, with a couple of sentences on each, paying attention to the roles of the main characters, dramatic high points, and the most important strands of the plot. The synopsis should be no more than a page, and should give an overview of the complete story, including key characters, events and settings.)

So, how confident am I about my writing? Do I feel my opening chapter has enough impact for me to take the easier (more lazy) route, or will my story come across better will a full synopsis?

The latter, of course.

I’ve already discussed how I’m worried my first chapter alone isn’t enough without a synopsis, because the dragons don’t come until a third of the way into the book. On the other hand, writing the synopsis is going to be hellish, because the novel skips between two worlds and two timelines, using different fonts (at the moment) to keep it all separate. Also the plot-plan is going to highlight my weaknesses when it comes to planning, as I’m not sure every chapter has a dramatic high point and so on.

There are other differences between the two competitions: the terms and conditions for the Times competition are much more thorough, including lots about the paper having rights forever to publish excerpts of any entry for free. That kind of stuff worries me, but I’ve convinced myself it’s just free publicity, assuming all excerpts are accredited to me as author.

Getting down to the nitty gritty of money, entry into Mslexia is £25 whereas the Times / Chicken House is £15. The minimum winner’s pot, as I read it, is £5,000 and £10,000 respectively. That’s pretty irrelevant: I don’t expect to win, really, although there’s no harm in hope.

The Times/Chicken House Ts & Cs have an interesting one-liner on what they are looking for:

The winner will be the entrant whose story, in the opinion of the judges, demonstrates the greatest entertainment value, quality, originality and suitability for children aged 7-18.

That’s a tall order for any author, but something we should all aspire to. I have no idea whether my idea is original and I don’t know any young-adults to try it out for entertainment or suitability. I guess these are things outside my control in a way. I find the story entertaining, and I like Young-Adult fiction (I’m re-reading Philip Pulman’s His Dark Materials at the moment, and finding it hard to put down, even though I’ve read it before)

Despite the entry cost I am extremely tempted to submit to both competitions. I can’t find anything in the rules expressly forbidding it. I would love to double my chances of at least getting some great feedback and the Times/Chicken House competition offers editorial feedback to the 20 shortlisted entries. That is something I can aim for.

Of course, there might be a problem if I won both competitions, but wouldn’t that be a nice problem to have? 😉

Other Links:

Competition Rules:

http://www.thetimes.co.uk/tto/public/competitions/article3375938.ece

http://mslexia.co.uk/whatson/msbusiness/ncomp_rules.php

The Chicken House Writer’s Guide