Art in August #2 – Painted Clay Dog

Painted clay dog

Painted clay dog

My daughter saw a flyer for a workshop to make clay dogs this holiday and I failed miserably to get her booked on it. As recompense I took her to the craft shop and let her spend the £10 it would have cost on craft materials, including a pack of air drying clay.

It’s been a long time since I modelled with anything other than playdoh and it took a while to remember how. But I very much enjoyed making my pieces and leaving my daughter to do her own without interference.

Today, despite being exhausted after a four-hour trip to the local woods to do a Gruffalo trail, and being full of cold, we managed to find the energy to paint our creations. I’m cheating slightly and saving one for tomorrow, as we have a busy weekend, but this is my dog. My daughter’s is below.

My daughter's dog

My daughter’s dog

This post is part of the Art in August challenge, as described on the Laptop on the Ironing Board blog.

 

Art in August #1 – Loom-band Dragon

Loom-band Dragon

Loom-band Dragon

My first artistic endeavour in August had to be a loom-band creation. I have taken to the new craze like a hormonal woman to wine and chocolate. I particularly love the 3D creations and today I have made a bunny, two monkeys and a dragon.

Of course, for obvious reasons, the dragon is my favourite. I made it using this YouTube tutorial. I might have to figure out how to give it proper wings, and then I can do one in each set of colours for the cast of Dragon Wraiths.

This post is part of the Art in August challenge, as described on the Laptop on the Ironing Board blog.

P.S. There is a Giveaway going live on Goodreads this morning, to win a paperback copy of Class Act. If you haven’t read it (or you have but fancy a paperback version) do register your interest. Available in US, UK, Australia and Canada (but will ship to any country where it is available on Amazon!)

Getting Ready for Art in August

Loomband Crazy

Loomband Crazy

This year I have decided to take part in Art in August, as described on the blog Laptop on the Ironing Board. I contemplated it last year, but didn’t think I would be able to fit in in around writing Two-Hundred Steps Home. Having decided to take the summer holidays off from writing this year, I need something to stop myself going bonkers.

It’s been noticeable to me that a day doesn’t go by without me writing song lyrics or making paper fans and loomband bunnies. All this creativity bursting to escape. So I’m going to use the August challenge as an excuse to get back to all the fun stuff I used to do before children and writing took over. Watercolours, photography, pencil sketches. There might be some new things too (loombands are a must, as they’re my new obsession. Hilarious as I refused for ages to even have them in the house!)

So if you need something for you this summer holiday, why not join me? The rules are simple:

  1. Get creative (and don’t apologise about it)
  2. Take a photo of your creation (unless you’ve created a photograph, in which case you can skip this step)
  3. Post the photo on your blog
  4. Link back to the Laptop on the Ironing Board post and mention somewhere that you’re joining in Art in August

Here’s to some creative fun!

Losing My Mojo

By Amber Mart, aged 5

By Amber Martin aged 5

I have spent the last few months trying my hand at writing a children’s book, to enter into the Chicken House competition in October. I tried to start last year, but didn’t get past an idea and an opening. This year I managed to complete the first draft (including writing 30,000 words in two weeks).

Unfortunately my idea stinks.

I began to feel it during drafting, and it was confirmed as I started editing. Chicken House are looking for a fresh new voice and, in the words of the editor I lined up to help me, my writing is, “flat, almost formal, and not successful for Middle Grade fiction.” Apparently the tone is more Enid Blyton than J K Rowling. Much of that is because my fantasy world is dismal and boring, my baddies two-dimensional and my protagonists predictable.

It’s all very obvious. Just because I love reading kids books, from great picture stories all the way to young adult, doesn’t mean I have what it takes to write them. I could learn, of course.

The editor suggested I perhaps didn’t have the work ethic to draft and draft until I had the story I wanted. Maybe that’s true. It isn’t that I’m afraid of hard work, but I have to confess that extensive editing leaves me demotivated and exhausted. The more I work at something the more stilted it feels and the harder it is to remain objective. Eventually everything stinks, or everything is bland or derivative.

It happened to my paintings. The abstract my daughter did this weekend might be a bit whacky but it’s much more vibrant and original than mine these days. They used to be like that. But then I overworked them, trying to make them into something that wasn’t me, and they became so bland and boring I didn’t want to paint anymore. But I couldn’t recapture that unselfconscious freshness.

I feel the same with my writing. I used to write multi-pov stories that had a bit of whacky freshness, but I trained myself to write strict limited POV with accurate grammar and not too many similes. All the things that kill children’s stories. And now I can’t write anything else.

Working Hard

Working Hard

What’s the answer? Hubbie asked me, as I sobbed yesterday that maybe I wasn’t cut out to be a writer, whether it is really what I want to do. I had to pause. What I want is a creative job that fits in with the school-run and might eventually make money. I hoped it was paintings – it wasn’t. I tried web design and marketing services to small businesses, but didn’t have the enthusiasm or skills.

Is writing one more fancy and unrealistic dream to avoid getting a real job? I’ve stuck at it much longer than the other ideas (though it’s made less profit) and have published half a million words. I’ve even sold 200-300 books (although not a single copy of Class Act!) But it’s not earth-shattering and certainly not a career.

Parenting is such a thankless, soul-destroying pass time (for me) that I need to feel good at something, to feel successful. Something to offset the endless criticism and contrariness of a three and a five year old. Part of that includes making money and getting positive feedback. Feeling like I’m actually good at something I enjoy.

To be honest I probably need an agent, a publishing deal. But if my writing is flat, formal, clichéd, I’ll never get one. And if I ‘m not prepared to tear a manuscript apart to its bones and rebuild it, am I just another delusional wannabe?

Don’t answer that.

Writing Research and Pre-Holiday Blues

Birthday boy (a week early)

Birthday boy (a week early)

I’m supposed to be packing for holiday this morning but I am beyond exhausted. In the last two weeks I’ve written 30,000 words, done four hours of live art, spent a whole day arranging a fundraising site for a friend with much more on her plate than I have. I’ve had children home poorly from school, sourced an editor for my children’s book, had the edits back for Class Act and lost a day’s childcare to a ‘bonus trip to the zoo’ to which I had to escort my own child and pay to get in. (Don’t get me started…)

And to top it all off I spent Friday chasing prescriptions and getting lost when I was meant to be finalising my Montegrappa Scholastic competition entry and doing ten loads of laundry and ironing for the holiday. Saturday was out because we celebrated hubbie’s birthday a week early so the house had to be found under the weeks of accumulated dirt, and lunch for six needed cooking.

The only upside of the chaos was that getting lost was great research for my children’s novel. A large part of the action is set in an over-grown bramble-buried forest, and that’s not far off where I ended up for an hour on Friday. I only stopped to let the dog have a run. She’d had to sit in the car for an hour after I ‘popped in’ on the way back from the vets to get hubbie’s prescription and discovered it hadn’t been ordered.

Ready for editing...

Ready for editing…

I decided to try a new walk I’d seen before, that looked like a straight forward walk across fields into a wood. When I got there it was beautiful – all meandering tracks shaded from the hot sun, with bracken and woodland flowers. So off we went. But I have NO sense of direction and before long I was starting to panic. I headed in the direction I thought would take me to my car, but ended up at what looked like a disused quarry. Unlike Claire, in Two-Hundred Steps Home, I don’t have a smart phone with GPS. So I rang hubbie and he tried to work out where I was and to give me directions. Unfortunately he couldn’t work out my location (turns out he was looking at the wrong quarry.)

In a panic I hung up and decided to follow the dog in case, you know, she turned out to be Lassie or something. She led me towards the flooded quarry so I climbed a barbed wire fence and headed in. Of course I forgot she loves puddles and hates trees and her only motivation was to get out in the open. When we got in she jumped in a puddle and looked at me as if to say, ‘now what?’

The disused quarry looked remarkably like an off-road course and after I’d scrambled up and down a few sheer muddy tracks (in a skirt and sandals) I realised where I was. And it was a long way from the car.

Panic was escalating: being lost terrifies me, especially when I have a zillion things to do and the kids to pick up in three hours. So I ran back across the land-rover off-road course, having realised it was a dead end. I climbed through a bramble bush, catching my long skirt and nearly falling down the bank, and badly stinging my arm. I raced across a sheep field, realised I couldn’t get out, and walked the full length to the gate.

Being a field for livestock there was no way the dog was scrambling under the wire. So I picked her up – all 28kg of her (the vet told me off for her being overweight) – and I threw her over a four-foot barbed-wire topped gate. She landed on her back and for a moment I thought we’d be going back to the vets. Thankfully she was fine. We were about a mile from the car in 25 degree heat and inappropriate clothing. But we made it. My ‘quick walk’ took over an hour.

No wonder I find myself too tired to get out of bed and deal with the hyped-up mega whining children this morning.

I need a holiday.

Live Art, Loud Preaching and Lovely People

That's me!

That’s me!

This Saturday I picked up my brushes for the first time in a couple of years and did a live art session for a gallery in Peterborough. I tried hard not to think about it beforehand, because it’s been so long since I did any painting. I needn’t have worried. Turns out it’s a bit like riding a bike. Actually, much of my nerves was about putting myself ‘out there’ to be criticised. When I’ve had pieces in exhibitions in the past there’s always been someone ready to say that abstract isn’t real art or their five year old could do better. It’s one thing coping with one-star book reviews, or even sarky comments in a guest book, and another to have it said to your face.

It didn’t start well, as I misunderstood a joke made by one of the gallery volunteers when he said “It doesn’t matter if you’re rusty – you paint abstracts, no one will notice that you can’t paint.”

I was later assured by the manager that it was a joke, but it did leaving me a bit sensitive. Once I started painting, however, it was fine. I love my painting style and I’m not precious: it isn’t fine art but it is fun. A bit like literary fiction versus genre fiction; there’s lots of snobbery nonsense said about both but in the end people like what they like and we’re all on the same side trying to make a living out of something we love.

Working hard

Working hard

The other challenges were the heat (acrylic dries very quickly in direct sunlight) and the evangelicals preaching via loud-hailer a few metres away. So much for a relaxing few hours away from the children: there wasn’t much restful about an afternoon listening to the denouncement of sinners and fornicators. Each to their own, of course, and I’m all for the freedom of speech, but if it had been me I’d rather have sat down the pub with a cool drink.

The best part was talking to all the people who stopped by to watch. I met a lovely couple of singers and encouraged the man to go right now and buy paint, because he kept saying he’d love to try painting abstracts ‘one day’. I met an old lady who loves Lowry and a young girl of seven or eight who will definitely be a children’s book illustrator one day. I wish I’d taken her name. Her mother showed me drawings of giraffes she had done and they were brilliant. I like to think I suggested a career path in illustration that she hadn’t thought of before.

I met a pregnant artist hoping to find time to paint when the baby is born, and a man who apparently comes to the gallery every day, who thought my red painting looked like a volcano erupting.

It was a rewarding day, despite the headache, and I look forward to doing it again. Next time I’ll take ear plugs!

My studio!

My studio!

The volcano!

The volcano!

The It’s-All-Shit Stage of Writing

I just want to sleeeeeep

I just want to sleeeeeep

I’m currently going through what I’m coming to recognise as the I’m-feeling-low-because-I’m-editing-my-book-and-it’s-shit phase.

Symptoms include sleeping or wanting to sleep all the time. Eating comfort food and then wondering why I have no energy and my wobbly bits are a bit wobblier. Feeling emotional, crying and wanting to hug my kids loads (look, someone loves me, look I created these amazing people, I did something right.) Checking my kindle sales figures and despairing that I haven’t sold a book in three days (damn you, new kindle sales graph). Checking Goodreads and Amazon for new reviews and seeing the new critical three-star review as confirmation that I can’t write, even though I have five star reviews and even the three star review isn’t that bad.

I know this will pass. I went through it with Baby Blues & Wedding Shoes (less so with Dragon Wraiths because I edited it for a competition deadline and the urgency pushed me through the pain).

I know the editor will come back with some great suggestions and, even if the novel is currently a steaming pile of poo, it can be fixed. I know I’m stressing because I’ve discovered paragraphs – okay even whole chapters – that need work. I’m stressed because Kristen Lamb recently wrote three posts on the evils of flashbacks and my novel has two and, try as I might, I can’t think how to write them out.

I know my book doesn’t have enough pace and conflict and humour. At 85k words (when my previous novels both came in at 110-115k words) I’m worried it doesn’t have enough of anything. Right now I’m 50% through final pre-editor line edits. I’m averaging more hours sleeping than working every day. (Today’s work day = 1 hour school assembly, 1 hour editing, 2 hours’ time wasting, 2 hours’ sleeping.) I want to abandon editing and get back to my children’s book, only that’s a steaming pile of poo too.

Flatlined sales chart

Flatlined sales chart

Even though I know this will pass, I do worry that the more books I write, the more craft advice I read, the more I work at this writing thing, the harder it is getting to come up with good ideas. The idea for Dragon Wraiths – my favourite (although flawed) book – came in a dream and the words flowed. Not without effort, but mostly without doubt. I wasn’t trying to write someone else’s book, I was writing my book. Now though, especially with the children’s book, I’m trying to recreate the brilliant middle grade fiction books I adore to read. And as a result I can’t seem to come up with a story and I don’t have faith in myself to just write and see what happens. Being stuck in the editing doldrums with Class Act is not helping!

As with my paintings, the more I try to be a professional the more I feel I’m losing the part that made it fresh and fun and exciting. I wonder if your third complete novel is a bit like the third year in a relationship, when the heady romantic days have settled into a comfortable routine and you have to work a bit harder at the compromises? Or maybe authors feel like this about every book. Certainly Matt Haig said The Humans is the book he is most proud of, the “one I will never be able to write again.” (Facebook) and he’s written LOADS of books! (I thought he also said it was the only one he enjoyed reading, but I can’t find that quote on Facebook…)

Writing, like parenting, is full of highs and lows, successes and doubts, and the best mantra you’ll ever hear, even though it doesn’t help at all at the time is, “This too shall pass.”

Let’s hope so.

Parenting: Learning Not To Interfere

Mummy's more precise version

Mummy’s more precise version

I read a great post this evening, on the Miss Fanny P blog, about how hard it is to be good at something and watch your children struggle (either because they’re little or because they don’t have the same natural aptitude).

It struck a chord with me because I’ve always tended towards perfectionism, to the point of not even trying something I suspected I’d never excel at. I abandoned playing the violin – even though I enjoyed it – when it looked like I would fail the next exam (it’s not a good instrument for the tonally challenged).

My daughter has inherited that trait, getting super-frustrated and upset when she can’t do something first time (even if it’s doing somersaults on the trampoline or being able to spell ‘friend’ when she only started reading three months ago).

With craft activities, she likes to follow the instructions exactly (ahem, guilty as charged) and gets cross when it doesn’t look like the picture on the box. Even though I tell her that NOTHING ever looks like the picture (at the same time as trying to make my own creation as perfect as possible) she still throws in the towel and storms off sobbing.

I used to have to literally sit on my hands to stop myself from helping – straightening stickers, tidying up ragged cutting, that kind of thing. I still do, if I’m watching, but we’ve both learned that the most enjoyable way for her to do craft is if I’m busy doing something else.

My Daughter's Creation

My Daughter’s Creation

I remember the first time it happened, nearly a year ago. I’d bought a couple of discounted ‘dress your dolly’ kits, for my son and daughter. Only, when I opened the boxes, my son went into a teary meltdown because he wanted a toy dog instead. So I decided (for my eardrums’ sake) to sew one out of some felt I had in the sewing basket. For the next half an hour I sewed and my daughter decorated her dolly.

Oh my, when I saw the finished doll I nearly cried. But my daughter was sooooooo proud and hubbie, who always says the right thing, said it looked like a Vivienne Westwood creation. I realised then that I was stifling her creativity with my anal need for perfection.

I’d be lying if I said I have never interfered since that day, but I do at least try not to now. If all the paintings end up brown and the glitter ends up all over the floor and I have to nod and smile and say “marvellous” at something hideous, what does it matter? More than 70% of it ends up in the recycling anyway, after a suitable period of time has passed. I’m learning that it’s the process, rather than the end product, that matters. Learning and getting sticky and having fun.

In the comments beneath Miss Fanny P’s post, someone included the quotation:

“Never help a child with a task with which he feels he can succeed.” Maria Montessori

I can apply this advice to so many things (and sometimes do, mostly out of laziness!) I’m still guilty of a bit of surreptitious help, to make an end product ‘work’, like with the headbands we made today. But, hey, old habits die hard!

Art is the Answer: 2013 365 Challenge #320

Notes from an Exhibition by Patrick Gale

Notes from an Exhibition by Patrick Gale

Hubbie came home yesterday afternoon, after his night away for work, and was all smiles from the joy of having spent twenty-four hours with like-minded people, being listened to and appreciated. It seemed to confirm for me everything I wrote about in yesterday’s post, about the difficulty of being a stay-at-home-mum.

The word sacrifice is bandied about, sometimes, when talking about motherhood. The things we sacrifice to raise our children: sleep, serenity, the ability to pee alone. For some it’s a career, for others it’s the luxury of time or the ability to buy clothes for themselves instead of for their little ones.

And of course the sacrifice is worth it, most would agree with that. I gave up material things when we had kids, and realised I didn’t miss them. I’m quite happy hanging out in the same two pairs of jeans week after week, until they fall apart and I scour the charity shops for two new pairs to trash.

I’m happy not getting my hair cut, or spending endless money on scented candles and potted plants that will only get burnt/killed respectively. Hubbie gave me £100 to spend on clothes last Christmas and I spent about a fifth of it at the charity shop and then the rest on getting the air conditioning fixed in my car. It was money well spent.

The sacrifice for me was guilt-free time. I have always struggled with guilt (and I’ve noticed I’m unconsciously teaching my children the same things, which I hate). My father loathed idleness and I learned to never be idle, particularly if he was busy. He could aggressively vacuum clean like no man I know and god forbid the kitchen was messy if we wanted to get to gym class on time. So, if the house needs cleaning, I have to clean it. If there are shirts to iron, I must iron them. Walking the dog every day was a responsibility I took on the minute we brought her home, quivering in my arms in the front seat because she wouldn’t stay in the boot.

From Slow Down Mummy's FB Page

From Slow Down Mummy’s FB Page

Which is all fine until hubbie says, “How can we get your smile back? Shall we hire a cleaner?” and my answer is “No.” Cleaning is my job. I signed up for that when I gave up paid employment. Besides, as I said in my previous post, I find having a cleaner ridiculously stressful. No, the problem is more my inability to ignore the piles of laundry and the dirty floor and just write regardless. The cleaning will always be there: evil elves come in my house and chuck dirty water over the floor as soon as it’s mopped. It’s the ultimate exercise in futility. Writing, though, that’s there forever. If I write a novel, no one can take it away from me.

One of my blog followers, Hollis Hildebrand-Mills, commented on yesterday’s post, saying, “An artist, like you, I yearned for so much more……and at the same time, felt I was a good mother and wouldn’t trade places (who had the time to think about trading places?) with anyone else.”

It reminded me of a book I read, before I had children, called Notes from an Exhibition by Patrick Gale, about a bi-polar woman and her life as artist, wife and mother. It is a wonderful, powerful, book. It showed me how I didn’t want to be with my children, and yet I could relate to such an extent with the conflicting desires of the need to create and the needs of the family, all wrapped up with the challenges of depression.

With martyr-tendencies, it would be easy for me to be the housewife: to go downstairs, like I did this morning, and numbly lay the table, make breakfast, let the dog out, empty the dishwasher, make the beds. But numb is the word. I can be that person, but by god she’s dull. I don’t need to become Rachel Kelly from Gale’s book (I thankfully am not bipolar, only very mildly depressive) but maybe it is important to make time for the creative things. To stay human. To stay sane.

From Slow Down Mummy

From Slow Down Mummy

There’s a meme that goes around Facebook every now and then: a poem about children asking their Mummy not to rush; about the importance of spending time with the children while they’re little, rather than doing the dishes. (See image above)

I’ve just searched for it and the poem is by Rebekah Knight and her blog is Slow Down Mummy. (There are some other lovely poems on there:  worth a visit) It’s a sweet poem, although I’ve always felt it just adds to the Mummy guilt, every time I see it and my usual response is, “If I don’t do those darn dishes, who will?”

I wonder if sometimes we also have to slow down and do something for us? Maybe I need to swap out the Mummy for Amanda and remember that there’s a real person in here that also needs nurturing, that also would like to kick the leaves or bake a cake; just for me, not because I feel I should for the children. My children are happiest when they’re creating – sticking, gluing, cutting, making up games and songs. As another of the images on Slow Down Mummy’s blog says, “Creativity brings Happiness.”

Maybe art is the answer after all.

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Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:

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Claire sat at the table, building her presentation, trying to ignore the stunning view outside the window. The tall frames only enhanced the scene beyond, of boats bobbing on the water and children playing in the sand. Sparkling diamonds danced on the surface of the sea, taunting her and tempting her to put the work aside and daydream.

She’d been surprised at Conor’s choice of restaurant when she’d arrived. It was a tiny place that appeared to have been a coastguard station at some point. The walk back up to the car park would be hard going after a beer or two. It seemed a bit secluded for a work meeting, and Claire had felt a fizzle of anticipation in her stomach as she was shown to their reserved table by the window. The view really was spectacular: the restaurant was right on the beach, with a view of the harbour and the bay beyond.

Claire’s tummy grumbled as a waiter walked past with a steaming pile of muscles and another loaded with lobster. She was glad Conor was paying, although she had to remind herself it wasn’t a date, it was business.

She turned her attention back to the presentation. The screen shots from the two websites nicely emphasised her point, and she’d managed to incorporate some transitions and graphics that looked impressive, although deep down she suspected Conor wouldn’t be as fooled by such things as Carl used to be.

The challenge of having a boss with a brain, I guess.

She was just running through the final slides when she sensed someone watching her. She turned and met Conor’s gaze as he stood only feet away, his expression inscrutable. A jolt of energy shot through her, and her hands shook as she closed the laptop. When she tried to smile, her cheeks quivered and she quickly abandoned the attempt.

“Conor, hi.” She chanced a quick look into his eyes and they seemed to hold a mixture of amusement and remorse. A hesitant smile hovered on his lips. Then his face shifted, like a mask dropping over his features, and he was her boss again.

“Hard at work, I see. That’s what we like. Did you have any bother finding the place?”

He slid into the seat opposite her and immediately picked up the menu, as if he couldn’t stay long.

“No. Sat Nav. And yes, I was just finalising a presentation. I’ve found a great case study I thought you might like to run through.” She heard the wobble in her voice and silently cursed. If he was going to pretend like nothing had happened the previous weekend, two could play at that game.

“Great, well let’s order and we can run through it while we’re waiting. I can recommend the lobster.”

“Do you come here a lot? It’s not exactly on your doorstep.”

“I was based down here for a few months in a previous job. This place is a gem, especially at sunset.”

It was on the tip of Claire’s tongue to make some comment about wooing the ladies and she stopped, blood rushing to her cheeks. Despite the air of romance, this couldn’t be further from a date, and their days of banter were gone now.

She looked at the top of Conor’s head, as he studied the menu, and searched her brain for something neutral to say. Her mind went blank, so she turned to her own menu, although her eyes refused to focus on the words.

“So, you’re playing Auntie for a fortnight? You’re a sucker for punishment.”

Conor’s tone was less than friendly, but Claire seized on the opening. “Yes, apparently my brother and his wife have separated and the boys are being shuffled from parent to parent during the long vacation. Needless to say my brother isn’t equipped to deal with his chunk of childcare.”

“Why do you say it like that?” Conor looked up, one eyebrow raised.

“Well, looking after kids isn’t really every man’s cup of tea.”

“Depends on the man,” he said, then dropped his head again. Claire sat staring, trying to figure out the meaning behind his words. Really, he was even more of an enigma that Josh, when he’d been harbouring his big secret.

“Do you have kids?” The words were out before she could stop them.

Conor froze, his head still lowered, then shrugged. “Not that I’m aware of.”

The waiter chose that moment to approach with his pad open, and Claire resisted the urge to embrace him for his impeccable timing.

***

Self-Publishing isn’t for the Fainthearted: 2013 365 Challenge #308

Smashwords Dashboard

Smashwords Dashboard

My unshaken confidence in my five-year plan to become an author that actually sells books took a serious wobble today. Due to dismal sales figures last month (each book only sold 6 copies) and the lack of any reviews on Baby Blues, I decided to drop the Smashwords price to 99p on both books for November. It ties in nicely with NaNoWriMo: my contribution, if you like, as I can’t participate this year. The first draft of Baby Blues was penned during NaNo 2011 (while I sat watch over my solo art exhibition) and it seemed appropriate to celebrate the fact.

However, when I dropped the price on Smashwords they put the book under review (even though I hadn’t touched the manuscript) and then booted it out of Premium Catalogue for apparently containing page numbers. It doesn’t. So instead of writing a decent Claire installment this morning, I spent two hours copying and pasting the entire MS into a new word document, relinking the hyperlinks and double-checking everything. Only to have the darn thing not load properly. I’ve tried three times today and it’s still ‘loading’. Grrr.

It’s very tempting to withdraw both my novels from Smashwords and re-enroll them in KDP Select, as I haven’t sold any copies through any other route. It feels a bit like moving to sit in the other end of the boat as it goes down though – I don’t think it’s going to make much difference to the result. There are just too many books out there to compete with. Free books. Books with glitzy covers. Racy books, thrillers, erotica. Things people seem to want to read.

A lovely review

A lovely review

So far I’ve had around 2,200 copies of the free Two-Hundred Steps Home downloaded, across the ten volumes. That’s thousands more than I’ve sold copies of my novel. So my glorious idea of writing THSH to hopefully cross sell Baby Blues and Dragon Wraiths clearly isn’t working. I did get a nice review on THSH Volume 10 today – my first review on anything in ages. (Don’t get me started on the reviews from friends and family that Amazon just won’t publish, even though they’re not at all sycophantic and are just genuine and nice).

I try so hard not to get disillusioned. I knew this was going to be a long slog. I could still be trying for an agent for Dragon Wraiths: instead I’ve sold nearly 100 copies. It doesn’t sound like much, but rumour has it even eighty-something percent of traditionally published books don’t sell more than 100 copies, so it’s something to be proud of. It’s just hard, spending 70% of my time on promotion, formatting, covers, social media, thinking up new sales ideas and 30% on actually writing more books. I can’t even squeeze in NaNoWriMo for the first time since 2008.

I have four unfinished manuscripts and two outlines for sequels and I haven’t been near them all year. I’ve loved doing THSH and publishing Dragon Wraiths and Baby Blues, but it’s hard not to feel discouraged when I see what little impact they’ve had. Writing the darn things is just not enough. The story of my life revolves around my inability to sell my stuff. Web design, paintings, books – you name it. I can do the graft, put in the hard work, but if no one buys anything it’s just so much clutter and hours wasted.

Anyway, sorry for the doom and gloom, I’m sure it’s the infernal cold talking and I’ll be back to my positive self tomorrow. That’s if Smashwords actually sees fit to publish my book anytime soon! Grrr

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Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:

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Claire looked at the email and pursed her lips, trying to read beneath the business-like words. The message contained none of the usual friendly jokes or snide comments that they used to, before Sunday night ruined everything. With a frown she read the note again.

Claire

Thank you for sending through your initial findings, they appear satisfactory, although I have not had a great deal of time to peruse them. We are working hard on the Carnival and there isn’t much time to spare.

Regarding the Carnival: I need you to be back in town for that week. I realise that it isn’t part of your current job description to help out, but I’m afraid we’re short staffed. It’s an essential part of the region’s tourism, so I’m sure you’ll understand why we need it to be a success.

In the meantime I suggest you press on towards Cornwall: there is a lot of ground to cover and, as I understand you’re still in Dartmoor, you will struggle to get around all the major destinations in the time allotted.

Regards

Conor

The last sentence definitely sounded like a rebuke, although Claire couldn’t point to the exact part that gave her that impression. Did he know she was hiding, licking her wounds? Was he angry at her running away or ashamed at his behaviour? There was nothing to work with. It was as friendly and helpful as an email from Carl would have been.

Pushing her laptop away, Claire pulled out a copy of the hostel map and worked out her route. She’d decided to stick to the YHA hostels, after her experience in Torquay.

Although I’ll learn to call ahead.

Looking around the empty hostel at Bracken Tor, Claire wondered if she would be as fortunate to have an entire building to herself in any of the other hostels. It felt a bit spooky, with the gardener the only other living person in the area, but at the same time her soul yearned for the solitude.

When she’d arrived back at the hostel she’d decided to skip her planned activity and wander around the house and gardens, enjoying the silence. She’d read her book, eaten some toast and made endless cups of hot tea. She couldn’t remember the last time she’d felt at such peace with the world.

Still, Conor has put an end to that. Back to work.

With a sigh, Claire looked down the list of hostels and picked one to call. She grabbed her phone and keys, strode out the room and up the hill until she got a signal.

“Yes, hello? I’d like to book a bed for the night. Yes, tonight please.”

As she waited for the manager to check for vacancies, Claire looked around at the endless scenery, with no sight of the steaming heap of humanity Conor was so fond of. Aside from the hum of the main road, she could have been on a remote island, miles from anyone or anywhere.

Wouldn’t that be nice?

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