The Tricky Question of Backstory

Challenging my views of writing!

Following on from yesterday’s request for advice and opinion, I need to ask about back-story. It’s the bane of my life, and Class Act is littered with it. Baby Blues & Wedding Shoes was, too, in the early drafts, and I solved the problem by starting the novel six months earlier.

That will work to some extent for Class Act, (lovely – another massive re-write! 🙂 ) but there are two incidents in the female protagonist Rebecca’s early life that impact on her current personality, and I don’t know how to integrate them. At present they’re written as flashbacks. Shudder. Unfortunately I actually like how they’re written so it’s easy to become attached to the scenes rather than put them in the bin where they should be.

The problem is I get defensive of my characters and want to explain why they have the flaws they do. But how much detail is necessary or desirable, and when should it be revealed? In The Radleys, by Matt Haig, the back story is cleverly integrated and is also overlaid with the character’s perception, so you start out with a half truth that colours your view of a character’s actions, and that view evolves and changes towards the climax of the novel. Masterful stuff. I’m pretty certain I’m not skilled enough just yet to pull it off without getting in a muddle.

The other problem is defining the novel’s inciting incident. Really, both bits of backstory are. Or the moment where the lead protagonists meet, which is where the novel currently opens. Baby Blues originally started with when the love interests meet, too, and after the rewrite that scene ended up a third of the way through the book. I like it, because you get to know the characters first, but then it blows wide open what the first turning point should be. We make decisions every day which, with hindsight, turn out to be inciting incidents. The job we take, or the bus we catch that breaks down or gets blown up.

Incidentally, Jami Gold has a great post on the importance of getting these elements or ‘beats’ right in a novel and how defining them isn’t always straightforward! See Why Story Structure Matters. Unfortunately, even with her helpful Beat Sheets, getting the right elements into a story at the right time is (for me) the hardest part of writing.

So, right now my options are revelation through phone conversations with a friend (tricky), adding a prologue (generally advised against), or vague hints that might be missed or misunderstood. It was much easier with Claire in Two-Hundred Steps Home, as she didn’t really have a back story that mattered!

What are your views? Any great examples of how inciting incidents in childhood or early adulthood have been successfully integrated into a story? How much do you need/like to relive past experiences that have influenced a character? When do you need to know the details? Do you need to already care about a character, or do they help you care? Sometimes it feels like I’ve forgotten how to write a novel!

How Many Heads?

How many viewpoints in a novel?

When you’re reading a modern third-person limited perspective novel (he said, she said from inside a single character’s head – see this great post for an explanation on narrative modes in literature) how many heads are acceptable?

When I first wrote Baby Blues & Wedding Shoes, which is written from two key protagonists’ perspectives, I switched from head to head without thinking about it, and would quite often jump into the head of minor characters. Strictly speaking that’s nearer third person omniscient, without that irritating ‘know-it-all-ness’ of an Eighteenth Century narrator.

I didn’t give it much thought, until a Beta Reader pointed out that head-hopping within a scene can be confusing and is generally avoided, and that it wasn’t a good idea to see inside the head of minor as well as major characters. It came as a surprise, because I didn’t really think about it as I wrote – the almost-omniscient style seems to be my default.

That probably reflects the literature I read: authors like Georgette Heyer, who write in what I suppose to be omniscient third person. Even though Heyer spends most of the time following one person’s viewpoint, she’s happy to hop into the thoughts of anyone relevant to explain the scene. Even though I’ve studied the theory and know the principles I still struggle when I write (and even when I read) to always know the difference. I read this great article today that helps to explain it.

That’s why Dragon Wraiths was refreshing – in first-person-present you only know what the main character sees, hears and feels. It adds other challenges to do with character development and so on, but you don’t have to worry about head-hopping.

Class Act Cover

I’ve just been through my first draft of Class Act and, like Baby Blues, it’s littered with head-hopping. That’s fine, I can fix that. But, also like Baby Blues, some of my favourite writing is inside the heads of secondary characters. I cut it all out in Baby Blues but now I’m wondering if that was entirely necessary. Maybe it’s just my voice, my style. Maybe I tend more towards multi-voice perspective or omniscient than tight third person (sticking to one head). Maybe I should embrace it rather than fix it.

I say this only because I’ve just finished The Radleys by Matt Haig and it reads like a soap opera script, seen from everyone’s perspective. I have to admit it added to my enjoyment of the novel rather than detracting from it. (Possibly because I love omniscient authors like Heyer.)

Now Haig is a much more experienced and talented writer than I am, and my execution is bound to fall a long way short, but that’s no reason not to try.

So, my question is, if you were reading a novel that took you on a brief trip inside the mind of the mum or the best friend, would that confuse or irritate you? I guess until I finish my revisions and send it out to Beta readers I won’t know. Here’s an example scene to show what I mean.

Daphne looked up, and her smile was like the sun rising over the horizon. She put the tapestry aside and rose to her feet, holding both hands out in greeting. Alex took two paces forwards and enveloped her in a bear hug, her scent infusing the space between them, bringing with it all the comfort and memories of childhood. He hadn’t been home for weeks, not since he’d started rehearsing the play, even though it wasn’t that far away. He felt terrible, but his mother of all people understood his need to carve his own way in the world, away from Sidderton.

“Alex, darling, how lovely to see you,” she said as she finally released him from the embrace. “Sit down. Does your grandfather know you’re here yet?”

“No, I came to see you first, of course.”

“You mean you crept around the side like a naughty school boy?”

His smile made him look every inch as she’d described him. “Maybe. I need to ask for something and I thought I’d ask your advice about the best approach.”

“You need money? I thought you’d got a handsome settlement when you left your last place of employment? Didn’t you talk of share options?”

“I don’t need money, and as if I’d ask Grandfather if I did! He’d roast me alive. No, it’s more complicated than that.”

“Then it’s about a girl. Have you got someone in trouble?”

“Mother!” Alex was genuinely shocked. “What do you think of me? Firstly, no, I haven’t got some poor girl pregnant. Secondly, this is the twenty-first century, not Downton Abbey. We don’t buy the servants and wenches off with money these days you know.” His tone was ironic and gently chiding. Sometimes he thought living here at the hall had confused his mother into believing they lived in the eighteenth century.

“You are partly right though,” he continued, “it is about a girl.”

“I thought you had decided girls were all fortune hunters out to ensnare you? Has one managed to catch you?” She looked worried, and he laid a hand on hers to reassure her.

“Well, I suppose I have been snared, but not for my fortune. She doesn’t know anything about it.”

“What do you mean? Does she think we are one of those impoverished families who spend every penny on their crumbling manor?”

Alex thought about the immaculate interior of Sidderton Hall – Mother had been an interior designer before she married – and laughed. The laughter lit his handsome face from within, like the sun breaking suddenly from behind storm clouds. Then the clouds drew across the light again, as he realised his charade was no laughing matter. He had to think of a way to make Rebecca love him despite his background. He had to get to the bottom of her dislike of the landed gentry – there had to be more to it than a few idiots being rude to their gardener. That was for another day. He was here to help her build her future, whether that included him or not. Acts of altruism were not part of his general make up, and he found he quite liked the sensation.

Daphne sat patiently whilst these thoughts played out across her son’s even features. She was used to her son’s internal dialogue and knew he would present his conclusions when he was ready. He shifted his position on the ancient and battered leather sofa that dominated the family room and she knew he was ready to speak.

“I need to get grandfather to agree to sell the old hay barn down in the south east corner.”

Whatever Daphne was expecting, it wasn’t that. She spoke aloud her first thought.

“No Sidderton has ever sold one inch of the estate, not even when they faced bankruptcy”.

Alex laughed suddenly as she said it. She gave him a bewildered look and he clarified: “That’s what the estate manager said to me, and I thought the same recently when I was talking with Rebecca about buying property. It must be a mantra that we’ve all been brainwashed with.”

“What makes you think you’ll convince grandfather otherwise, when you know it is so much against the family way?”

“Because I have to,” his voice was urgent, “Because it’s important. Just because that’s the way something has always been doesn’t mean that’s the way it always has to be. Because I want to help the woman I love, and – if I’m really lucky and dig myself out of the huge hole I’m in – it won’t be out of the family for long.” His words came out in a rush, as if to explain it all to his mother suddenly seemed both difficult and vital.

In limited third person the entire scene should be either from Alex’s or Daphne’s perspective, or there should be a scene break when it hops from Alex’s to Daphne’s head. But, to me, the scene works fine as it is. Maybe it’s the subject matter: there is an air of Heyer, or of nineteenth-century romance, about the novel. Should I have the same consistent voice across all my novels or is it permissible to shift it according to the needs of the novel. Answers on a postcard, please… 🙂

The End. For Now. 2013 365 Challenge #365

The Final THSH Cover

Hurrah. I made it. Claire’s journey is finished, for now. She’s found a new home and what I suspect will be only the beginning of fresh adventures. Already the new characters intrigue me. Timothy, for example: he’s Maggie’s gentleman friend but for some reason I think he might lean the other way. Eddie is going to be a real handful. And the quiet Kayla might surprise everyone.

You’ll have to wait though. I have other novels to write, sleep to catch up on, books to read, before I even think about picking up Claire’s journey again. I want to start immediately, but I think we all need a break. I’ll be making notes, though, and any feedback is of course always gratefully received.

If you enjoyed the series, tell your friends. I hope to pull the entire 365 installments into one ebook at some point soon, although I won’t be editing it (except for any typos that I discover). The raw first draft (albeit one that was line-edited as I went along) is part of the challenge and should stand untouched. I’m proud of it as it is.

So, what’s next? After the sleeping and the reading and the hopefully shifting this cold finally because I’ve had it for weeks? Well, Class Act needs work. It’s currently a 50,000 word romance that I have plans to extend into a full length novel. Then there’s Finding Lucy. And a sequel to Dragon Wraiths. And of course a continuation of Claire’s adventures in Cornwall. I’m going to miss her and Conor, although it’s good to miss people!

The blog might be quiet for a while. Or it might not. I think stopping blogging might be like coming off the Christmas chocolate: both a challenge and a relief. I’ll see you when I see you. Please hang about and if you see only this post for a while, please understand! Maybe I’ll have more time to read and comment on some of your blogs now. That said, as it has been raining for the last two days, and my head is fizzing with blog entry ideas, it might not be quiet for all that long!

Wishing you all an amazing New Year and here’s to a 2014 full of words.

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Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:

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Her clothes filled the small wardrobe; her rucksack sat empty in the dark recess of the cupboard, tatty after its long journey. She could never have imagined, back when Carl had presented her with it as a leaving gift, that she could become so attached to a bag.

“We’ve come a long way, you and I. Time for a rest, for you at least.”

Claire laughed as she realised talking to an inanimate object was probably the first sign of craziness.

Maybe I am crazy. Do crazy people ever actually know that they are?

She thought about leaving Conor standing alone on the beach, and shivered. It had been two days and he hadn’t tried to contact her. She didn’t know if that made it easier or not. Dozens of unsent messages sat on her phone, taunting her. Her last words echoed continually in her mind, like a song stuck on repeat.

The man I love like breathing.

She considered it, as she walked across the tiny room to gaze at the ever-changing view of the sea. Was it true? Did she love him? Could you love someone on such a short acquaintance?

But it wasn’t short, was it? Four months is a long time, and he’s been there for me since day one. All the time in New Zealand and every time I needed someone since I returned.

Dwelling only intensified the pain. She cast one last look around her room and felt a glimmer of a smile through her grief. Her room. It felt good.

Downstairs, the children were finishing dinner. Claire hadn’t spent much time with them over the weekend. Timothy seemed to instinctively know she needed space to settle in, and had quietly assured her that she had no duties until Monday morning. She attended meals and sat in the shared lounge to read and think. Sometimes she nestled in the window seat she’d discovered along a corridor, overlooking the sea, and listened to the children giggling in their rooms. The sound of laughter rang constantly throughout the old building.

Outside, the sky hung overcast. She wandered through the bushes and trees until she reached the rolling lawn that led down towards the sea. Within minutes she had scrambled down the rocky path to the private beach.

A group of children clambered amongst the rock pools under the watchful eye of Eddie. He raised his hand in greeting and she nodded in return before heading to the other end of the sand.

Thinking she really needed to buy a surfboard, Claire found her favourite rock and climbed on it. Sitting with her arms clasped around her knees she stared out at the horizon and let the peace wrap around her like a blanket.

A tapping at the door roused Claire from a doze. She checked the time and was surprised to discover she’d been asleep for an hour. Thinking it must be Timothy wanting to remind her about something for the morning, she rolled off the bed and went to open the door.

She grasped the frame for support as her questioning gaze met a pair of familiar green eyes.

“Hello, Claire.”

“What? How did you know where to find me? How did you get in?”

“A bit of research found the centre and a chat with your man Timothy meant he let me in. Seems he’s a sucker for a romance.”

“You could be a stalker or a murderer.” She frowned, unsure how she felt about the invasion of her privacy.

“I showed him this.” Conor held up his phone to show a photograph of the two of them in bed, tangled in the sheets.

Claire stepped back into the room to hide the blood rushing to her cheeks. “You’d better come in.”

Uncomfortably aware that the room held only a bed, she waited for Conor to perch on one end of it, before going to stand, arms folded, by the window.

“Why are you here?”

“To ask why you keep running away from me without letting me speak, woman. I had something to add to your marvellous speech, you know.”

He stood up and crossed the room, coming to a stop only inches away from her. He leant in until his lips brushed the hair near her ear, sending flurries of heat across her skin.

“I love you, too.”

Claire rested her head against Conor’s shoulder and stared out the window at the multi-hued sky. They had talked long into the night, until the dawn light began to paint the horizon in stripes of silver and pink. Her head ached with the fog of missed sleep, and she knew her first day at work was going to be a disaster, but her heart felt like a bird floating on an updraft.

She looked around the tiny room, listening to the heartbeat and slow, sonorous, breathing of the man beside her. It wasn’t ideal, agreeing to a long-distance love affair, but she didn’t care. He loved her and she loved him; that was all that mattered. The rest was just geography.

As she lay in his arms and watched the sun rise, she realised she had finally found what she had searched for through two hundred long days – through a lifetime – something that wasn’t outside the window, or even in the room, but rather in her heart. A contentment; a sense of belonging and of peace.

She was home.

***

Preparing a Farewell, For Now: 2013 365 Challenge #332

Vol Ten is only just arriving at B&N

It seems ironic that the part of my country I most want to visit – Cornwall – is the part I haven’t been able to fully explore with Claire. I have an idea of all the places she’s been to with the boys – St Michael’s Mount, St Ives, Penanze – but the month of November slipped away from me and Claire needs to be back in Dorset for December’s volume.

The Two-Hundred Steps Home story has developed a languid pace to it which I quite enjoy, although I imagine if you read the volumes without realising how and why they were written it must feel like some 18th Century epistolary novel. A Tristram Shandy or a Clarissa. Stories where they got paid by the word. Unfortunately I need to try and increase the pace and the conflict if I want to get Claire’s journey to a satisfactory ending.

It’s going to be hard to step up the story to have a climax by New Year, though, particularly as I don’t know what that showdown will be. Thankfully, I’m pretty certain it will only be a hiatus until I find the time and energy to write the next, full length installment. I thought I’d be sick of Claire after 332 days, but I feel her journey hasn’t finished yet. In the meantime the Muse is still hiding her cards as to what the end of December will look like. I guess I’ll have to wait and see like everyone else!

On the logistical side, I tried to set December’s volume up for preorder, in case they aren’t taking submissions over the holidays (and to get into the Affiliates earlier as apparently they stop around mid December, and November’s volume is only just arriving at Affiliate sites) but unfortunately you can’t set up a preorder for a free novel. While I will probably stop giving the books away free from January (so I can load them all to kindle, if nothing else) it goes against the aim of the 2013 Challenge to have one of the volumes not free on release.

I feel surprisingly sad, now my crazy challenge is coming to a close, even though it’s been impossibly hard at times. I’ll miss Claire and dropping in on her every day. Maybe I’ll put the plan to finish Class Act on a back burner and start that sequel on January 1st. But, shhh, don’t tell my husband. Poor soul I think he’s looking forward to getting his wife back. He might have to have Claire instead.

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Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:

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“Did you know this place was pretty much built by a single woman?” Claire said, fanning herself with her hand against the heat of the day. As she looked around the theatre she was blown away by the immensity of Rowena Cade’s achievement.

“It looks like it was built by the Romans or the Greeks.” Jack said. “We did the Romans at school last year. Did a woman really build this? Why?”

Claire laughed. “I have no idea. Because she could. Because it’s a beautiful location? Why don’t we buy a guide book and find out?”

Looking round, she suddenly realised she couldn’t see Alex, and her mind went blank. “Where’s your brother?” Jack shook his head, to indicate he had no idea. Claire scanned the terraces beneath them, searching for the familiar face in the milling crowd of people, all waiting until the last minute to sit on the stone seats for the performance.

Behind them, the terraces climbed up steeply, and Claire felt her head spin as she looked frantically round. The wispy clouds scudding overhead seemed to make the cluster of stone pillars loom towards her, as if they might fall and crush her. Dragging her gaze away, she span full circle, ignoring the beauty of the scene in her search for her nephew.

Damn you, child, where are you?

Then she spied him, threading his way through the throng. She inhaled, ready to yell at him for disappearing, when she noticed that he was carrying something. In his hands were three cardboard cups, and he had something else tucked under his arm.

“Sorry it took so long, the queue was a nightmare.” Alex offered a cup to Claire without meeting her eyes. “I went to get you a coffee. I thought you might like one, even though it’s been so hot. I didn’t think they’d let me buy wine.” He passed a cup to his brother and, before Claire could remonstrate, he added quickly, “I got me and Jack hot chocolate. And I got a programme. We’ve done some opera at school, but I don’t know Marriage of Figaro.”

Claire felt her jaw drop as she looked at her normally surly nephew. He’d made an effort that evening, putting on a clean polo shirt and smart, dark jeans. He looked older than his twelve years and Claire felt a swell of pride build inside, even though she could take no credit for the raising of this bundle of contradictions.

Robert and Francesca must have done something right.

“Thank you for the coffee, Alex, that was very thoughtful.” He flushed under her attention, and she turned away to conceal a smile.

Jack rifled through the programme, reading out details of how the theatre had been built up year after year.

A real labour of love, Claire mused, wondering what it might be like to have that kind of dedication to something. I guess at least you’d never be bored.

“You should have asked Conor to come,” Alex said suddenly, as he sipped his drink. Claire searched his face for any hint of ridicule or taunting but his expression appeared guileless.

“It’s a long way to come to go to the opera.” Claire said in a level voice.

“He could have flown down, I saw a sign for the airport on the way here.”

Claire wondered how to explain that not everyone had their father’s ready cash and that most people had to save up all year to afford even a cheap vacation.

“Besides,” Alex continued before Claire had managed to frame a suitable answer, “It would have been nice to say goodbye. I like him.”

Me, too.

Claire tried not to dwell on the unwelcome thought that her realisation had come too late.

Claire shifted in an attempt to relieve the numbness in her bottom. Beneath her the performers were taking a bow, to fervent applause. The sun had dropped below the horizon and the sea glowed opalescent blue behind the stage. A single yacht drifted in the bay, white against the dark embracing arm of the cliffs in the distance.

A cool breeze blew in from the sea, and Claire sensed the collective sigh of the closely packed audience, as the clapping died away. The weather had been hot all week and, even outside, she felt sticky and uncomfortable.

“Well, boys,” she said, as the audience began to stir, “what did you think?” She looked at their faces in the dusk, trying to work out if they had enjoyed it or were being polite. They all stood, glad to stretch their legs, and retrieved their cushions, ready to return them.

“It was amazing.”

Claire turned at the sound of Alex’s voice. “I didn’t really follow the story all that much, but the singing was cool.” Then, as if embarrassed at his candour, he hung his head and slouched off along the aisle to the exit.

***

Life in Layers: 2013 365 Challenge #261

Driving to Wanaka – 2006/7 Honeymoon

The problem with working on multiple writing projects is I end up living my life in layers. Part of my brain is on a beach with Helen and Marcio, searching for typos, while another part is flying with Leah, as I format Dragon Wraiths for print.

In the back of my mind I’m searching for a new life (and a new name) for Rebecca, as she deals with the death of her father. And I’m permanently in New Zealand with Claire, remembering the three separate times I visited; as an independent traveller, a tour bus sheep and a honeymooner.

By the way, did you spot the cameo in yesterday’s Claire instalment? To try and get my mind in the right place for writing amid the chaos I read some of my travel journal and came across this:

“I drove from Franz Josef Tuesday morning. The weather was beautiful but cold. I stopped at Lake Matheson near Fox Glacier, and walked round it: passed all the Magic Bus sheep which made me again really appreciate how great it is having my own car! I walked all the way round so I could go to the view of views: Mt Tasman & Mt Cook both reflected in the lake; but it was full of loud kiwis, so I left!”

As an aside, it’s funny how much you can dislike your former self – even more so when you realise you haven’t changed as much as you’d hoped. My journal from eleven years ago is full of me whinging about my fellow travellers and feeling like I’m a freak with no place in the world. I came across this nugget:

“The more I travel, the more I realise how little I have in common with people, how few people I like, and how few seem to really like me. No more turning into Dad [he hated the world and everyone in it much of the time] – I have arrived!”

Anyway, I digress. The problem with a life in layers is I am also living all the layers of emotion. As most of my novels are in some part based on my own life experiences, albeit transmuted and transformed, I truly live the events alongside my protagonists. I’ve been to the beach at the end of Baby Blues & Wedding Shoes, so I can imagine I’m there too. I’ve been to New Zealand several times in different roles. I keep flicking through photo albums to help me with my writing and ending up lost in the past.

Puzzling World on Magic Bus Tour 2003

It’s all good for my writing, but not so much for my day to day life. I end up dreaming epic fantasy adventures with dragons and fight scenes where I also forget to pick my child up from preschool. Or I’m trying to figure out the details of my son’s birthday cake (he wants a shark – in the end we settled for a football) while also wondering whether Claire should meet some more people before she comes home from New Zealand. I’m cooking stew and writing a guest post on postnatal depression in my head. And we know I walk the dog while mentally or physically writing hundreds of words.

Sometimes I wonder if this is what it feels like to go mad. Certainly I don’t feel entirely sane. I feel like all the words and scenes and chaos in my head are seeping out. I couldn’t plait my daughter’s hair this morning because I was overwrought and my hands wouldn’t work. Why? Because the vivid scenes from my dream, where I healed the good queen only to have her turn into a wicked monster who made me miss a school pick-up, were still swirling round my sleep-deprived brain.

I guess the upside is I don’t have to worry about no one liking me anymore, or not being able to make friends: I have a permanent posse of people with me at all times. Unfortunately they’re all a version of me, so we don’t always make the best companions. Thankfully their male counterparts and best friends are usually rather good company. Who needs a life when you can write one?

I wonder if you keep hold of all the characters when you’ve written ten books, or twenty or fifty? My head could become very cluttered place if some of them don’t go away! At least I’ll never be lonely.

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Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:

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“Aren’t you coming into Puzzling World?”

Claire looked from Bethan’s eager expression to the building with the illusion tower outside that people were pretending to hold up, as if it were the Leaning Tower of Pisa. Except this wasn’t Italian architecture, it was a money trap for tourists.

“No thanks, this isn’t my idea of New Zealand, any more than tobogganing down a sand dune or racing round a track on an aerial bike. I’m exhausted by the endless ways we’re encouraged to part with our cash.”

“Oh, come on Claire, lighten up. You are a tourist, you know. You’re only here for a few weeks, why not experience as much as you can?”

“Because I’m skint, and I’m tired of being a sheep and it’s all a con.” Claire saw the smile slip from Bethan’s face and stopped her rant. “I’m sorry, ignore me. I’m tired. I was up late, thinking about stuff. You go on; I’m going to catch up on my email.”

Bethan shrugged and ran ahead to join the rest of the group. Claire felt a pang as she watched her leave. She’d meant every word, but she hadn’t intended to belittle Bethan’s enthusiasm.

I don’t know what’s wrong with me. This is a trip of a lifetime and I’m being a complete grouch. What’s that kiwi song? Weather with you? We’ll I’ve certainly brought my black clouds with me.

Finding a bench in the weak wintry sun, Claire zipped up her jacket before loading her emails, expecting only blog comments and junk. When she saw Conor’s name her heart gave an odd lurch. He hadn’t texted for a while, and she only now realised the hole left by the absence of his happy messages. Her heart thudded uncomfortably as she loaded the email.

Hi Claire

I’ve spoken with my boss regarding my wish for you to join the company, knowing that you are reluctant to curtail your travels in order to take a full time position.

The Board have agreed to offer you a temporary contract that will also incorporate an element of hands on research. This will entail visiting hostels and tourist attractions in the surrounding counties to undertake a benchmark exercise on where Isle of Purbeck tourism sits at present.

At the end of three months you will be expected to prepare and deliver a presentation of your recommendations, including your vision for the future of Purbeck Tourism. The following three months will be spent drawing up implementation plans from your findings.

If this is of interest to you, please let me know as soon as possible. I understand that you are still travelling in New Zealand – perhaps there is something to be learned from their tourism and attractions also?

Extension of your contract will be dependent on your recommendations and implementation plans being accepted by the Board.

I look forward to hearing from you regarding this matter.

Conor

Claire read the message several times to ensure she had understood it correctly. Conor’s formal business language made it hard to grasp the full extent of the deal. At last she gathered that he was offering her everything she could want and more.

I get to continue travelling and get paid? The man’s a magician.

The idea that Conor was trying to impress her flitted through her mind, only to be dismissed. There was nothing in his demeanour or his communications to suggest anything other than a working relationship, albeit it a much more lighthearted and friendly one than she’d ever managed with her former boss. Claire tried to imagine Carl sending her jokes by text, and laughed at the absurdity of the thought.

Scanning the message one more time, Claire quickly tapped out a reply.

Hi Conor

How can I refuse such generous terms? I’ll be back home in a week. Jetlag aside, I should be able to start work immediately (I need the cash!)

Looking forward to hearing more about the contract. Off now to investigate one of NZ’s most popular tourist attractions.

Talk soon.

Claire

With a wide smile, Claire slipped her phone into her bag and strode towards the entrance.

***

Day 19 – Wanaka – Wanaka, New Zealand (travelpod.com)

Live at Last: 2013 365 Challenge #251

Playing with the all-important balloons!

Today I broke a whole bunch of self publishing rules and published Baby Blues and Wedding Shoes on Amazon, even though I’m still doing a final read through and spotting the odd typo. I know I’m heading for the third ring of indie-publishing hell but I have my reasons.

Partly I need to keep moving forward. I reformatted the Smashwords version for kindle this morning, between writing my post and taking over childcare at 9am. I did then spot some odd pink paragraphs which I’ve subsequently (hopefully) fixed – in between making playdough snakes, facilitating home made pizzas, assembling giant pipecleaner craft, playing hide and seek and a taking a trip to McDs because Dobbies ran out of balloons (and, honestly, Mummy didn’t feel like cooking dinner!)

Pink paragraphs aside, the kindle version looks surprisingly okay for a first pass. I usually get to version five on Smashwords before I’ve ironed out all the kinks. If I’ve learned one thing this year, it’s how to use word styles to speed up ebook formatting. (Now I just have to work out how to make pretty chapter headers, like Rinelle Grey’s books have!)

Finally on Amazon

My main reason for rushing ahead with publishing Baby Blues on kindle, rather than waiting for the paper version to be ready and loading both to Amazon together, is that Dragon Wraiths comes out of the KDP Select programme at the end of September. I can’t believe how quickly this three-month block has gone. I’m going to stay out this time and stop being so impatient: I don’t have the time or strength for decent marketing, so I’ve decided to focus on writing more and better books, knowing that Baby Blues and Dragon Wraiths will always be there as back catalogue.

I will run one last free promo on Dragon Wraiths (later this week, if you haven’t already read it) and that will be it, at least until Class Act is ready next year. The reason for one last promo, even though I don’t get as much return from them anymore, is that I hope it will possibly lead people to Baby Blues without me having to offer that for free to increase its rankings.

(Note to self: put free chapter of BBWS at end of Dragon Wraiths!)

I will, at some point, run a competition to celebrate finally finishing Baby Blues – with a prize hamper including a print copy and probably some chocolate – but it’s going to have to wait a little bit, as I don’t have a print copy available yet. I’ll probably figure out the final details of the comp and post about it some time this week though: I guess I can always have it run for a few weeks, until I get a paper copy of my book. The competition will definitely feature parenting stories or other tales of humiliation, in honour of some of Helen’s experiences in the book. If you know any parenting blogs who might like to feature the competition let me know.

As I put on my Facebook page this morning, publishing Baby Blues is feeling more like a sneak than a launch. But, hey ho, life vs writing and all that. At least it’s finally out there.

________________________________________________________________________________

Claire sat, awkwardly holding Josh’s hand, staring at nothing out the window. She hoped he had fallen asleep, but she didn’t want to check in case she caught him staring at her again. If she had to endure the soppy, tear-filled gaze one more time she thought she might vomit.

I don’t understand women who go for the new man, in touch with his emotions. Give me some British stiff upper lip any day. It’s not like I was going to drown in three feet of water with the tour guide right there.

In fact, their guide had laughed at Josh’s panic, forcing Claire to play down her own fear. She suspected more than one nightmare in the future might revolve around drowning and being trapped underwater: not experiences she wanted to repeat. But even she could see, in retrospect, that she wasn’t in any real danger.

Someone should tell Josh that I’m not a sick child he needs to save. The only people he ought to be concerned about are his wife and kids.

And yet she still had his sweaty hand clasped in hers. It had seemed cruel to spurn him: like kicking a cat. But she didn’t need Bethan’s sniggers and eye rolling to tell her she’d made trouble for herself.

“Hey, Claire.”

As if hearing her thoughts, Bethan called to her across the coach aisle.

“You won’t be sharing a dorm with us at Westport, then?” She grinned, as Claire flushed beetroot.

“Pack it in. I take it he is asleep?” Josh hadn’t moved at Bethan’s words, and she hoped he wasn’t feigning slumber.

Bethan nodded, and leaned nearer. “He is rather scrummy. Why don’t you just sleep with him and be done with it? The wife need never know.”

“I’d know.” Claire was surprised at the fierceness in her voice. As Bethan recoiled, she immediately said, “Sorry, that came out sharper than intended. You forget, I’ve met his wife and their children. She isn’t some faceless entity with no feelings. She even looks like me, although that’s where the comparisons end. She’s a doctor, and a brilliant parent. I wouldn’t hurt her for the world.”

“And yet he would. Some fella you got there.”

Claire had to agree, although she felt driven to defend Josh. “He wasn’t like that when I knew him in England. He had some kind of breakdown, I think, and it’s still affecting him.”

“You mean he isn’t just a selfish twat that never grew up, who has run away because life got a teensy bit hard?”

It was Claire’s turn to be shocked at the sarcastic sneer in Bethan’s voice. It reminded Claire that she knew little about her new friend’s history.

Biting her tongue on a retort, Claire was forced to smile. “Show me a man who has actually grown up and I’ll show you a boring bastard who takes life far too seriously.” She thought about Michael and his pompous preaching.

“So, what are you going to do? He did save your life.”

Claire opened her mouth to deny the suggestion, then saw the twinkle in Bethan’s dark eyes. “You cow! It’s so hilarious, sat over there. You try sitting in this seat.”

“Don’t mind if I do!”

“Well, why don’t you seduce him then? Get him off my hands.”

“And break the poor little wifey’s heart? I can’t do that. Why don’t you call this woman and tell her you stumbled across her husband at the lost and found. If she really wants him, she’ll come and collect him.”

“Poor Fiona. She did that once already: flying halfway round the world with three kids in tow.”

Bethan pulled a face. “She sounds like an angel. Too good for him.”

Claire privately agreed. It was clear that Josh had fixated on her as the way out of his humdrum life, but Claire knew it was no more than it had been the first time they met: She resembled the wife he used to know, before children had eaten into their lives.

Not that I can blame him for wanting to evade the responsibility of raising children: it’s not something I’m in a hurry to do. But it seems Fiona does all the work.

She couldn’t deny he came across as selfish and pathetic however which way she viewed it. The sooner she sent him back to his wife the better.

Prising her hand free from his, Claire turned her back on the sleeping figure and tried to ignore the weight of his head resting against her shoulder.

If I let a man into my life again, it will be one who can stand on his own two feet.

***

To KDP Select or Not to KDP Select?? (brefaucheux.wordpress.com)
The Meat Grinder: (danigravesvoice.wordpress.com)
Smashwords Authors Lead Top Paid Books at iBookstore (mediabistro.com)
Why there was no post yesterday (and upcoming sale) (amykeeley.wordpress.com)

But, Therefore: 2013 365 Challenge #205

My Mammoth Research Session

In my mammoth research session yesterday into plotting and planning, I came across this great article on Janice Hardy’s blog, The Other Side of the Story.

Janice shares the two tips on plotting that she wishes she had written, both to do with cause and effect. The first one particularly made an impact on me because it helped me identify what I know to be a weakness in my writing.

I don’t want to rewrite Janice’s whole article – she has written it far better than I ever could – but the essence is about how to know you are moving your story forward with every scene.

Summarising advice from South Park creators Trey Parker and Matt Stone, she writes:

Every scene in your story is connected, and how you connect them will determine whether or not they’re moving the story or just showing stuff happening. If you can say “and then” between them, they’re not advancing the story. If you can say “but” or “therefore” then something happens that forces a conflict or a decision and the story advances.

This really brought home to me why Baby Blues lacks punch, particularly when compared to Dragon Wraiths. Because Dragon Wraiths is written in the first person, and starts In Media Res (albeit it with back-story in the form of diary entries), the scenes are linked far more with But and Therefore, rather than And Then.

12-year-old Leah does a lot of running away

For example, in the diary segments (where most of the action sits at the beginning), it is Leah’s 12th birthday. She wants art supplies, therefore her family take the car rather than the train to town, therefore their enemies are able to attack them on the way home. Her mother tells her to run and keep running, therefore Leah leaves her behind and runs, but she collapses from exhaustion. Her goal is thwarted by her weakness. Therefore she ends up in hospital, but she doesn’t tell anyone who she is, therefore she ends up in care, but her mother told her to keep running. The story progresses because of Leah’s decisions, or the machinations of her unseen enemies.

In Baby Blues, on the other hand, the scenes are much more ‘and then’. Helen hosts a dinner party, and then sleeps with her boyfriend, and then realises she’s late for a photography shoot. Or maybe that’s a ‘therefore’? She stays up late because of her duty to Daniel, therefore she is nearly late for a photography shoot. However she isn’t late, so there is no cause and effect. No conflict. If she had missed her photography shoot and her career had been blighted by it, her resentment of Daniel might have been greater and the first third of the novel have more punch and pace.

As you can see, it can be tricky to identify the ‘but’ and ‘therefore’ points. Janice offers some key things to remember with this technique:

When you’re identifying your but, make sure what happens is in conflict with the character’s goal or action.
When you’re identifying your therefore, make sure it’s a choice made in response to what has just happened

I want happy smiley protagonists, not conflict

It all comes down to conflict. I hate inflicting conflict and pain. I actually find it painful to watch a TV show where a bad decision leads to people dying. I don’t sit on the edge of my seat, I rue the What If and wonder how the character (albeit a fictional one) lives with the guilt.

As a result my writing is pretty and descriptive and explores the inner character of protagonists, but it doesn’t speed along. Janice Hardy even has a post about it: Do you Suffer from NWS? Living with Nice Writer Syndrome. Er, yes, that would be me!

I’ve accepted that it is too tricky to change the way I’m writing Two Hundred Steps Home, as building in cause and effect every single day would probably stretch my ability to keep up with the story (unless I have England attacked by blood-sucking aliens. Now there’s an idea!).

But as I tackle Class Act, I will have this advice in mind. Time to get tough.

________________________________________________________________________________

“Claire? It’s Carl.”

Claire paused in her walk along the bay and perched on the stone wall, gazing out to sea. I knew I shouldn’t have answered the phone. After believing her boss was trying to force her out for months, it was hard not to be confused by his sudden terrier-like behaviour, now she had finally resigned.

“Have you had a chance to consider my offer?” Carl spoke into the silence.

“What offer?” Claire watched as a couple wandered along the sand, fingers entwined. Behind her the amusement arcades advertised their wares with raucous music and flashing lights. The air smelled of salt and candyfloss.

“I sent you an email.” Carl’s voice sliced through her reverie.

“I’ve been busy. Catching up on the blog and collating my notes together to pass to my replacement.”

Carl didn’t respond immediately, and the scream of hungry seagulls rent the still evening air. Claire envied them their freedom of expression.

When Carl spoke again, his tone was nonchalant. “I merely emailed you with a counter-offer, as is standard procedure when someone resigns in the middle of a critical project or contract negotiation.”

Claire wasn’t fooled by Carl’s insouciance. Sitting up straight, she narrowed her eyes and glared at the arm of fields stretching into the sea, as if embracing the bay.

“And are we? In the middle of contract negotiations? With whom? Happy Cola? The YHA? Both? That would have been rather pertinent to our conversation earlier this week, don’t you think?”

“So, you’ll reconsider?” Claire imagined his tail wagging furiously. “Both accounts are more than pleased with the early results of your social media activity. The YHA have seen a marked increase in bookings at the hostels you’ve written about and Happy Cola have cited a significant increase in the healthy associations of their brand in recent regional market research.”

He sounded like Sky explaining why she should be allowed ten minutes more on the iPad, or a second chocolate bar. Claire felt her cheeks twitching in a smile, while her head reeled with possibilities. Her fingers itched to load her email and discover exactly how big Carl’s counter-offer was. Not that it’s actually a counter-offer, unless I am offered the Purbeck role, but he doesn’t need to know that.

Claire was swept up in a tide of emotion. From being the outcast black sheep of the organisation, she belonged again. No more nasty challenges from Julia, or scrawled queries on her expenses forms. If she was the king pin securing two important deals, the world was her oyster.

Although a grin stretched her cheeks, Claire forced her voice low and doubtful. “I don’t know, I’ll have to think about it. The job here is a fantastic opportunity for me to make a difference.”

“Promise you’ll think it over? Look at the counter-offer. It’s not set in stone.”

Glee surged through Claire as she heard the panic in her boss’s voice. She could imagine the strain on his face as he rehearsed the conversation with the Board that centred on granting her a significant pay increase.

Blind to the beauty of the orange sun sliding across the sky, staining the sea blood-red, Claire said farewell to Carl and loaded up her emails.

***

Beat Sheets: 2013 365 Challenge #204

Coffee Shop Catastrophe

Apologies to anyone who received yesterday’s post without the Claire installment attached. Technical issues were to blame (combined with crawling to bed last night without finishing my Claire Installment).

On a Monday I often write the remaining part of my post in the coffee shop (because Sunday night is the hardest time to write). I have some of the post scheduled to go live if all else fails. This morning was the first time (I think) that it happened, only because the internet was down in coffee shop I chose to visit. I’ve learned my lesson! (I spent the morning wandering round town discovering which businesses have free WiFi!)

Today I have been looking at Beat Sheets and other planning tools. Following on from recent discussions about how hard it is to plan a novel if you’re a Pantser, I’ve been doing more internet research, specifically around planning romance novels (although most things seem to be quite generic). I came across the most amazing collection of resources on the website of an author of Paranormal fiction: Jami Gold. Jami has even written a post called A Pantser’s Guide to Beat Sheets. Perfect.

Even Pantsers can have structure!

The thing I love about the post, and beat sheets, is that they can be used against a first draft, rather than (or as well as) for pre-planning, as a way to see how well the draft is structured. I spent this afternoon trying to map Baby Blues against Jami’s Romance Beat Sheet, with mixed results.

It would seem that (as suspected) my climax and ending fit the right pattern, but my opening third is way off beat. I also am not entirely sure what my inciting incident or first plot point is. I searched around some more to get a real definition of these, but haven’t reached a consensus of exactly what they are or where they should come in the novel.

I see my inciting incident as Helen finding out she’s pregnant and then leaving Daniel (apologies about spoilers!). In the Romance Beat Sheet, it suggests the inciting incident should involve both protagonists. Except Helen doesn’t even meet Marcio until a third of the way through the novel. One of my Beta readers did comment on this fact, but I admit I like the first third for setting Helen on her journey without it being about Marcio. Maybe it makes the book more Chick Lit than Romance (which is how I have categorised it anyway) or maybe it’s just plain wrong. Interestingly, both Baby Blues and Class Act originally started with the meeting between lead girl and lead boy, but I pulled the action back so that the backstory didn’t become overwhelming.

Pillow Talk by Freya North

I am looking forward to using beat sheets to rebuild Class Act and, had I had something similar before I rebuilt Baby Blues, I suspect it would be tighter. These things are all about learning. If I had used the sheets, though, would I have invented Sharni and given her so much air-time? She’s one of my favourite characters and I would hate to lose her.

I seem to recall that I was reading Pillow Talk, by Freya North, at the time of redrafting Baby Blues, and the structure of that novel may well have had an impact on me (as there are super-strong secondary characters and the love interest comes later). If it’s good enough for Freya North, then maybe it isn’t so bad!

What’s your view? Can you have a Romance/Chick Lit novel where the lovers don’t meet until a third of the novel has passed? Does it give you a chance to understand why they’re made for each other or would you have given up on the novel before that point? They say to write the novel you want to read, but that’s only going to work if others want to read it too!

________________________________________________________________________________

Claire closed her iPad and looked out the hostel window. In contrast to the dark wood furniture in the dim room, the view that beckoned sparkled in the late evening sunlight. In the distance the sea reflected the blue of the sky, in a deeper hue. Behind the strip of water, a long barrow of land jutted out into the ocean. Claire could just make out fields falling into the limestone cliffs of the Jurassic Coast. Her research informed her there were several pleasant walks up from the National Trust car park near the Bankes Arms pub in Studland. If the sun continued to shine in the morning, she knew where she would be.

So far, her impression of Swanage matched Conor’s description. The faded seaside town showed glimpses of its former glory, in the amusement arcades and the long wooden pier. Rather than Victorian ladies promenading along its length, Claire met only blue-rinse grannies out for their afternoon constitutional. As she had driven around looking for the youth hostel, she had seen more signs for retirement complexes than B&Bs.

It would be a tough ask to increase tourism here. She knew that Purbeck included other towns, but Swanage was the main seaside resort.

There’s also a nudist beach, but I can’t see Jason signing off tourism promoting that particular asset.

She tried to imagine living in the town for any length of time. If she had envisioned an end to her wanderings, this didn’t seem the natural place. No Waitrose, no Starbucks, so mainline train, nobody under fifty. It’s not really selling itself to me. Poole or Bournemouth were marginally better, as far as she could tell as she came through. At least Poole had Waitrose and a Starbucks, as well as being the home of the Sunseeker luxury yacht factory.

Not that I could afford one, even if I saved every penny they’d be paying me for a dozen years. Still, maybe I could hang out with the rich and famous at Sandbanks and hitch a lift.

Claire sighed and reached for her tea. One sip told her it was stone cold, and she replaced the mug with a bang on the dark wood table. Assuming Conor wasn’t exaggerating his ability to influence Jason, and I wouldn’t put it past him to do so, I will have a job offer to consider by the weekend. Two, if you include New Zealand. So why don’t I feel better?

She thought about the imminent trip back north to see Kim’s opening night. Butterflies reared in her stomach and she discovered at least one cause for her unease. It was more than fear of facing her erstwhile best friend, though. Normally she would have a gut feel for whether a job offer was the right one. Now, there was nothing. Only confusion

If only Josh were here, he would advise me what to do.

The thought took hold in her mind and grew. With a quick mental calculation, she worked out how many hours before she could call him. Without pausing to consider the wisdom of her decision, Claire gathered up her things and headed to her room to wait.

***

Training Day: 2013 365 Challenge #197

Team Day: I wish my bum still looked like that!

Today I gave myself a training day. Just as a good marketer or manager needs a day out of the office to refresh her knowledge of the essential aspects of the job, so a writer needs to brush up on craft.

However, I found it as hard to have a metaphorical day out of the office today as I did when I had a ‘proper’ job. Whenever it was suggested, I used to whine about workload and deadlines and productive use of my time. Particularly if the day out was for quarterly strategy updates or *shudder* team days.

Oh what I wouldn’t give now for a day riding quad bikes and shooting clays, or pretending to do a school sports day (see photos) with a barbecue lunch and a free bar and – best of all – getting paid to do it! How our perspective on life changes.

I did at least get lunch made for me on my training day today, as hubbie’s contract finished on Friday and he’s at home again. So, when I should have been writing Claire installments or chasing the proofreader for an update, I read through Nigel Watts’ great craft book, Writing a Novel, which I discussed last week.

It’s a chatty book, full of great little quotes, which I have been adding to Twitter and Facebook today. The advice is neither new, profound, nor extensive, but I like the book all the more for that. I read through around half today – before the muggy heat sent my brain to sleep – and I’ve been mapping the advice on structure against Baby Blues, Class Act and Two-Hundred Steps Home.

School Girl Amanda (six years ago!)

It’s interesting to see that Baby Blues contains more of the necessary components than I realised, although I suspect I don’t have conflict and resolution in every chapter – I know that’s a personal weakness in my writing thus far.

I also struggled to verbalise Helen’s key motivation or pinpoint the exact nature of her character change. I came up with ‘finding a purpose in life’ or ‘creating a happy home’ as her motivations and her main change in terms of character growth as ‘takes her own decisions rather than letting life dictate them’.

For Class Act I had more detail in some places, less in others. I’m still not happy with the name of my lead protagonist and that is actually hampering me. The fact that I don’t have a name means, to me, that she isn’t fully formed in my mind.

The main reason for my training day was to figure out what to do with Claire and Two-Hundred Steps Home. As I’ve said before, the story is finished. She’s been through most of the stages of the eight-point structure. She’s made crucial decisions and dealt with the climax: assisting Josh to reunite with his wife even though she fancied him, looking after Sky despite her fear of children, standing up to Carl, and freeing herself from Michael.

All the early mystery has been revealed and the suspense answered. However, as Rinelle pointed out in the comments, Claire still hasn’t resolved her work situation. I know she has the strength to do it, but she needs a reason. Maybe that will be driven by love or lust (falling for Mitch and leaving for NZ, though I don’t think that’s likely as they didn’t hit it off), or maybe it’s the job offer in NZ (again, unlikely). Her motivation has always been pride – saving face, not being out done, not letting people (Carl, Michael, Josh) get the better of her. Now, though, she’s ready to move beyond pride. I need to figure out where to.

I effectively need to start a new plot, with a new trigger and a new quest. I just have no idea what that will be!

________________________________________________________________________________

Claire hung up the phone and grinned. It had taken a dozen phone calls and not a small amount of patience, but she had managed it. Now for the difficult call. She stared at the piece of paper in front of her, with the all-important name and number on it, and resisted the urge to put the call off until later. Now. It has to be now, or I’ll chicken out.

Tapping her pen against the table, she waited for the phone to connect, the contents of her stomach doing the hula.

“Good morning, Ruth speaking.”

“Hi, it’s me.” She heard the wobble in her voice, and wondered what was causing it. She was helping, wasn’t she?

“Hello, why are you calling? Is everything okay? I thought you were on your travels again. Did you speak to Mum?”

Claire swallowed. She’d forgotten about her conversation the previous evening. “Ah, yes. She and Dad are away, at a spa or something.” She prayed her sister wouldn’t ask any more questions. There were mental images that were best forgotten.

“What? She didn’t tell me she was going away. Who is going to collect Sky from school? It was all I could do to get her there this morning.”

Ignoring the stab of irritation at her sister’s attitude, Claire reminded herself that she was sick and needed all the help she could get.

“That’s why I’m ringing, actually. I’ve been thinking about it since I left. Mum and Dad need some time to rebuild their bridges-” She heard her sister’s intake of breath, and rushed on, “-Not that Mum minds helping you, but it must be frustrating for you, to always have to ask her for help. I thought about what you said – about needing a child-minder – and I’ve found one.”

“I told you, I can’t afford childcare.” Ruth’s tone made it clear what she felt about Claire’s interference.

“You don’t have to. It’s my gift to you. I should be helping, but I’m stuck doing this stupid challenge. The least I can do is let Carl fund a child-minder for you. They’re still paying me, and my outgoings are minimal. Anyway, it’s all arranged. It might be a bit make-do this term, but Jenny assures me she’ll have plenty of space next term.”

“That’s September, Claire. Four months away. I can’t make-do for all that time.”

Claire inhaled and tried not to react. She’d known it wouldn’t be easy to help her sister.

“All Jenny means is she will have to share the childcare with Mum, as she doesn’t have space every day. But she lives near you, so bringing Sky home won’t be a problem. Even if all she does is walk her home from school, that will help. Won’t it?”

Silence followed her words. Sensing it would be a concession too far from Ruth to admit that, Claire shrugged and let it go. “I’ll text you the details. I’ve asked Jenny to call you about collecting Sky from school today. I’m guessing you’ll have to get it authorised. And Ruth,” she hesitated, then decided nothing ventured. “Try and accept the help, okay. Think of it as recompense for me still doing this awful challenge when I’d rather be playing with my niece.”

She hung up the phone before her sister could respond. Realising she was breathing hard, Claire was about to head down to reception to check out and continue to the next hostel, when the phone rang. Oh, Ruth, don’t be a dummy. Take the help.

Glancing at the phone, she realised it wasn’t her sister calling back, but a withheld number. Hoping against reason that it was Kim, Claire answered the call.

“Hello, is that Claire Carleton?”

“Yes, speaking.”

“Ah, Claire. My name is Linda Small, I work for a recruitment agency. I have a position that might interest you, if you’re in the market for a change of role.”

Claire sank back onto the bunk bed, and listened with wide eyes to what Linda had to say.

***

Memoirs of a Geisha Moments: 2013 365 Challenge #187

Romance: all about yin and yang

I seem to have a writing tips theme at the moment. Apologies to blog followers who are not writers or interested in writing! It’s nearly the weekend, so normal parenting-chaos blog posts will resume!

One of the articles I read on Jungian Archetypes, after writing my post confessing I didn’t know what they were, talked about the use of archetypes in romance (where there isn’t traditionally an antagonist, in the way there might be in a crime or thriller novel).

On ArchetypeWriting.com there is a post on understanding the Anima / Animus Archetype to create riveting romances. The author, Carolyn Kaufman, explains:

Psychological research shows a mere three things are crucial to human happiness, and one of them is love (The other two are a/ satisfying work and b/ personality, most notably the qualities of high self-esteem, extraversion, and optimism.)

This, I suppose, explains why love stories are so compelling. Even in fantasy novels, thrillers and other genres, a love-story theme is often present, if not central. (I think about my favourite TV shows, Stargate SG-1 and NCIS: the interest comes from the characters, particularly the undercurrents of forbidden love, more than the specific story lines. I digress.)

Kaufman goes on to explain:

This basic human need for romantic, sexual, and marital connections is reflected in Carl Jung’s anima/animus archetype. In essence, Jung believed there is a psychological construct in males (the anima) that creates a strong draw to the feminine as it’s embodied in real women, and a matching construct in females (the animus) that draws them to men. One of the best visual metaphors for the concept is the yin-yang

My leading man (and nephew), before we were married

So far, so good. Romance is about ‘Losing and Finding One’s “Other Half”‘ or ‘Chemistry’. However, Kaufman warns of the danger of making the attraction too physical, too related to an expectation of the perfect man or woman, rather than understanding what draws protagonists together.

I know I’m guilty of this. I read a lot of Georgette Heyers, and there is an element of strong man meets quirky, vulnerable female. Or strong woman fights then falls for equally strong man. There isn’t much depth. (The good Heyer books are the ones where love develops unexpectedly, through friendship, humour and shared experience, like Frederica).

What all of this means is that, just like in real life, your characters should be attracted to their love interests for a reason. The potential love interest’s traits and behavior must resonate with your hero because they somehow make him or her more whole.

This idea of resonation has been in my mind since I read this. Trying to understand what draws my protagonists together. In Baby Blues, Helen is drawn to Marcio because he is a family man: he likes children and therefore stands in contrast to her ex, who told her to get rid of her unborn baby. However, their real resonation moment is early on, when they talk about their creativity. Helen is a photographer, Marcio a freelance journalist / author. Both confess that things don’t seem real in life unless they have either put words around it (Marcio) or photographed it (Helen). It gives them a shared view of the world that transcends their moment in time (the fact that Helen is pregnant and Marcio wants children).

‘Gutted it wasn’t a true story’

In my notes I have written, “What is the ‘Memoirs of a Geisha Moment’ in Class Act?” This refers to a moment in my relationship with my husband when we knew we were destined to be together.

Early on in our relationship we were discussing the novel, Memoirs of a Geisha, which we had both read and enjoyed. However we said, at almost the same time, “Gutted it wasn’t a true story”.

That shared reaction was like a cartoon bell ringing: we understood something about the other person because of that moment.

I don’t know what that point is yet, in Class Act. My protagonists, Alex and Jenny (? I haven’t decided on a name yet. It was Rebecca, and then Katie!) are drawn to each other physically, (initially for Jenny, against her will). After that, they share an interest in literature. But I haven’t discovered their ‘Geisha’ moment yet.

Kaufman’s final point, that I need to take to heart, is this:

[T]he danger is that sometimes we’re actually creating love interests for ourselves rather than for our characters. We may assume that everyone would be attracted to the same things we are, and that little explanation is needed to justify why our heroes and heroines would fall for each other

Guilty! I adore Marcio. It’s the main reason I didn’t just bin Baby Blues when I got frustrated with it. Alex is very similar (physically, he’s almost identical). My protagonists (like my husband) all tend to be 6ft tall with dark hair and brown eyes (although Marcio’s eyes are blue). There are parts of Marcio’s dialogue which are almost verbatim to things my husband might say to me. But, then, most of the female protagonists are at least partly me, so that’s okay. I just have to make sure I explain why they love each other, rather than assuming it is obvious!

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“Yes, Carl, I know I took holiday at Easter to care for Sky. Now I’m asking for a few more days. I can continue with the blog – I have plenty of extra material – no one will even realise I’m not still on the road.”

Claire regretted answering the phone. What was Carl doing checking his email on a Sunday, anyway? And on a bank holiday weekend. Didn’t the man have a life?

“Just admit it, Claire, your heart isn’t in this project. You’re dashing round the country here and there, with nothing more interesting that castles to write about. That isn’t fulfilling the brief. If this continues, I will be forced to take action.”

Claire laughed. “What action, Carl? You don’t have the balls to do anything. If you did, you would have sacked me already. And good luck with that, by the way. I’ll have you in court for unfair dismissal before you can say ‘you’re fired’.”

After the words were out, Claire wondered if they were entirely wise. He was still her boss, after all. With everything that had happened recently, it was hard to take it seriously. What had once seemed so important – her career, her reputation – now felt like a shackle around her leg.

She heard the in drawn breath, and waited for Carl to begin his annihilation. The attack didn’t come. Something she couldn’t fathom was churning in her boss’s mind. When he did speak, his words didn’t make sense.

“Look, I appreciate this task has been challenging and I understand that you have some family issues. I’m willing to be lenient in the circumstances. You may take a week, in lieu of the weekends you have worked during the assignment.” He paused, and when he spoke again, his voice was sharp.

“But I want you back on the road immediately after that. And I expect you to continue your posts.”

Claire’s head reeled. What the…? She couldn’t have been more surprised, if Carl had told her she had won employee of the year. What is his game?

Realising the phone was dead, Claire dropped it away from her ear. Was Carl really concerned that she might take AJC to court? It had been an idle threat, she knew what legal action did to a director’s reputation. Not that I care about that much anymore.

For some reason the offer made by Roger Hazleton kept floating through her mind. Her explanation to her mother about why she had come home had been an excuse. It was an unrealistic dream, in the aftermath of the wedding fiasco. Yet still it tugged at her mind.

She thought about Ruth and Sky, and tried to imagine being a 24-hour plane flight away, should something happen. No, travelling to the other side of the world was not an option.

***